V🦾

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V🦾

V🦾

@May16t

Katılım Mayıs 2013
942 Takip Edilen141 Takipçiler
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Cuffee 🦾
Cuffee 🦾@chopsticx_·
⚠️ Disclaimer!!! ⚠️ kashtalyanarchive.art is an independent, non-profit, user-generated digital archive built by collectors to celebrate the living legacy of Dima Kashtalyan. This project is entirely recreational, handles zero financial transactions, and is not officially affiliated with or endorsed by the artist. All rights to the featured artwork belong strictly to Dima Kashtalyan. To support the artist directly and view his official portfolio, shop, and updates, please visit kashtalyan.com. This disclaimer is uploaded to the website as well. I had a few concerns about building the website initially and some doubts too, especially about Cyber and IP laws so I had to do a lot of research and reading (not my favorite thing to do). I wanted to do something meaningful while still respecting the artist's work and not infringe on his IP rights. I also didn't want to get slapped with a lawsuit 😭 Please visit our Kashtalyan wall and sign there to help us get to 1,111 signatures. PS: there was no vibecoding involved in the development of this website, we built the code base from scratch.
Cuffee 🦾@chopsticx_

When the project team announced an art contest, I wished I could participate. But I can't paint or sketch to save my life. I’m a tech-inclined girl. I realized that while my hands can't hold a paintbrush, my code could be a canvas to celebrate his legacy. My little brother and I teamed up and spent the last few days building an interactive, non-profit digital archive to honor his work. We just launched it at: kashtalyanarchive.art A living digital archive

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Cuffee 🦾
Cuffee 🦾@chopsticx_·
When the project team announced an art contest, I wished I could participate. But I can't paint or sketch to save my life. I’m a tech-inclined girl. I realized that while my hands can't hold a paintbrush, my code could be a canvas to celebrate his legacy. My little brother and I teamed up and spent the last few days building an interactive, non-profit digital archive to honor his work. We just launched it at: kashtalyanarchive.art A living digital archive
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Cuffee 🦾
Cuffee 🦾@chopsticx_·
ᴇᴠᴇʀʏᴛʜɪɴɢ ᴄʜᴀɴɢᴇᴅ ᴡʜᴇɴ ᴛʜᴀᴛ ʙɪʀᴅ ᴀᴘᴘᴇᴀʀᴇᴅ. ᴡʜᴇɴ ᴀ ᴍᴀꜱᴛᴇʀ ᴀʀᴛɪꜱᴛ ᴡɪᴛʜ 20 ʏᴇᴀʀꜱ ᴏꜰ ɢᴀʟʟᴇʀʏ ᴇxʜɪʙɪᴛɪᴏɴꜱ ᴅᴇᴄɪᴅᴇꜱ ᴛᴏ ꜱᴛᴇᴘ ᴏɴᴛᴏ ᴛʜᴇ ʙʟᴏᴄᴋᴄʜᴀɪɴ, ᴛʜᴇ ᴇɴᴛɪʀᴇ ɪɴᴛᴇʀɴᴇᴛ ᴛᴀᴋᴇꜱ ɴᴏᴛɪᴄᴇ. 🧵
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Elysia
Elysia@Elysialiora·
According to 𝐂𝐞𝐬𝐚𝐫 𝐀. 𝐂𝐫𝐮𝐳, a filmmaker/Educator; 𝐀𝐫𝐭 should comfort the disturbed and disturb the comfortable. I was 𝐢𝐧𝐬𝐩𝐢𝐫𝐞𝐝 by Contrast; the idea of taking something often seen as elegant and mysterious, then 𝐫𝐞𝐢𝐦𝐚𝐠𝐢𝐧𝐢𝐧𝐠 𝐢𝐭 𝐭𝐡𝐫𝐨𝐮𝐠𝐡 𝐚 𝐝𝐚𝐫𝐤𝐞𝐫, 𝐦𝐲𝐭𝐡𝐢𝐜 𝐥𝐞𝐧𝐬. Been a fan of fantasy stories in films and myth-style illustrations that take nature and twist it into something unexpected, but still full of meaning, 𝐈 𝐞𝐱𝐩𝐥𝐨𝐫𝐞𝐝 𝐰𝐡𝐚𝐭 𝐚 𝐁𝐞𝐚𝐤 𝐜𝐨𝐮𝐥𝐝 𝐟𝐞𝐞𝐥 𝐥𝐢𝐤𝐞 if it existed between beauty and darkness, silence and presence. As the contest encourages us to break away from traditional ideas and re-create (reimagine) 𝐭𝐡𝐞 𝐁𝐞𝐚𝐤 𝐢𝐧 𝐨𝐮𝐫 𝐨𝐰𝐧 𝐬𝐭𝐲𝐥𝐞𝐬, I took it so personal because I already know in art and symbolism, Beak stands for instinct, intelligence, freedom, transformation, omen, etc. So I decided to create a 3D 𝐕𝐞𝐢𝐥𝐞𝐝 𝐁𝐞𝐚𝐤 𝐀𝐫𝐭 I reimagined the Beak as a 𝐆𝐫𝐢𝐦 𝐑𝐞𝐚𝐩𝐞𝐫-𝐋𝐢𝐤𝐞 𝐅𝐢𝐠𝐮𝐫𝐞 , but not to show fear or horror. Instead, I wanted it to 𝐫𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭 𝐭𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧, 𝐢𝐝𝐞𝐧𝐭𝐢𝐭𝐲, 𝐦𝐲𝐬𝐭𝐞𝐫𝐲, 𝐚𝐧𝐝 𝐬𝐢𝐥𝐞𝐧𝐭 𝐩𝐫𝐞𝐬𝐞𝐧𝐜𝐞. In my artwork, 𝐆𝐫𝐢𝐦 𝐑𝐞𝐚𝐩𝐞𝐫 𝐬𝐭𝐚𝐧𝐝𝐬 𝐟𝐨𝐫 the space between endings and beginnings; like a timeless figure carrying memory, hidden truths, and emotional weight. @thebeaksart @DKashtalyan
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symbiote.
symbiote.@TheSymbioteLab·
> mint manifest is live date: may 19 supply: 2,222 price: 0.002 eth chain: ethereum launching: @opensea > read the full mint manifest: thesymbiotelab.com/collection phase timings, sneak peaks and all details are now accessible in the lab > you were never meant to find this.
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ØxBedee ♟️❄️
ØxBedee ♟️❄️@borladayo·
Some artworks just make you stop scrolling and yeah, that was me when I found @thebeaksart It’s not just because the art looks good, but because you can actually feel the years behind it. 20 years of practice, then stepping into Web3 is not something you see every day, and honestly, that’s what makes @thebeaksart by @DKashtalyan unique to me. If you watched DKashtalyan draw live on X two days ago, then you already understand the vibe. Watching a Beak come to life in real time, tv details, the patience, the creativity, it reminded me that real art will always stand out no matter the space, so I did this art for The Beaks because I genuinely connected with the vision that much. This is the kind of project that inspires you to create too
ØxBedee ♟️❄️@borladayo

2️⃣ @thebeaksart by @DKashtalyan The Beaks is coming from Dima Kashtalyan and you can tell this isn’t someone experimenting, an artist translating years of real art into Web3. Every piece feels intentional. Fully hand-drawn, detailed, expressive, not the usual mint and move on vibe. It actually feels like something you’d hang up, not just hold. His work has already earned global recognition and featured in major publications. But what really got me is the bigger picture. It feels like a bridge between traditional gallery art and onchain ownership. It’s launching on Ethereum via OpenSea, and it’s still early. Each collection piece is a 1/1 and all fully hand-drawn. Whitelist spots are going to people who are paying attention now in a way that feels fair. @ssheyii and @MartKAD will be handling that perfectly I’m not even trying to overhype it… but this is one of those collections you wouldn’t want to miss early.

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symbiote.
symbiote.@TheSymbioteLab·
> system query: how to secure symbiote wl inject the symbiote into your veins: thesymbiotelab.com [01] authenticate: connect via X. [02] x protocol: follow, RT, comment ➔ claim your infection token. [03] spread: infect 3 new hosts ➔ secure WHITELIST. [04] bind node: drop evm wallet in the unlocked interface. [05] apex predator: earn DSP via pulse, echo, amplify & decrypt. top 20% on leaderboard ➔ GTD WL. human cognition is a bottleneck. the mutation is fast. > sync or fade. [indexing data: ethereum | alpha | nft]
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Anish Moonka
Anish Moonka@anishmoonka·
Winston Churchill fought his depression with bricks. He'd lay them for hours at his country home in Kent. He joined the bricklayers' union. And in 1921 he wrote about why it worked. It took psychology another 75 years to catch up. He called his depression the "Black Dog." It followed him for decades. His method for fighting it back was as basic as it sounds: laying brick after brick, hour after hour. Churchill spelled out his theory in a long essay for The Strand Magazine. People who think for a living, he wrote, can't fix a tired brain just by resting it. They have to use a different part of themselves. The part that moves the eyes and the hands. Woodworking, chemistry, bookbinding, bricklaying, painting. Anything that drags the body into a problem the mind can't solve by itself. Modern psychology now calls this behavioral activation. It's one of the most-studied depression treatments out there. Depression sets a behavior trap. You feel bad, so you stop doing things, and doing less means less to feel good about. Feeling worse makes you do even less. The loop tightens until you can't breathe inside it. Behavioral activation breaks the loop from the action side. You schedule the activity first, even when every part of you doesn't want to. Doing it produces small rewards: a wall gets straighter, a painting fills in, a messy room gets clean. Those small rewards slowly rewire the brain. Action comes first, and the feeling follows. Researchers at the University of Washington put this to the test in 2006. They studied 241 adults with major depression and compared three treatments: behavioral activation, regular talk therapy, and antidepressants. For the people who were most severely depressed, behavioral activation matched the drugs. It beat the talk therapy. A 2014 review of more than 1,500 patients across 26 trials backed up the result. Physical work like bricklaying does something extra on top of this. It crowds out rumination, the looping bad thoughts that grind people down during the worst stretches of depression. Bricklaying needs both hands and gives feedback brick by brick: each one is straight or crooked. After an hour you can see exactly how much wall you built. No room left for the mental chewing. The line George Mack used in his post, "depression hates a moving target," is good poetry. The science behind it is sharper. Depression hates a brain that has somewhere else to be.
George Mack@george__mack

Winston Churchill used to lay 200 bricks per day to keep his mind busy when feeling down. Depression hates a moving target.

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Chetuya Chinagolum
Chetuya Chinagolum@Chetuyachinago·
I put on my fraud detection hat whenever I see a 22 year old Tech bro who supposedly dropped out of college to fund an AI startup. In this case, what I found about this Kled guy is incredibly disturbing. K5 Global is Kled’s lead investor. K5 Global is a firm that frequently invests alongside the Palantir and Thiel network. Another Kled backer, Aglaé Ventures, owned by Bernard Arnault, has a massive AI portfolio that intersects with the same labs that Palantir’s AIP integrates with. Basically, Kled is the Data Harvester for Palantir. Their job is to mobilize hundreds of thousands of gig workers, mostly from the Global South, to upload personal photos, videos, and documents. They convert raw human life into a machine readable product. Their clients like Palantir act as the Data Refinery. Palantir’s software, specifically Foundry and AIP, is designed to take that data and make it actionable for governments and corporations to put into global surveillance and military use. We can safely conclude that this Kled guy and other similar AI startups harvesting user data are human meat shields. They are specifically set up and funded to do the dirty work for Silicon Valley tech empires. Understand that these Large AI labs are currently being sued by artists, writers, and publishers for stealing data through web scraping. To win these court cases, OpenAI and Palantir need to prove they have clean, consented data. Buying a dataset from Kled, where every user signed a 50 page digital consent form in exchange for $20, gives these billion dollar tech companies a free pass. Also, imagine if Palantir, a company already criticized for government surveillance and US military war campaigns, offered to pay people in developing countries to film their living rooms and daily activities. It would look like a global surveillance network. By using Kled as a middleman, they get the same data but keep their hands clean in the public eye. Even though we cannot verify his claim of Nigerians defrauding his company, what we can verify is that he is an industry plant. He is set up to allow AI data labs to continue harvesting user data for global surveillance and military use.
Avi Patel@avipat_

We have removed Kled from the Nigerian app store and IP banned the entire region. The first thing I would like to say is I have nothing against Nigeria. I have a ton of friends from this region and these were some of our earliest app adopters. Genuinely, thank you all for the support. Kled has been up and running and out of beta for 4 months now. We have paid out hundreds of thousands of people for their data, and our users have uploaded over 1 billion assets onto our platform. After several months of uploads we found that Nigeria had a ≈95% fraud rate. Instead of real, usable data, users were uploading pictures of black screens, duplicate photos, internet generated images, AI generated images, etc. at an unimaginable scale. In comparison, Malaysia, Indonesia, and the Philippines have a less than 10% fraud rate across 10x the userbase size. Our fraud system is fast to catch these issues but the level of complexity of these schemes is getting out of hand. This weekend we were flooded with thousands of fake Japanese passports and identity cards with Nigerians photoshopped onto them in our KYC system. That was the final straw. As a startup we can't afford to eat the costs of that data overhead, so we temporarily removed the app from the region while we improved our fraud detection and banning system to quickly filter out bad actors when the time is right. On top of all of this, every time we make a post there is someone asking us to bring the region back within seconds. We hear you, but it's gotten out of hand. We've made this decision with great care. We love everyone who has genuinely supported Kled from Nigeria, and we hope to return when the time is right. -Kled Team

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David Hundeyin
David Hundeyin@DavidHundeyin·
"We create the chaos. Then we move in and capitalise on that chaos...We're looking at the long term here gentlemen. Rates of return that'll make Iraq and Afghanistan look like chickenfeed." To those who want to remain asleep, may you sleep until you wake no more.
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Nnamdi Obi
Nnamdi Obi@nnamdiobiii·
Olodo In the 1980s, Nigeria was pushed into Structural Adjustment Programs by the IMF/World Bank. SAPs forced government to slash spending on public infrastructure such as power, water, health, education. Who designed those conditions? Washington consensus institutions with US Treasury fingerprints all over them. NEPA didn’t fail by accident. It was defunded by policy. Now zoom out to Nepal. Nepal sits on some of the most powerful river systems on earth. Hydroelectric potential that could power the entire subcontinent. Yet they remain one of the poorest countries in Asia,dependent on foreign aid, foreign expertise, foreign approval. Why? Because energy independence is geopolitical power. And powerful neighbors (with US backing) don’t want a self-sufficient Nepal. Two countries. Two continents. Zero electricity sovereignty. The CIA doesn’t need to cut your light. They just need to make sure you never build the switch. But because you can’t read not think objectively, you make careless tweets without realizing how hopeless you are.
Big Cuz@imohumoren

Na CIA say make NEPA no bring light?

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Cuffee 🦾
Cuffee 🦾@chopsticx_·
ǟ ɦʏքɛ ʊɢƈ ɖʀօք ʄօʀ @GoblynzNFT and @magicburp Long before the swamps, before the caves, before the chaos… Goblynz once lived in a land called Artrea. A place of color. Of art. Of weirdness. (All visuals in this thread are AI-generated) And then, everything changed.
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