NEONMAMBA

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NEONMAMBA

NEONMAMBA

@THEOGNEONMAMBA

#mambafamily

end asspa Katılım Mayıs 2026
32 Takip Edilen30 Takipçiler
NEONMAMBA retweetledi
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🌪@msgzuha·
they filmed the performance before your girl’s comeback are you dumb?
🦂@rnwinter

@ultravioletmy LIKE?!? THAT'S LITERALLY WDA

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Aespann_jeans
Aespann_jeans@a1071364·
LE SSERAFIM’s comeback had already been known since March, yet fans received absolutely nothing until April 21, when they were finally given a single “Celebration” teaser. Many fans had already burned out from waiting and drifted away. And even for the actual comeback, “BOOMPALA,” they received almost nothing until around May 8. In the meantime, Source Music’s main moves were university festival appearances and collaborations with influencers most fans had never even heard of. Starting with the university festival poster that shocked fans — the one fans spent a month demanding be taken down, only for Source Music to refuse — nearly every decision from start to finish went in a direction fans never asked for. One by one, those choices have chipped away at LE SSERAFIM’s image. And this is not limited to comeback promotion. From the unexplained back-and-forth over Miyawaki Sakura’s name to the way concerns over Chaewon’s injury were handled, these issues only add to the impression that Source Music has repeatedly failed to protect both the group’s image and the trust of its fans. Now that everything has gone sideways, Source Music does appear to be promoting LE SSERAFIM better than before. But that reads less like genuine commitment and more like belated damage control — a late acknowledgment that the streaming numbers alone made it impossible to ignore just how thoroughly they had lost both fans and the general public. And “better than before” does not mean “good enough.” If Source Music is serious about making up for the frustration and sense of loss fans have been carrying, they need to understand that far more aggressive, strategic, and visible promotion is not optional — it is necessary. At this point, LE SSERAFIM needs more than just a few extra pieces of content. They need visible support that can actually translate into streaming numbers: consistent exposure, stronger playlist placement, and promotion that brings the general public back in. That said, don’t resort to buying streams from specific countries like Thailand and Iceland the way certain other girl groups have been accused of doing. Doing it the right way matters.
Aespann_jeans tweet media
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َ@yaoillit·
So do yall just think any asian is nwjns?
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WHITEMAMBA
WHITEMAMBA@THEOGWHITEMAMBA·
THE MAMBA MOVEMENT IS RECRUITING, JOIN A VIBRANT AND DIVERSE COMMUNITY TODAY requirements: end blackpink (jennie focus), aespa, or njz to join: make a mamba account, start posting first, and reach out to @THEOGJOEMAMBA @THEOGBROWNMAMBA or @THEOGWHITEMAMBA
WHITEMAMBA tweet media
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JAEKAY
JAEKAY@jeonisdarling·
She can neither sing nor dance, a true dozen.
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NEONMAMBA
NEONMAMBA@THEOGNEONMAMBA·
RT @jareauway: a thread of aespa's shitty bsides starting of with ill make you cry
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WINTERPIXIE
WINTERPIXIE@OGWINTERPIXIE·
They can't sing and they're ugly too 😭😭
WINTERPIXIE tweet media
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애리🍋🥤
애리🍋🥤@aerilowkey·
all those mamba accounts are straight up degrading the girls right now… and all because le sserafim released shit music and got criticized for it…
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NEONMAMBA
NEONMAMBA@THEOGNEONMAMBA·
Asspa chopped,botched,0 vocal can't dance,sing,soty(skip) Flopjeans in court,chop,flop,drags others,echo chamber Godsserafim queen's, supportive to juniors,no slip songs, best choreographies,4th gen leaders Illit 5th gen leaders supportive juniors best songs,no skip
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NEONMAMBA retweetledi
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@CUNTYMAMBA·
Ningning memorizing her weigh scale number to see if it changes tomorrow
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