Azriel Mari

I don’t have this cut anymore but Pink Runtz was definitely one of the nicest plants I’ve grown

catching a fucking vibe brother

I be getting frustrated with people and then i realize, Niggas out here not even THINKING!!!!

RT @Extralongdokkan: THIS IS FOR GOHAN!!!!

Dangerous

🚨🗣️Rihanna on why she came back to A$ap Rocky: “I came back to him because I realised he's different from others. I have met men and had ugly experiences. Some wanted to trap me down with wealth but you know I'm a successful and hardworking woman. It's never been about wealth or fame, rather I wanted peace of mind. I texted him(A$ap Rocky ) and said "hey I think we can make it work" he replied “What do you mean?” So we met and now we have beautiful kids together! He's the perfect man for me and I thank God he was still single when I knocked at his door.”

Twitter hall of fame.

RT @auntymurda:

@RoRoFli In other words, flying monkeys. Never try to explain your side to flying monkeys. They dont care about the truth. They have something that they can weaponize against you. Doesnt matter if its a lie. Thats all they need to feel moraly superior to you.

"Anybody that goes against you without hearing your side of the story was already looking for a reason to be against you"

I like folks that are naturally themselves, if you a dickhead be a dickhead don’t try to be something you ain’t to impress people that don’t matter

Unless youre smoking in a dryer sheets factory that blunt smell is gonna stick no matter what you do

RT @JamesLucasIT: We grew up watching hand drawn Disney and now it's just gone. We don't talk about this enough.

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

I don’t mind getting to know folks via texting and shit cause that week or 2 of texting can save you from wasting time meeting up and seeing you really aren’t that compatible

wait until you like how much they occupy your mind, watch who you become while thinking of them, it’s beautiful seeing yourself adore someone with such a beautiful heart.

those who claim they aren't led by their feelings are ironically the most led by their unexamined feelings

Roman Atwood and his wife were shocked after discovering a video of themselves in the same place, 10 years before they met. 😳

I guess what I've learned is you have to be more afraid of wasting your life than of embarrassing yourself

You can purchase two peanut butters