riley
9.7K posts

riley
@ROFLWOFFL
the content i repost is not necessarily my opinion. https://t.co/BZQL8GtWMN
RIX Katılım Nisan 2011
43 Takip Edilen52 Takipçiler
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I am now learning it’s 3 times, I have not read Project Hail Mary and it’s apparently getting a movie this year
𝚅𝚎𝚜𝚜𝚎𝚕𝙾𝚏𝚃𝚊𝚞𝙲𝚎𝚝𝚒𝙸𝚅@vesseloftauceti
If I had a nickel for every time we go to the Tau system in 2026, I’d have two nickels! Which isn’t a lot but it’s weird that it’s happening twice!
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4 years without a new Need for Speed game
14 years without a new MotorStorm game
15 years without a new Burnout game
18 years without a new Midnight Club game
Mikey McCoy@Michael_McCoyy
6 months without Charlie
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read through the qrts and replies if you want to experience what the internet was like 15 years ago
TMZ@TMZ
🚨 EXCLUSIVE: Chuck Norris has been hospitalized after a medical emergency in Hawaii. What we know: tmz.me/7e8iqBd
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You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild.
Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real.
The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later.
Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him.
Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman.
Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact.
95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.
DiscussingFilm@DiscussingFilm
‘PROJECT HAIL MARY’ is Ryan Gosling's highest rated film on Rotten Tomatoes at 95%. Read our review: bit.ly/DFMary
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@MarathonDevTeam GOODBYE CLIPFARMING THIEF TOURISTS
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Tom Cruise's upcoming movies:
• 'Digger' dir. Alejandro González Iñárritu
• 'Top Gun 3'
• 'Broadsword' dir. Christopher McQuarrie
• 'The Gauntlet' dir. Christopher McQuarrie
• 'Days of Thunder 2'
• 'Miami Vice' dir. Joseph Kosinski (rumoured)
• 'Deeper' dir. Doug Liman
• 'Edge of Tomorrow 2' (in development but not greenlit)


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I did educate myself on trans topics. That's exactly why I'm a "transphobe" now.
nyara@nyaraVT
Transphobia is a refusal of educating yourself on trans topics because it makes you feel strong when you can weaponise your ignorance to harm the powerless. It is also extremely profitable.
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