🎵 PoW - Proof of Word ⌨️🎐

Just saw The Odyssey. Despite what you may have heard, literally all of the criticisms by conservatives were entirely correct. The movie is just as woke as you fear, if not more so. The DEI casting is atrocious. Completely takes you out of the story right from the beginning. But even worse than that is Nolan’s decision to turn Odysseus into an anachronistic whiney, solemn shell of a man plagued by “trauma” and guilt. It’s impossible to overlook these flaws because the film itself is not terribly entertaining or well constructed. For the most part it is disjointed, dull, self-serious, disenchanted, somehow feeling both verbose and overly rushed at the same time. The dialogue is some of the worst I’ve ever heard in a “critically acclaimed” film. “On the nose” and “clunky” are descriptions that can’t even begin to describe this script. At no point in the story does Nolan ever transport the audience to the ancient world. You never feel like you’re 3,000 years in the past. You feel like you’re watching modern Americans put on a pageant, because you are. Nobody would be calling this thing a masterpiece if it was made by a director not named Christopher Nolan.

BREAKING: The Odyssey is FAKING ticket sales by buying up theaters/seats (Fraud) to make the movie look like a success (already $400 million in the hole) moviegoers are reporting having to take terrible seats (because full) but when they show up the theaters are mostly empty.

Nolan's obsessions with the non-linear storytelling gimmick really hurts this film. It jumps around so much, and spends so little time on any one particular moment or scene, that you never really feel like Odysseus is on an epic journey spanning many years. When he makes it home, you never feel like he's been gone for 20 years. The film does not capture the grandeur and scope of the original epic. That's why it feels rushed and too long simultaneously. The movie comes off like a rough draft. Nolan was searching for the actual story but never quite found it.

‘THE ODYSSEY’ has become the fastest film to join the One Million Watched Club on Letterboxd.

This is how you run! 🏃‍♂️ Nolan saw this and said "Yup. That's a warrior type of run right there!"

Life comes at you fast.

Just saw The Odyssey. Despite what you may have heard, literally all of the criticisms by conservatives were entirely correct. The movie is just as woke as you fear, if not more so. The DEI casting is atrocious. Completely takes you out of the story right from the beginning. But even worse than that is Nolan’s decision to turn Odysseus into an anachronistic whiney, solemn shell of a man plagued by “trauma” and guilt. It’s impossible to overlook these flaws because the film itself is not terribly entertaining or well constructed. For the most part it is disjointed, dull, self-serious, disenchanted, somehow feeling both verbose and overly rushed at the same time. The dialogue is some of the worst I’ve ever heard in a “critically acclaimed” film. “On the nose” and “clunky” are descriptions that can’t even begin to describe this script. At no point in the story does Nolan ever transport the audience to the ancient world. You never feel like you’re 3,000 years in the past. You feel like you’re watching modern Americans put on a pageant, because you are. Nobody would be calling this thing a masterpiece if it was made by a director not named Christopher Nolan.

Just saw The Odyssey. Despite what you may have heard, literally all of the criticisms by conservatives were entirely correct. The movie is just as woke as you fear, if not more so. The DEI casting is atrocious. Completely takes you out of the story right from the beginning. But even worse than that is Nolan’s decision to turn Odysseus into an anachronistic whiney, solemn shell of a man plagued by “trauma” and guilt. It’s impossible to overlook these flaws because the film itself is not terribly entertaining or well constructed. For the most part it is disjointed, dull, self-serious, disenchanted, somehow feeling both verbose and overly rushed at the same time. The dialogue is some of the worst I’ve ever heard in a “critically acclaimed” film. “On the nose” and “clunky” are descriptions that can’t even begin to describe this script. At no point in the story does Nolan ever transport the audience to the ancient world. You never feel like you’re 3,000 years in the past. You feel like you’re watching modern Americans put on a pageant, because you are. Nobody would be calling this thing a masterpiece if it was made by a director not named Christopher Nolan.