Operating Thetan Level VIII

🚨 HOLY CRAP. Nick Shirley DECIMATES Gavin Newsom 🔥 “The governor of California is an ENEMY to the people of California. He’s literally working to support the fraudsters!” “He COULD be working to expose the fraud.” “How STUPID do you have to be to say ‘let’s go after the guy exposing the fraud, let’s not go after the fraudsters?’” “That is what he’s doing. Why don’t you say ‘Hey Nick, great video - how can we help?’” “These tax dollars don’t say right or left on them, Republican or Democrat. Each tax dollar is a dollar for the American people.” “And when they go and steal these dollars from us, they are not robbing liberals or Democrats, they are robbing everyone.” “Then the governor gets mad at the person exposing the fraud? How crazy do you have to be to think that logic?!” @nickshirleyy Mic drop. H/t @TVNewsNow

An Iranian woman in Germany says: “I come from Iran and I am in Germany because Islam destroyed my life there. Now I am afraid that Sharia will come here too.”

@MostlyPeaceful Remove that pedo Stephen Hawking!

Gelsenkirchen. Lernen die Kinder eigentlich auch wie man in buddhistischen Tempeln betet? Oder in hinduistischen Tempeln? In Synagogen? Oder, ganz absurd: in christlichen Kirchen? Hey, steckt bei der Stadt sogar im Namen.

Amiri sieht aus wie 3. Platz DSDS 2007

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

@welt Und dennoch werden Linke Cucks weiter vor dem Islam stiefel lecken

@MovieEndorser Hamnet all day long!

Sinners or Hamnet?

Happy #LetterboxdFriday! Time to post your #LastFourWatched 💚

@Will_Sefik @maiamindel 🏆

@maiamindel that’s just Die Antwoord

performative bisexual woman at a rave and her dutch boyfriend

🇮🇹 Bürger in Rom patrouillieren jetzt an Bahnhöfen, um Touristen vor Migrantenkriminalität zu schützen. Das Zeitalter der Selbstverteidigung hat begonnen.

Can’t wait for these useless dregs to get replaced by robots.

@DerGanesha Island 🇮🇸

Wenn du nicht in Deutschland leben dürftest, wohin würdest du wollen, wenn du es dir aussuchen dürftest?

People have to live like this because activist judges kept releasing dangerous repeat offenders back onto the streets.

Black people for some reason

Hier sehen Sie eine „Geschäftsführerin“, die Geschlechtertests in Frauensport ablehnt. Lustiger wird es eigentlich nicht. (mannschaft.com/a/ilga-olympia…)

„Als Dänemark die Sozialleistungen für Asylsuchende kürzte, ging die Zahl der Asylanträge um 71 % zurück.“ „Diese Leute kommen nicht in Ihr Land, weil sie verfolgt werden. Sie kommen wegen Ihrer Steuergelder.“

All these freaks need to stay in their own countries.

We tried to ask Paradise Residential Services CEO Jocelyne Ininahazwe about her $16M plus autism business and allegations of fraud from former employees. She fled in her Mercedes Benz E Series (which, personally, I think is less gauche than her son’s G-Wagons).

nach der Frauen Schläger Boateng Doku kommt fascho Özil Doku und wir werden gezwungen dafür zu zahlen...