Brit Shyne

Should meager scraps satiate me? Or should I gobble them up like a forbidden delicacy?

@Yazbegrams @sundancefest Thank you!

@ShyneBrit @sundancefest Congrats!! 👏🏾👏🏾

We’re thrilled to share that SEEDS is premiering at #Sundance 2025! Join us in-person from Jan 23–Feb 2 or watch online. For tickets, passes and package visit: festival.sundance.org. @sundancefest

@LizCambron @sundancefest Thank you Liz!

@ShyneBrit @sundancefest Hell yeah! Congratulations Brittany!! So excited for you!!

Director Shinji Somai and actress Tomoko Tabata on the set of MOVING. The hit 4K restoration continues to screen this weekend at @filmlinc, with matinee and evening shows. Also screening at @metrograph and theaters in Chicago, Cleveland, Detroit, Vancouver, and beyond.

Alice Coltrane

Join us this Saturday at 11:30am for an @AfricanFilmFest Master Class with independent filmmaker Ngozi Onwurah! Moderated by @_Ash_Clark, the conversation will cover how to utilize cinema as a tool for unmasking the dynamics of the socioeconomic status: eventbrite.com/e/masterclass-…

“what struck me most about those who are protesting is how long they waited. the restraint they showed. not the spontaneity, the restraint. they waited and waited for justice. and it didn’t come. no one talks about that...” - Toni Morrison

In the 1960s, the art world tried to reject Faith Ringgold because she was Black. But she fought back… (thread) 🧵

Haven't been on here in a minute, but wanted to express my deepest gratitudes that SEEDS is a recipient of the 2023 SFFILM Documentary Film Fund! Thank you! @SFFILM

WOMAN LOOKING FROM WINDOW, BELIZE, Earlie Hudnall, Jr., 1983

abbas kiarostami cinema — roads.

Unicycle basketball in Harlem, New York, 1960′s

A Mother and her Son, Alabama, 1930s Photographed by H. Armstrong Roberts

Faith Ringgold Has All the Answers interviewmagazine.com/art/faith-ring…

“I’m a Black woman and I’m proud of it… and I will fight injustices and encourage others to fight them until the day I die or until there is nothing to fight against.” - Fredi Washington

Dixie Belles, Central Louisiana, 1938 Photographed by Theodore Fonville Winans

Read a new interview with Graciela Iturbide, whose survey at @Fond_Cartier spans her iconic images of Indigenous Mexican women as well as recent landscapes in color. “I spent a whole month taking photos of lava,” she says. “It has its own independence.” artforum.com/interviews/gra…