Metrograph

The Green Room, one of Truffaut's best and least-seen films, its dearh-haunted sombreness a step short of comedy (and with a Godard-centered twist, at @Metrograph 7:10pm in 35mm.: newyorker.com/culture/richar…

FIRST BLOOD 🩸 this weekend

Japanese ninjas vie with Soviet bandits, and the spectacular action and inspired slapstick scarcely lets up for a minute in Sammo Hung's deliriously entertaining action-adventure vaudeville MILLIONAIRES' EXPRESS. This weekend!

DRUNKEN MASTER II this weekend at Metrograph!

📖: metrograph.com/in-her-shadow-…

“In and out of cinema, dead women dominate the market, which turns such hauntings into a peculiar theater of gender. The female specter is a sociological phenomenon.” Kelli Weston on women who haunt women in the series In Her Shadow, playing @Metrograph from July 31.

Great that Robert Bresson's last film, L'Argent, is at @Metrograph 12:45pm, in a tribute to the sound recordist Jean-Louis Ughetto, because the soundtrack plays a dominant role in expression and substance (struck by it when I saw it in first run in Paris): newyorker.com/goings-on-abou…

NEW YORK - Join us for two special screenings of THE RED LIGHT BANDIT at the @Metrograph this Friday (July 24th) at 8:30pm and Sunday (July 26th) at 10:00pm. [TICKET INFO] metrograph.com/film/?vista_fi…

I wrote about Ted Kotcheff's Wake in Fright—in the words of Nick Cave, "the best and most terrifying movie about Australia"—ahead of its screenings @Metrograph next week metrograph.com/wake-in-fright/

“It’s an odd and, for some, uncomfortable truth that the greatest film about Australia was directed by a Canadian.” —@annnabelbb on Wake in Fright (1971), a brooding, nightmarish portrait, once shunned by Australians, now heralded as a classic. 📖: metrograph.com/wake-in-fright/

From the Journal archive: Hollywood legend Oliver Stone discusses his decades-long career with Michael M. Bilandic (@_RareArt). His 1991 film, JFK, screens at Metrograph from August 1. 📖: metrograph.com/oliver-stone/

Lana Daher's "enthralling" "stunning" "delicately wrought" "head-spinning" and "kaleidoscopic" mosaic of Lebanon DO YOU LOVE ME holding over @Metrograph 💌 🎞️🎟️ Additional showtimes for tomorrow Tuesday, July 21st at 5 PM + Monday, July 27 at 6 PM 🎞️ metrograph.com/film/?vista_fi…

Laura Dern in RAMBLING ROSE, this weekend!

Opens August 8 at @metrograph. metrograph.com/otar-iosselian…

In-person @ArrowFilmsVideo Lau Kar-Leung box set giveaways for Metrograph members for DIRTY HO on 35mm this Saturday.

📖: metrograph.com/tsai-ming-lian…

“For me, conceptually, this scene is more related to Kafka and cockroaches.” Tsai Ming-liang speaks to Edo Choi (@edogoesboating) about THE HOLE, which plays in a newly struck 35mm print @metrograph from July 24

This weekend...

So delighted that @kani_releasing is bringing TAKE CARE OF MY CAT, hailed by Shiguehiko Hasumi as one of the greatest feature debuts alongside Xiao Wu and Adieu Philippine, to @Metrograph this week! I’ll be intro’ing the 6:30pm screening on 7/17 (Fri)

Our poster for OTAR IOSSELIANI: A GEORGIAN SUITE, a collection of restored films by the great Georgian filmmaker, feat. an illustration by Iosseliani himself. A joint retrospective kicks off July 24-25 at @AsiaSociety and Aug 6-20 at @Metrograph.