Tim Grahl | Writing Coach

9.5K posts

Tim Grahl | Writing Coach banner
Tim Grahl | Writing Coach

Tim Grahl | Writing Coach

@StoryGrid

I help you write a novel you're proud to publish. I've written 6 books and worked with 400+ writers. Click profile link to see how we can help you.

Nashville, TN Katılım Ekim 2015
3.2K Takip Edilen6.7K Takipçiler
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
We're raising the standard for fiction at Story Grid. Join me at 1pm ET today for a live conversation about what we believe, what we are building, and why it matters now. storygrid.com/live/standard/ Can't attend live? Register before start time and you'll get a link to the replay.
English
0
0
14
395
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
@Redrorie Any time someone opens your book and reads the first paragraph, there's a chance that you'll get a full story read, a review, and a recommendation to a friend. Your method is a good one.
English
0
0
2
22
Jean Michael
Jean Michael@Redrorie·
@StoryGrid Well I give away my books set in Sleepy Hollow sometimes putting them in free libraries around Tarrytown-Sleepy Hollow where I live. It is not a marketing strategy but a connection.
English
1
0
1
29
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
This is a text I just sent to someone who asked about my marketing plan for books, specifically why I’m focused on giving away as many copies as possible as fast as possible: I haven’t found many resources on this approach because, as far as I can tell, almost nobody is thinking this way. Here’s the logic I’m using: 1. Do I believe this particular book is good enough that, if people actually read it, they will tell other people about it? 2. Is my goal for this book to still be selling well ten years from now? 3. Do I have the money to invest in publishing and marketing this book without needing to earn it back in the first one to two years? If the answer to all three of those questions is yes, then the marketing strategy that makes the most sense to me is to give away as many copies as possible to people who might realistically read at least the first page. In the past, we didn’t have the revenue to do this. We could really only promote new books to our own email list and hope for the best. That’s no longer the case, and we have a book coming out next week. Here’s how we’re approaching it. First, we have an existing email list on the training side of our company. That list alone allows us to give away roughly 1,600 copies before the book is even officially released. From there, we’re planning to run Meta and YouTube ads that send people to a page where they can get a free copy of the book. Once someone gets the book, they drop into an email sequence that nudges them to actually read it and, if they do, to leave a review within the first month. The goal is that when we release our next book in January, we’ll be able to give away 10,000 copies just through our list alone. I’m optimizing for readers, not short-term sales velocity.
English
4
0
5
780
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
Stop trying to shock your readers with random plot twists. Real unpredictability comes from a character's impossible choice—not a surprise dragon in chapter twelve.
English
59
12
167
5.1K
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
🏚️ Rewrite this to show what the character is experiencing instead of telling: The house was creepy. Use only sensory details—what can be seen, heard, or felt.
English
6
0
10
477
Tim Grahl | Writing Coach retweetledi
J. Z. Pitts
J. Z. Pitts@jzpitts·
@MatthewBockholt Ya got a point there. I learn something new with every writing project. But if you want to learn faster more efficiently, work under guys like @StoryGrid
English
0
1
6
241
Veynre | VTuber
Veynre | VTuber@veynre·
@StoryGrid You asked for dialogue, but I'm not smelling dialogue with that scene.
English
1
0
0
11
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
😳 Telling: Kelly was embarrassed by her mistake in front of everyone. Use dialogue to show it instead of tell it. Make us feel it without naming the emotion. Reply with your version.
English
4
0
11
753
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
A look at our books' marketing plan:
Tim Grahl | Writing Coach@StoryGrid

This is a text I just sent to someone who asked about my marketing plan for books, specifically why I’m focused on giving away as many copies as possible as fast as possible: I haven’t found many resources on this approach because, as far as I can tell, almost nobody is thinking this way. Here’s the logic I’m using: 1. Do I believe this particular book is good enough that, if people actually read it, they will tell other people about it? 2. Is my goal for this book to still be selling well ten years from now? 3. Do I have the money to invest in publishing and marketing this book without needing to earn it back in the first one to two years? If the answer to all three of those questions is yes, then the marketing strategy that makes the most sense to me is to give away as many copies as possible to people who might realistically read at least the first page. In the past, we didn’t have the revenue to do this. We could really only promote new books to our own email list and hope for the best. That’s no longer the case, and we have a book coming out next week. Here’s how we’re approaching it. First, we have an existing email list on the training side of our company. That list alone allows us to give away roughly 1,600 copies before the book is even officially released. From there, we’re planning to run Meta and YouTube ads that send people to a page where they can get a free copy of the book. Once someone gets the book, they drop into an email sequence that nudges them to actually read it and, if they do, to leave a review within the first month. The goal is that when we release our next book in January, we’ll be able to give away 10,000 copies just through our list alone. I’m optimizing for readers, not short-term sales velocity.

English
0
0
7
461
Jags Arthurson
Jags Arthurson@JagsArthurson·
@StoryGrid Come on, 'fes up, Tim You're getting your followers to write your next novel, line by line, aren't you?
English
1
0
1
9
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
“This is not acceptable.” Rewrite this line to sound truly frustrated or angry.
English
7
0
5
357
Paige Raymond
Paige Raymond@PaiRayKov·
@StoryGrid "Please look at the middle of the screen where we show our results from the experiment," Kelly said as her screen froze and jiggling her mouse didn't fix it. The students in the back started to giggle. Her professor frowned. "Sit down Kelly, your time is up."
English
1
0
1
41
Abulurd Boniface
Abulurd Boniface@AbulurdBoniface·
@StoryGrid "Yes, YES! I know she well-endowed, it's pretty obvious, right? That was not the point. She has an aviary, I was talking about the birds! And they recorded that when everybody was laughing at me!"
English
1
0
1
37
JR Roth
JR Roth@JRRothWrites·
@StoryGrid “No, uh, I meant to say, ‘when I masticate,’ which only makes sense in this context, right? I mean, oh my gosh. Why would I master… uh. Look. I meant chewing. Okay, everyone? It was a mistake. Stop laughing.”
English
1
0
3
40
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
That's close, but the last phrase is telling--it's an insertion from the writer to explain what's happening in the first part of the sentence. Here's some guidance on show vs tell, including reasons why a writer should strengthen showing in their writing: youtu.be/XpFbekAF1oQ?si…
YouTube video
YouTube
English
0
0
0
12
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
😰 Telling: He was anxious waiting for the results. Use physical action to show it instead of tell it. Make us feel it without naming the emotion. Reply with your version.
English
3
2
12
369
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
That's pretty close, but the phrase "waiting for results" is telling. It's an insertion from the writer to explain why the action is happening. It could be showing if you extended the passage to show him excited when someone walks in and starts talking about results, or if you added dialogue from him about the reason for his impatience. Here's some guidance on show vs tell, and the reasons why writers should strengthen their showing skills. youtu.be/XpFbekAF1oQ?si…
YouTube video
YouTube
English
1
0
1
6
Newton S Law
Newton S Law@CurveChron·
@StoryGrid He breathed deeply and drumed his fingers onto the table waiting for results.
English
1
0
1
8
Abulurd Boniface
Abulurd Boniface@AbulurdBoniface·
@StoryGrid Steve folded his candy wrapper into origami, then flicked it away. And the next one And the next one And the one after that The teacher's eyes burned like lava. His voice bit through the words like a chisel. Steve folded his candy wrapper into origami, then flicked it away.
English
1
0
1
18
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
😒 Telling: The teenager was bored during the lecture. Use physical action to show it instead of tell it. Make us feel it without naming the emotion. Reply with your version.
English
3
0
2
263
Paige Raymond
Paige Raymond@PaiRayKov·
@StoryGrid Jennifer twirled the ends of her hair and chewed on her Bic pen. She rolled eyes at Beatrice sitting beside her, and they both yawned in unison.
English
1
0
1
9
Tim Grahl | Writing Coach
Tim Grahl | Writing Coach@StoryGrid·
@RealEricCSteele Nailed it 💪 Good use of metaphor to give us more information without resorting to telling his thoughts or adding an explanatory sentence from the author.
English
0
0
1
12
Eric Steele
Eric Steele@RealEricCSteele·
@StoryGrid He drummed his fingers on the table as he stared at his phone. He narrowed his eyes as if trying to use the force to get the call to come through.
English
1
0
1
17