Anne-Marie Peard

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Anne-Marie Peard

Anne-Marie Peard

@SometimesMelb

Arts writer and journalist based in wonderful Melbourne.

Melbourne Katılım Eylül 2010
1.1K Takip Edilen1.7K Takipçiler
Anne-Marie Peard
Anne-Marie Peard@SometimesMelb·
MY BRILLIANT CAREER @LaMamaTheatre is a refreshingly complex & engaging telling of the book, which comes from an understanding that loves & questions Miles Franklin. With a wonderful cast. Finishes on Sunday. I really hope it gets another season.
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Anne-Marie Peard
Anne-Marie Peard@SometimesMelb·
It’s about to Zoom. #MelbFringe #ArtGuidesTheWay. See what artists do with piles of useless Fringe Guides. Tix are free. Get them on the Fringe site. Who’s going?
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Anne-Marie Peard
Anne-Marie Peard@SometimesMelb·
Captivating exciting new writing. #cactus @LaMamaTheatre captures the authentic voice & experience of teenage woman with an understanding that never dismisses or trivialises as it reflects on fertility in ways that reach through generations. & best description of a dick ever.
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Tim Byrne
Tim Byrne@tbyrne74·
Just home from @VictorianOpera's #Lorelei. If there's a smarter, funnier, more melodious overhaul of myth in opera, I haven't seen it. Three superb singers, glorious design and a tonal control that can undercut the myth's romanticism while celebrating it. Don't miss this!!
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Paul Selar
Paul Selar@OperaChaser·
Poignantly bittersweet, endlessly entertaining and fiercely rich musically, @VictorianOpera’s Lorelei is fucking (😬 definitely not short on its own use of expletives) everything you want from theatre. What a joy it is to have it back and could very well be one for eons to come.
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Anne-Marie Peard
Anne-Marie Peard@SometimesMelb·
Exquisite. Fucking exquisite. #Lorelei @VictorianOpera is mind-blowing feminist anti-opera opera that’s made from all the heart, hope & despair of all women’s stories. I wanted to cry & cheer & scream & squeal. Seriously unmissable.
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Anne-Marie Peard
Anne-Marie Peard@SometimesMelb·
I'm thrilled to be in @witnessperform & talking about the #MICF show that I saw twice because @LouisaWall10 is that good, & a total Melbourne Independent Celebratory Feminist. This one will be seen again. Don't hesitate.
Witness@witnessperform

"The last time I felt so devastated after a comedy show was the first time I saw Hannah Gadsby’s Nanette." @SometimesMelb on Lou Wall's @micomfestival show That One Time I Joined The Illuminati. witnessperformance.com/comedy-festiva…

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Blake Everett
Blake Everett@blakeverett·
Personal and precise; @LocalCollins creates the tightest hour of their career and fills it to the brim with subtext galore. A perfected articulation of where they currently are in terms of comedy and life #micf #show84
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