Pancham Pakistan - पंचम पाकिस्तान - پنچم پاکستان

Celebratory RD Burman birthday playlist. Updated my current favourite RD songs. Some are recently discovered or songs I have reconnected with again. #RDBurman #Legend #Pancham

Raja Bana Mera Chhaila… Asha Bhonsle …Majrooh / R.D.Burman ….Garam Masala …1971 LP…@BhoolebisareGit @Themusicroom13 @TheSongPedia @PanchamPaagals @PakistanPancham

Acchi Nahin Sanam … Kishore Kumar / Asha Bhonsle… Majrooh/ R.D.Burman… Rakhi Aur Haathkadi …1972 EP…@BhoolebisareGit @PanchamPaagals @PakistanPancham @TheSongPedia @Themusicroom13 @nitingodbole @ashabhosle

@ChitrapatP @gulzaar_poetry @Bollywoodirect @DDNational Perfection. Romantic elegant poetry nu Gulzar. Kishoreda and Lata at their peak. Pancham and his team's magic.

Amitabh Bachchan's film 'KAALIA' closing 44 Years of it release ~A Blockbuster @SrBachchan

Paying tribute to the great Kishore Kumar on his 96th birth anniversary with this Pancham-Kishore duet from Pukar.. "Jaane jigar duniya mein tu sabse haseen hai" youtu.be/rk4gsg1Rg2w?si…

दुनिया कहती मुझको पागल, मैं कहता दुनिया को पागल What set Kishore Da apart from his fellow artists was his well-known streak of madness. To many producers, directors, and co-actors, he was a “certified madman.” A man is truly mad when he does not know he is mad. But when he knows it, and can use that madness as a weapon or a wall, he becomes a genius. Kishore Da was that kind of genius... The Genius in Madness. @swanandkirkire @varungrover @PuneetVuneet For a selfish and materialistic world, his madness was a shield, one he used masterfully both on screen and off. One is reminded of Ghalib’s lines: बाज़ीचा ऐ अत्फ़ाल है दुनिया मेरे आगे होता है शबोरोज़ तमाशा मेरे आगे On set, in a music recording, or in his films, he wore the mask of madness. Living in the same world, yet apart from it. When needed, the mask came forward. A true free-spirited artist. A beautiful example of this awareness in his madness is found in the hit nonsensical song “Shing Nei Tobu Naam Tar Shingho” from the film Lukochuri. The story: Singer Shankar (Kishore-1) wants to be a good singer but refuses to compromise with the flashy demands of producers, so he quits. When Kumar (Kishore-2) learns this, he impersonates Kishore-1 and goes to the producers, delivering a wild, nonsensical performance they absolutely love. As Kishore leaves the studio after this riotous act, he notices a portrait of Rabindranath Tagore. He says to Tagore: “Even though I was born in your land, in these times I have to do such compromise in the name of music. Please forgive me.” Kishore Da, there can never be another like you. The one and only Kishore. Never after, never before. Happy Birthday, Kishore Da! May the fun, mischief, madness, and music never stop, wherever you are. #HBD96 #KishoreKumar #GeniusinMadness

दोस्तो से प्यार किया दुश्मनो से बदला लिया जो भी किया हमने किया शान से शान से शान से शान से #शान 1980 #उषा_उत्थुप  जी को (पार्श्व गायिका) #जन्मदिन🌻🎂 मुबारक #आनंद_बक्शी गीत #राहुल_देव_बर्मन संगीत @singerushauthup @PakistanPancham @ChitrapatP YTL👇 youtu.be/eO4EPRItCuc

The greatest ever composer who understood music was not about the Self . He was the face of the team, rather Humanity

Meeting Pancham This heartwarming story was shared by my dear friend, singer Udbhav Ojha, a lifelong admirer of R.D. Burman. Ever since his childhood, Udbhav had been a devoted fan of Pancham da. When he moved to Mumbai in the early 1990s, his biggest dream was to sing for the maestro. Driven by that dream, he would go every day to Panchamda’s house and stand outside, hoping for a glimpse of him, perhaps even a chance meeting. This continued for a month. The guard never let him in.. So he would just stand for hours, watching the house, watching #Panchamda step out and return. One day, however, two policemen picked him up and took him to the nearby police station. There had been a theft at Panchamda’s house, and Udbhav’s repeated presence had raised suspicion. The watchman and a servant had reported him as a possible suspect. A Marathi inspector questioned Udbhav, suspecting his motive. At that time still in his late teens, Udbhav broke down and began to cry. Something moved the inspector, who realized this boy wasn't a thief. Udbhav told him, he came to Mumbai to become a singer . The inspector then asked him to hum a few songs. After hearing him, the inspector released him. Shaken and disheartened, not just by the accusation but by the feeling that even Panchamda might have misunderstood him, Udbhav considered leaving Mumbai. Still, something pulled him back to the same lane one last time. And there, the watchman recognized him. “Panchamda wants to see you!” he told with some excitement. Someone had briefed Panchamda about the incident, and he now realized a struggling young singer had been falsely accused. Udbhav was invited in. He finally met Pancham da, spent time with his entire team, and Panchamda listened the entire kissa, asked Udbhav to sing and even asked to play sitar. Panchamda smiled and said, “You’re still very young to be a singer, but keep visiting and feel free to come here.” Over the next year or so, Udbhav remained closely associated with Panchamda in various capacities. He even became a dubbing singer for a few tracks. One of the songs he dubbed was the beautiful “Hum na samjhe the baat itni si” - Destiny You Know.. [Later Udbhav became lead singer in Mohabbatein for Jatin Lalit] Recently, Udbhav recorded a tribute song for our Chaupaal, in remembrance of Kishore, Pancham for Gulzar saab's 90th Bday , a heartfelt tribute to the legends who inspired his journey. Such a beautiful story, showcasing the human side of Pancham da - recounting as we are discussing the opportunities missed to see him.. #Pancham #InMemories #RDBurman @singersrinivas @anishmohanty @Arjunkisor @vittalbalaji @nirupamakotru @MusicAloud @panchammagic @rdgadhvi @rdnagul @yatsmusical @PakistanPancham @beastoftraal @deepabuty

Remembering the great #RDBurman ji on his birth anniversary 🩵 Thank you for all the gems 🎶

"bajta hai jalatarang tin ke chhat pe jab motiyon jaisa jal barse...." #RDBurman

Happy Birthday Pancham - You are the background music of my life.. Thank you for making it more vibrant and beautiful.. #HBD #Pancham #RDBurman

Pancham’s music is the background music of our lives, adding a melodious fragrance in the air we breathe, amidst all the chaos and cacophony. Happy Birthday #Pancham #HBD85 #RDBurman

Unpublished background scores by R.D.Burman …the new LP … @BhoolebisareGit @CinemAajKal @PanchamPaagals @PakistanPancham @TheSongPedia @Themusicroom13

Raat Kali … Kishore Kumar … Majrooh / R.D.Burman … Buddha Mil Gaya … 1971 LP…@BhoolebisareGit @PakistanPancham @PanchamPaagals @Themusicroom13 @TheSongPedia @nitingodbole @AarTee33

Deewar - The significance of the Sound Recordist , A showcase of the legend of Mangesh Desai How he brought up a linking sound of train whistle in the very important scene [Mere Paas Maa Hai] to take the film forward to next one like a film editor.. by @horrorkurtz #HTTH @diptakirti @vicramb @SukanyaVerma #50YearsOfDeewar #MangeshDesai #HaalChaalTheekThaakHai #Podcast

दीवारों का जंगल जिसका आबादी है नाम बाहर से चुप चुप लगता है, अन्दर है कोहराम #Sahir #Mumbai Deewar - The soundtrack that wasn't... and a lesser discussed musical collaboration of class and variety Deewar was once planned as a song less film, saw a lesser discussed musical collaboration of two generations of artists.. Sahir Ludhiyanvi & RD Burman. It wasn't their first together, but they got limited opportunities to work together, all for Chopra brothers (BR & YR who brought together Sahir-RD in three projects, Joshila, Deewar & The Burning Train) - The first person to bring them together was Manmohan Desai ofc for Aa Gale Lag Ja.. #Deewar was less musically then the other RD-Sahir projects, but had a lot of variety and two of the recorded songs were eventually not used in the film.. One Dockyard song by Bhupinder and the other was a brilliant Ode to Mumbai City penned by Sahir Ludhiyanvi.. An intense title song recorded by Manna Dey with some exceptional poetry on the character of the City of #Mumbai, which played an important part in the film. Unfortunately relegated to a short BGM track bit. It could have been a great title song in the film.. [the video is just a representation] जितने घने हंगामे इसमे, उतनी घनी वीरानी रातें कातिल, सुबहें मुजरिम, मुलज़िम है हर शाम बाहर से चुप चुप लगता है अन्दर है कोहराम - What a brilliant character sketch of Mumbai अपनी विपदा छोड़ के आये, कौन किसी के काम is कोई ना संग मरे level by #Sahir .. Cinema has so much to give, but so much is excluded in final releases.. that needs to be explored if survived.. #50YearsOfDeewar #RDBurman @puneetj @PuneetVuneet @varungrover @diptakirti @mehtahansal @yunusrj @deepabuty

Gulmohar Gar Tumhara Naam Hoga … Kishore Kumar / Lata Mangeshkar…Gulzar/R.D.Burman … Devata …1978 EP…@BhoolebisareGit @TheSongPedia @Themusicroom13 @nitingodbole @PanchamPaagals @PakistanPancham

What does one say? We, the devotees of #Pancham, run out of epithets and superlatives when talking about the #LoRD. We are just blessed and fortunate to be able to make him and his music an integral part of our individual and collective consciousness. #RDBurman #31YearsGoneBy

Thodisi Zameen … Lata Mangeshkar/ Bhupinder … Gulzar/ R.D.Burman… 1980 LP…@AarTee33 @TheSongPedia @Themusicroom13 @BhoolebisareGit @nitingodbole @PanchamPaagals @PakistanPancham