Metrograph

Delphine Seyrig and Isabelle Huppert in/as ALOÏSE, a film by Liliane de Kermadec. New 4K Restoration is Now Playing @Metrograph. Screening tonight is introduced by @majortransceleb

Thanks for a great first weekend of Wallace Shawn: The Master Builder with @bejohnce, Lucas Cane, Wallace Shawn, Amy Heckerling, and Tom Cairns in-person to discuss Shawn's "oeuvre." ⁠ Join us tomorrow for THE DESIGNATED MOURNER and VANYA ON 42ND STREET.

"Like her heroines, Liliane de Kermadec dreamed bigger than the domestic narratives, psychological dramas, and limited budgets that were then expected from 'women’s films'" - Critikat Aloïse opens tomorrow with an intro from @majortransceleb! metrograph.com/film/?vista_fi…

On one of the finest and most beautiful films about a painter and his work, Giorgi Shengelaia’s Pirosmani (1969), for @Metrograph: metrograph.com/futures-and-pa…

📖: metrograph.com/futures-and-pa…

“By around the turn of the century Pirosmani, unlucky in love and unsuited to business, concluded that he was made for painting and painting alone.” —@nickpinkerton on PIROSMANI (1969), Giorgi Shengelaia’s tender and altogether sublime biopic of the Georgian painter.

Isabelle Huppert and Delphine Seyrig inhabit an artist in our exclusive trailer and poster for Liliane de Kermadec’s 'Aloïse,' opening at @Metrograph on Friday. Watch: thefilmstage.com/isabelle-huppe…

Listen to Wallace Shawn, John Early and Lucas Kane on WNYC! ! 🎧:wnyc.org/browse/shows/e…

Great day of All the Single Mothers at @Metrograph with Kinuyo Tanaka's agonized, exalted Forever a Woman (a.k.a. The Eternal Breasts), all the more astoundingly a bio-pic, 2pm; missing (b/c unavailable?), John M. Stahl's Only Yesterday, a confrontational melodramatic fusion of..

📖: metrograph.com/alien3/

“From the beginning of his career, Fincher proved himself a disconcertingly detached anatomist of private hells.” —@MarkAschParody on feeling squicked out watching David Fincher’s compromised debut ALIENS 3

Interview: Katsuhito Ishii on the Long Brewing of "The Taste of Tea," opening this week @Metrograph moveablefest.com/katsuhito-ishi…

Kristen Stewart, Jodie Foster, Forest Whittaker, and Jared Leto in David Fincher's PANIC ROOM Saturday night at Metrograph.

First weekend of our collaboration with @FraenkelGallery, with picks by Carrie Mae Weems, Martine Gutierrez, and Wardell Milan with the artists in-person for intros 🎨

🎟️: metrograph.com/film/?vista_fi…

DEATH OF A CHEERLEADER plays tonight with @bejohnce in-person, now open to the public! A few 🎟️ remain....

We're pleased to debut the trailer for Kamal Aljafari's 'With Hasan in Gaza,' one of the year's best documentaries, which opens @Metrograph on May 29: thefilmstage.com/kamal-aljafari…

📖: metrograph.com/the-taste-of-t…

“THE TASTE OF TEA absolutely bears the mark of a filmmaker with a boundary-less sense of reality. But emotional reality is the movie’s engine, strange as that reality is.” —K. Austin Collins on Katsuhito Ishii’s 2004 film’s indelible mix of the mundane and the insane

“For me, writing is about trying to say something that the audience has not already been thinking.” —Wallace Shawn, speaking to Kelli Weston about his drive as a writer, ahead of his 7-film retrospective playing at Metrograph from May 8 📖: metrograph.com/wallace-shawn-…