Rory Flynn

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Rory Flynn

Rory Flynn

@Ror_Fly

Doing Weird Stuff | Building Ai Workflows w. @Weavy_ai | Ai Keynote Speaker | 🎙️ Co-host of the Midjourney @FastHours podcast | YOUTUBE 👇

Brooklyn, NY Katılım Ekim 2021
689 Takip Edilen28.2K Takipçiler
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Rory Flynn
Rory Flynn@Ror_Fly·
VEO2 → Ridiculous. Nailed this abstract idea. (Inspired by Nascar's SuperBowl promo) PROMPT: A McLaren supercar sits in a dimly lit studio, its sleek, polished body reflecting flickering footage of vintage racing history. The glossy curves capture grainy black-and-white clips of legendary race cars speeding down the track. The reflections ripple across the car’s aerodynamic lines, distorting like memories replaying on a futuristic canvas. The dramatic lighting casts deep shadows, with rim lights subtly outlining the contours of the vehicle, adding to its aggressive presence. The atmosphere is cinematic and immersive, blending hyper-realistic automotive photography with nostalgic motorsport storytelling. There's a faint glow of static interference in the footage bridging past and future in a stunning visual composition, 35mm film. #Veo2 #promptshare
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Allar Haltsonen
Allar Haltsonen@AllarHaltsonen·
Spent 1–2 weeks setting up OpenClaw and Cowork, only to realize I don’t need either of them in my life/work right now.
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Jordan Talks Everyday AI
Jordan Talks Everyday AI@EverydayAI_·
man never thought I'd see a Google leader gushing over Codex and then OpenAI making it rain credits on his head. this is refreshing and wholesome AF side note.... I've been telling everyone Codex is on another level right now. Love CC/Cowork and Antigravity, but Codex (and its current limits) are untouchable
Ammaar Reshi@ammaar

@jxnlco Sir absolutely 🙏 I have so many ideas :)

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Cø⚡øṟ
Cø⚡øṟ@Conor21m·
@Ror_Fly and then Claude Code goes down, and we're all wondering what to do with ourselves. We can't even do missile spotting either the last 2 days.
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Rory Flynn
Rory Flynn@Ror_Fly·
2 @FastHours 2 Furious → Kling 3.0 Still 🤯 you can do this with (2) ref images. (Full workflow in thread) TOOLS: + Weavy: Image Gen + Kling 3.0: Video Gen It's dumb...it's fun w/e. @dcbruck might have to do a few of these.
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Rory Flynn
Rory Flynn@Ror_Fly·
Overall: - Kling's multi-shot is awesome - It's like t2v with a subject reference - Approach it like t2v for the secondary prompts - And you can get some interesting stuff. FULL WORKFLOW: app.weavy.ai/flow/dQM38Qff3…
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Rory Flynn
Rory Flynn@Ror_Fly·
6. Prompt Example: Shot 1 1s: The camera catches the cars as the race to the right from a sidewalk vantage point as two compact tuner cars — one bright yellow-green, one purple with tribal graphics — streak past at high speed. The camera struggles to keep up but pushes in closeup through the window of the driving car on the driver in the green car as he's screaming with a ferocious passion - as we continue to track from a side view Shot 2 4s: Static over-the-shoulder shot from inside a parked car. An old man sits in the driver's seat, hands resting on the steering wheel. The camera looks past him through the windshield at an empty intersection at night — a traffic light glows red in the center of frame. The intersection is quiet and still. Suddenly, a green and purple tuner car rip through the intersection at extreme speed from left to right — a violent flash of color and motion blur streaking across the windshield in under a second. The old man flinches. The camera stays completely static. The intersection returns to silence, the traffic light still red. Night, ambient street lighting, shallow depth of field on the man's shoulder and the windshield. Shot 3 5s: Shaky rear tracking shot from a high rear three-quarter angle — camera locked on the purple and yellow-green tuner cars racing side by side through narrow Miami streets at night. The cars are in sharp focus, weaving and thundering forward. The camera struggles to keep pace, creating urgent handheld energy. Buildings and poles cut through the foreground intermittently as partial obstructions — momentary blackouts as the camera chases from above and behind. Neon signs and palm trees streak past in the periphery. Motion blur on the environment, the two cars always sharp. Aggressive, kinetic tracking energy. Shot 4 4s: Top-down vertical shot — camera faces straight down at an empty four-way intersection at night, neon-lit crosswalks and lane markings visible below. The camera descends rapidly toward the asphalt. The green and purple tuner cars enter frame from the bottom, racing upward through the intersection at high speed. As the cars pass through the center, the camera plunges to near-ground level, then whips into a dramatic tilt — rotating from vertical to horizontal as it locks onto the rear of both cars and accelerates to track behind them as they race away down the street. The transition from bird's-eye to chase-cam is one continuous motion. Night, wet reflective streets, neon glow.
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A Gene Robinson
A Gene Robinson@AlBuffalo2nite·
🚨 THE AMERICAN JET WOULD NOT FALL 🚨 Locked. Tracked. Targeted. An Iranian missile screaming through the sky… heat-seeking… hunting… closing distance. And then something happened. The American pilot did not panic. Did not freeze. Did not break discipline. He moved. A hard roll. A violent vector shift. Throttle discipline under pressure. Flares timed with precision. Years of training. Muscle memory under G-force. Instinct forged in American air superiority doctrine. The missile lost its solution. The sky flashed. The American jet climbed. Because American pilots are not amateurs. They are the product of the most advanced flight training pipeline on earth. They are trained to survive. Trained to dominate. Trained to come home. Somewhere over that horizon, a hostile launch failed. And somewhere in that cockpit, a calm voice kept breathing… calculating… executing. That aircraft did not get hit. That pilot did not fold. American airpower held. This is why air superiority matters. This is why training matters. This is why strength matters. The sky is not neutral territory. And today… it belonged to the United States. #SilentMajoritySpeaks #AStoneGroove
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John Wate
John Wate@JohnWate_Works·
@Ror_Fly Love it. You eve turned the technicalities into a directors class!
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Rory Flynn
Rory Flynn@Ror_Fly·
Polaroid F40 → @Kling_ai Kling 3.0 COOKED with this update. (Prompts + Process in thread) TOOLS: + Images: Nano Banana + Kling Canvas + Video: Kling 3.0 + Omni + Music: We Do What We Want - Alan Fitzpatrick Just really digging the chaos. Shaky camera + dynamic angles. Deep DOF + Focus shifts. Not perfect...but fun as hell.
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Myron AI artist
Myron AI artist@seirdotmk·
So good
Rory Flynn@Ror_Fly

Polaroid F40 → @Kling_ai Kling 3.0 COOKED with this update. (Prompts + Process in thread) TOOLS: + Images: Nano Banana + Kling Canvas + Video: Kling 3.0 + Omni + Music: We Do What We Want - Alan Fitzpatrick Just really digging the chaos. Shaky camera + dynamic angles. Deep DOF + Focus shifts. Not perfect...but fun as hell.

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Retropunk
Retropunk@RetropunkAI·
@Ror_Fly @Kling_ai Kling is really knocking it out lately. Canvas feature is a sleeper hit. Super powerful and it hasn’t really gotten much coverage.
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