Tim Grahl | Writing Coach

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Tim Grahl | Writing Coach

Tim Grahl | Writing Coach

@StoryGrid

I help you write a novel you're proud to publish. I've written 6 books and worked with 400+ writers. Click profile link to see how we can help you.

Nashville, TN Katılım Ekim 2015
3.1K Takip Edilen6.6K Takipçiler
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
We're raising the standard for fiction at Story Grid. Join me at 1pm ET today for a live conversation about what we believe, what we are building, and why it matters now. storygrid.com/live/standard/ Can't attend live? Register before start time and you'll get a link to the replay.
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Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
@Redrorie Any time someone opens your book and reads the first paragraph, there's a chance that you'll get a full story read, a review, and a recommendation to a friend. Your method is a good one.
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Jean Michael
Jean Michael@Redrorie·
@StoryGrid Well I give away my books set in Sleepy Hollow sometimes putting them in free libraries around Tarrytown-Sleepy Hollow where I live. It is not a marketing strategy but a connection.
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Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
This is a text I just sent to someone who asked about my marketing plan for books, specifically why I’m focused on giving away as many copies as possible as fast as possible: I haven’t found many resources on this approach because, as far as I can tell, almost nobody is thinking this way. Here’s the logic I’m using: 1. Do I believe this particular book is good enough that, if people actually read it, they will tell other people about it? 2. Is my goal for this book to still be selling well ten years from now? 3. Do I have the money to invest in publishing and marketing this book without needing to earn it back in the first one to two years? If the answer to all three of those questions is yes, then the marketing strategy that makes the most sense to me is to give away as many copies as possible to people who might realistically read at least the first page. In the past, we didn’t have the revenue to do this. We could really only promote new books to our own email list and hope for the best. That’s no longer the case, and we have a book coming out next week. Here’s how we’re approaching it. First, we have an existing email list on the training side of our company. That list alone allows us to give away roughly 1,600 copies before the book is even officially released. From there, we’re planning to run Meta and YouTube ads that send people to a page where they can get a free copy of the book. Once someone gets the book, they drop into an email sequence that nudges them to actually read it and, if they do, to leave a review within the first month. The goal is that when we release our next book in January, we’ll be able to give away 10,000 copies just through our list alone. I’m optimizing for readers, not short-term sales velocity.
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Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
Stop trying to shock your readers with random plot twists. Real unpredictability comes from a character's impossible choice—not a surprise dragon in chapter twelve.
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Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
🏚️ Rewrite this to show what the character is experiencing instead of telling: The house was creepy. Use only sensory details—what can be seen, heard, or felt.
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Tim Grahl | Writing Coach retweetledi
J. Z. Pitts
J. Z. Pitts@jzpitts·
@MatthewBockholt Ya got a point there. I learn something new with every writing project. But if you want to learn faster more efficiently, work under guys like @StoryGrid
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Veynre | VTuber
Veynre | VTuber@veynre·
@StoryGrid You asked for dialogue, but I'm not smelling dialogue with that scene.
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Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
😳 Telling: Kelly was embarrassed by her mistake in front of everyone. Use dialogue to show it instead of tell it. Make us feel it without naming the emotion. Reply with your version.
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Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
A look at our books' marketing plan:
Tim Grahl | Writing Coach@StoryGrid

This is a text I just sent to someone who asked about my marketing plan for books, specifically why I’m focused on giving away as many copies as possible as fast as possible: I haven’t found many resources on this approach because, as far as I can tell, almost nobody is thinking this way. Here’s the logic I’m using: 1. Do I believe this particular book is good enough that, if people actually read it, they will tell other people about it? 2. Is my goal for this book to still be selling well ten years from now? 3. Do I have the money to invest in publishing and marketing this book without needing to earn it back in the first one to two years? If the answer to all three of those questions is yes, then the marketing strategy that makes the most sense to me is to give away as many copies as possible to people who might realistically read at least the first page. In the past, we didn’t have the revenue to do this. We could really only promote new books to our own email list and hope for the best. That’s no longer the case, and we have a book coming out next week. Here’s how we’re approaching it. First, we have an existing email list on the training side of our company. That list alone allows us to give away roughly 1,600 copies before the book is even officially released. From there, we’re planning to run Meta and YouTube ads that send people to a page where they can get a free copy of the book. Once someone gets the book, they drop into an email sequence that nudges them to actually read it and, if they do, to leave a review within the first month. The goal is that when we release our next book in January, we’ll be able to give away 10,000 copies just through our list alone. I’m optimizing for readers, not short-term sales velocity.

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Jags Arthurson
Jags Arthurson@JagsArthurson·
@StoryGrid Come on, 'fes up, Tim You're getting your followers to write your next novel, line by line, aren't you?
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Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
“This is not acceptable.” Rewrite this line to sound truly frustrated or angry.
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