That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️

44.4K posts

That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ banner
That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️

That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️

@That_Guy_Eth

Just that guy... Trading and collecting internet stuff...

$PEPE/$PORK Katılım Haziran 2014
998 Takip Edilen1K Takipçiler
That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ retweetledi
AquaVaults
AquaVaults@aquavaults·
LISTED FOUNDERS, THIS ONE IS BIG. I just dropped the docs in our private discord for adding an AquaVaults Solana swap widget directly to your own website. Your site. Your community. Your fee settings. Your style. Your swap flow. And yes, it can be added with as little as 3 lines of code. You can customize the widget to match your website, control the platform fee, autoload your token and give your community a direct way to swap while supporting you at the same time. No sending people away. No clunky redirect. No “go use this other platform.” Put the swapper where your community already is. If you’re a founder, project, community, or business that wants to get listed on AquaVaults and unlock the community version, reach out. And for everyone else, there is also a public version that anyone can use, even if you are not listed yet. AquaVaults widgets are live. The rails are opening up. Let’s get these communities plugged in.
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That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ retweetledi
Woozy
Woozy@woozy_sol·
It’s confirmed. $UFO meta is coming back, and the ones who have been DCAing are gonna be rewarded for believing in such a narrative. The videos coming out next week(s) will attract massive attention and controversy. It will indeed be huge. 40+ new UFO videos coming are 10 times more material than we previously had. Get ready, get some supply and relax. 4CJiyMRSyHURUMyupcyYfW3wzoiMPNS8aJYngZ799SZx
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Anna Paulina Luna@realannapaulina

Finished review of 40+ videos set for declassification out of @DeptofWar in coming weeks this am. We are standing with the NEW and very QUALIFIED Director of AARO who now has my full support and has proven through action that he is working in good faith on declass efforts. 🇺🇸

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Cary
Cary@Cary0x5·
Testing
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That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ retweetledi
RedxCarbon
RedxCarbon@RedxCarbon·
Heating up... 🔥🔥
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Sugar Hill, GA 🇺🇸 English
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jack
jack@JackDorsey0x·
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That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ retweetledi
Siege
Siege@AsianSiege·
Together we build and grow. OG $UFO
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That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ retweetledi
Natism
Natism@his4Everz·
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That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ retweetledi
Tad Smith
Tad Smith@tadtweets·
WHAT GIVES ART ITS VALUE? I have been thinking about this question quite a lot recently. Why does some art merely please us while other art becomes priceless? A useful way to answer it is to separate the qualitative appeal of art from the financial mechanisms that allow that appeal to translate into market value. Art begins as perception and ends, sometimes, as capital. Between those two poles lie six conditions. 1. It is arresting to one or more of our senses All art begins in attention. Something must first stop us: color, rhythm, sound, texture, form. The arresting quality of an artwork is what differentiates it from the noise of ordinary perception. A painting that catches light in an unfamiliar way, or a line of poetry that disrupts our habitual language, generates a moment of heightened presence. Without this sensory spark, no further meaning or value accumulates. The first condition is therefore physiological: the artwork must engage the body before the mind. 2. It touches upon or tells a compelling story A work that merely dazzles fades quickly. For art to persist in consciousness, it must evoke or embed a narrative that invites interpretation or remembrance. This can be overt, like a myth retold, or abstract, like the implied struggle of brush and canvas. Narrative connects perception to emotion and memory; it allows the viewer to participate imaginatively in the work. Story gives art its mnemonic and symbolic power, ensuring that aesthetic experience is not fleeting but lived again in recollection. 3. It connects us to a community or identity Art rarely exists in isolation. It signals belonging and difference. To admire a Rembrandt at the Norton, a Beeple on X, or a Sam Spratt “Skull” is also to place oneself within a tribe of connoisseurs, technologists, or believers in a cultural order. Art is thus a social technology: it binds individuals into communities of taste and belief. What we value in art often reflects what we value in ourselves. This third condition transforms private perception into shared meaning, a prerequisite for any broader recognition or market. 4. It is scarce Here begins the passage from qualitative to financial value. Scarcity converts desire into economic tension. An infinite supply of beauty would be spiritually rich but commercially worthless. In traditional art, scarcity arises from the fact there may be only one original canvas. In digital or AI art, scarcity must be engineered through cryptographic uniqueness or limited editions. What matters is not absolute rarity but perceived exclusivity: the conviction that this instance cannot be casually replicated or replaced. 5. It can be owned Scarcity alone does not create a market. There must be a means to claim and transfer the scarce thing. Ownership is the social recognition of possession; it enables price discovery, trade, and inheritance. The entire edifice of art’s financial value from Renaissance patronage to NFT blockchain depends on mechanisms that make ownership legible. Even when the art’s essence is intangible, its rights must be definable such as the right to a banana taped to a wall. This condition turns art from experience into asset. 6. It is known by others The final catalyst is visibility. Art becomes valuable when its existence and ownership are known beyond the private sphere. Public awareness functions as a multiplier: it validates taste, attracts new interest, and creates the feedback loop of fame. In markets as in culture, attention compounds. The better known a work becomes, the more it is discussed, exhibited, and sought after. This reflexivity and network elevate the few from admired objects to cultural capital. The Alchemy of Value Art is not valuable because markets say so. Markets say so because art first satisfies deep human criteria for meaning, identity, and attention. When those meet the mechanics of scarcity, ownership, and recognition, perception hardens into price.
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That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ retweetledi
Woozy
Woozy@woozy_sol·
POV: Gem you hold was launched before @Pumpfun even existed. solana:4CJiyMRSyHURUMyupcyYfW3wzoiMPNS8aJYngZ799SZx 🛸
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ak♛
ak♛@akcccx·
Who can see this?
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That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ retweetledi
ThatGirl
ThatGirl@That_Girl_eth·
@YourAnonOne OG $UFO COIN 4CJiyMRSyHURUMyupcyYfW3wzoiMPNS8aJYngZ799SZx Narative has been brewing for 2years
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That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ retweetledi
∞
@zodxyze·
tech quant found the oldest solana:4CJiyMRSyHURUMyupcyYfW3wzoiMPNS8aJYngZ799SZx on solana:So11111111111111111111111111111111111111112 and @anger_trading doesn't play motion
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Woozy@woozy_sol

The thesis is simple. $UFO. The oldest one on chain. Over 2 years old. Taken over by chads who took this as a “moon or dust” play. Dex paid. Website done. Community there. TG group active. X Page @OGUFOSOL constantly bullposting. Raids all over crypto twitter. Our mission is to become the runner of alien meta. 👽 Join us or cope sidelined. 4CJiyMRSyHURUMyupcyYfW3wzoiMPNS8aJYngZ799SZx

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Bullish Bear🎭
Bullish Bear🎭@BullishB34R·
#OG $UFO on sol. 25k mc ✍️ 4CJiyMRSyHURUMyupcyYfW3wzoiMPNS8aJYngZ799SZx
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That_Guy | ∞ ColiseumCCCX | ⛏️🐷🌋☠️ retweetledi
jack
jack@JackDorsey0x·
The ideal mate:
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