Metrograph

🎟️: metrograph.com/film/?vista_fi…

DEATH OF A CHEERLEADER plays tonight with @bejohnce in-person, now open to the public! A few 🎟️ remain....

We're pleased to debut the trailer for Kamal Aljafari's 'With Hasan in Gaza,' one of the year's best documentaries, which opens @Metrograph on May 29: thefilmstage.com/kamal-aljafari…

📖: metrograph.com/the-taste-of-t…

“THE TASTE OF TEA absolutely bears the mark of a filmmaker with a boundary-less sense of reality. But emotional reality is the movie’s engine, strange as that reality is.” —K. Austin Collins on Katsuhito Ishii’s 2004 film’s indelible mix of the mundane and the insane

“For me, writing is about trying to say something that the audience has not already been thinking.” —Wallace Shawn, speaking to Kelli Weston about his drive as a writer, ahead of his 7-film retrospective playing at Metrograph from May 8 📖: metrograph.com/wallace-shawn-…

This Saturday and Sunday! Join us for a special brunch menu at Metrograph

"As sweet as the lives it celebrates, it’s something to savor time and time again." Check out the new HD transfer of Ishii Katsuhito’s THE TASTE OF TEA @Metrograph starting this Friday. slantmagazine.com/film/the-taste…

One of the greatest films, and a veiled self-portrait: Utamaro and His Five Women, on 36mm., at @Metrograph at 7; Mizoguchi is grossly underappreciated now (unlike Ozu and Rohmer, his splendor and fury burst through small screens) newyorker.com/culture/richar… newyorker.com/goings-on-abou…

Meet me at @Metrograph metrograph.com/thrust-it/

Theo Angelopoulos' LANDSCAPE IN THE MIST plays this Saturday at Metrograph.

New series "The Dog Dies" this weekend at Metrograph 🐶🦴🌭💀

📖: metrograph.com/nina-menkes-in…

From the Journal archive: Nina Menkes in conversation with Yuka Murakami about her portraits of women on the edge. Menkes joins Metrograph this Saturday to present two of her most bewitching films QUEEN OF DIAMONDS and THE BLOODY CHILD

Johnnie To's THROW DOWN tonight and next week at Metrograph.

Spoke with the prodigiously gifted Lucrecia Martel about her very fine Our Land (Nuestra Tierra), the newly restored The Headless Woman (2008), and sundry other topics for @Metrograph: metrograph.com/lucrecia-marte…

OUR LAND one of the films of the year. Here’s Lucrecia Martel interview @Metrograph with @NickPinkerton metrograph.com/lucrecia-marte…

📖: metrograph.com/lucrecia-marte…

“When you’re not seeing something, it frees up your imagination… It keeps you active during the viewing of the film.” —Lucrecia Martel, in conversation with Nick Pinkerton (@nickpinkerton), about her ongoing fascination with storytelling and violence.

Mel Hondo's SOLEIL Ô this weekend at Metrograph.