Phil (Commissions Open)

guys follow me on blskyy, it's so much calmer there. phildragash .bsky .social

you should really follow me on some of these; I do a lot more than Pokémon: linktr.ee/phillock

The venom ball, love this guy.

The menacing Victreebel

Weepinbell Flexing

Our girl’s fallen on hard times 💙🥪💸

@pontoffelnp Flashbacks flashbacks flashbacks! Thanks for mentioning the artist!

The artist name's Mark Fredrickson btw

Masterwork

Young Man And the Sea. I painted this while waiting for something to render.

@iwantmyTVN0W oh my gosh

@PhilDragash be like:

@SWAnimus01 Gen 1 wrap is awful.

@PhilDragash I still remember this Pokemon being a menace in Gen 1 just because of Wrap.

Bellsprout's sprite is so funny. I can hear its cry in my head when I see it.

please look at m'art

here's an alternate version, more accurate to that goofy face:

@bookhouseboy90 @jbillinson I was going to say this too, unfortunately. Still, it rests on the decision makers, they never should have made the decision for these.

@jbillinson I kind of feel like the worst part of it is that audiences are undoubtedly going to reward them for it. I mean, is there even any question that this is going to make a billion without breaking a sweat?

It’s bad enough that a big chunk of Hollywood decision makers so clearly see animation as a lesser-form of filmmaking, but it’s so much worse that *this* is what they want to do with those stories instead

@Anto_9607 you suuuure?

@PhilDragash Show us all

You all know I’m doing all 151 Pokémon sprite re-draws, but what you don’t know is that I have a valuable collection of fake cards I made when I was 12-13. Behold. The Dark Pilgrims.

This sprite of Cloyster is like Koffing where there's something fundamentally wrong about it, or right about it.

Some Pokemon requests while I drink more coffee

30 years of RESIDENT EVIL 🤩 #RE30th

‘Tech companies believe in intellectual property, but not yours.” Great piece in The Atlantic pointing out that AI companies spend huge amounts of money simultaneously (i) defending their own IP and (ii) arguing that they can use other people’s for free. theatlantic.com/technology/202…