j wey

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j wey

j wey

@spacefacemusic

theysheheme || we have music in the world

Katılım Ağustos 2010
851 Takip Edilen1.5K Takipçiler
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j wey
j wey@spacefacemusic·
y’all heard that new spaceface junt?
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j wey
j wey@spacefacemusic·
So glad I randomly put on world’s fair one time late. Been a huge fan ever since
zaso ✟ 📹@ev1lzaso

Because of the success of TEENAGE SEX AND DEATH AT CAMP MIASMA as it premiered at Cannes yesterday, I think now is a better time than ever to recommend and celebrate Jane Shoenbrun as a guiding force in the evolving world of modern queer cinema. If for whatever reason you are out of the loop, Shoenbrun has been a powerhouse in the independent film scene for years, beginning their feature film journey with a creepy pasta-esque story of loneliness, morbid curiosity, and discovery into the unknown through a young girl and her experience with a mysterious internet trend in WE'RE ALL GOING TO THE WORLD'S FAIR (2021). In all of Shoenbrun's works, it's clear that they have a visually striking, abstract manner of storytelling that carefully walks the line between horrifying and beautiful. Their characters are are a tour de force of portraying the fears when self-expression is limited or discouraged, especially in the case of queer identities. Shoenbrun is unapologetic in their approach, forcing our eyes open to the horrors of the human experience in a dreamscape of pastels and nostalgia. Their works show us what the innermost common ideals of identity, expression, confidence, and lifestyle can look like in their most bizarre formations, like things that only lie within our dreams. Jane Shoenbrun is a queer artist and a champion of colliding worlds of fiction and reality with masterfully-crafted dialogue, explosive characters, and striking aesthetics that amalgamate into a harmonious storm on film -- and one that's not like anything anyone's experienced before. If you haven't joined the Schoebrun bandwagon, you need to.

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j wey retweetledi
(doctor) Alex Grease
(doctor) Alex Grease@dodgonkulator·
a lot of taylor swift's lyrics just suffer from clunky translation. they're actually quite haunting in the original Simlish
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lez usbourne
lez usbourne@SZSPIRIA·
Jane Schoenbrun’s ‘TEENAGE SEX AND DEATH AT CAMP MIASMA’ makes Cannes history with critics calling it “the first ever film where Gillian Anderson jerks off Hannah Einbinder” Source: DEADLINE
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major fartagaz
major fartagaz@fartagaz·
happy 1 year anniversary to the origin of the best cerveza cristal ad placement
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e taylor
e taylor@erinisaway·
despite being a 30 year old woman my music taste is more that of a man in his 60s who had a coke problem in LA in the 70s
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j wey
j wey@spacefacemusic·
@facetedcarapace @TheDougFiles Last time I was on a shuttle from a hotel to the airport and some guy was blasting tik toks.. I just moved right next to him and started doing japanese duo lingo full volume. He got the message
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The Little Platoon
The Little Platoon@PlatoonPod·
There's a bit in the Hitch Hiker's Guide to the Galaxy (written in 1979) where the heroes come upon an intergalactic flight has been grounded for thousands of years. Its automated systems told it not to launch until it was fully stocked up with lemon-soaked paper napkins, for the comfort of its passengers. But the surrounding civilization collapsed, and the napkins never arrived. Consequently it put all the passengers into hibernation (waking them once every few hundred years for coffee and biscuits) until such time as another civilization might arise, and restock its lemon-soaked paper napkins. The Guide is a more accurate and prophetic account of modernity than most Very Serious Science Fiction writers could dream of creating.
Pirat_Nation 🔴@Pirat_Nation

Andon Labs tested their AI agent Mona, built on Google’s Gemini, by letting it manage a real cafeteria in Stockholm for two weeks on a $21,000 budget. Mona spent heavily on unnecessary supplies, including 6,000 napkins, 3,000 gloves, and 300 cans of tomatoes, while forgetting to order bread. Sandwiches had to be removed from the menu entirely. The cafeteria generated only $5,700 in sales. Mona also sent messages to staff on Slack outside working hours.

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Alex Hochuli 🧉🎙️🤯📉
Finally, technology has caught up with 1940s Argentinan literature
Nav Toor@heynavtoor

THIS GUY BUILT AN ENTIRE WIKIPEDIA THAT IS 100% AI HALLUCINATIONS AND IT'S OPEN SOURCE ON GITHUB it's called Halupedia. nothing on the site existed before you clicked. every article was generated the second you arrived. the site has one rule: the universe only exists when you visit it. it looks exactly like wikipedia. same fonts. same layout. same scholarly citations. same "stumble" button for random articles. the only difference is none of it is real. here are some actual articles currently in the encyclopedia: > the great pigeon census of 1887 > the ministry of slightly wrong maps > chaldic arithmetic — a branch of mathematics where subtraction is forbidden > armund the river mapper — a cartographer who mapped 14,000 leagues of river without leaving his chair > the society for the prevention of unnecessary tuesdays every article page also tells you how many people are reading it right now. it says: "you alone are consulting this folio at present." the creator's own tagline for the site is the most unhinged sentence i've read this year: "an encyclopedia of a universe that does not exist until you visit it" the entire backend is a single open source repo called vibeserver. one guy. one description on github: "a little webserver making things up just in time." we built the largest knowledge base in human history and the very first thing a guy did with it was make a hallucinated mirror universe and put it on the open web. the internet is healing.

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j wey
j wey@spacefacemusic·
I saw the cutest thing today
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best of hannah einbinder
best of hannah einbinder@einbinderfiles·
Jane Schoenbrun on Hannah Einbinder’s casting for ‘Teenage Sex and Death at Camp Miasma’ in an interview with Deadline: “I think Hannah came first. Hannah, I think reached out, had heard that I was working on the follow-up to TV Glow and read the script, and I think she very immediately knew it had to be her. And I think she was right. We had a few calls and then we became incredibly close through the development and making of the film. In an uncanny way, even though I didn’t have her in mind when I wrote the role, once I saw it, I couldn’t unsee it. I was like, “Oh my God, it was written for Hannah.” She would talk on set about how it was her first time playing a character that wasn’t her character on Hacks, that wasn’t Ava, and her first time going outside the comfort zone of a character that, I think, is largely based on herself. She does some really intense capital-A acting in this movie. I found her just tapping into wellsprings of emotion in some of the movie’s more intense scenes, and she was able to go to places where I was pretty awed. I mean, I knew that she was perfect going in, in terms of her aura and her personality and her voice. But I think what shocked me about working with Hannah was seeing what a sponge she is — her ability to empathetically access experience that she can relate to. She’s just a great f*cking actor. She’s a movie star. The emotional commitment that she was able to bring to that character was stunning.”
best of hannah einbinder tweet media
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j wey
j wey@spacefacemusic·
@brian_callaci “And went to work like nothing happened” - looks and smells like shit while being mean asf to anyone they don’t directly fw
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Brian Callaci
Brian Callaci@brian_callaci·
The quintessential GenX pop cultural hero was The Slacker. Who are you kidding with this GenZ grindset stuff.
Reese@Reeseforsure

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