Theo Grez

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Theo Grez

Theo Grez

@TheoGrez

Aspiring Nuke TD - Compositor // insta : theogrz // Student film : 'Firemen'

Montpellier Katılım Mayıs 2014
129 Takip Edilen77 Takipçiler
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ScienceClic
ScienceClic@ScienceClic·
Petite simulation de trou de ver pour la prochaine vidéo (pas celle qui arrive demain, mais la suivante)
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Theo Grez
Theo Grez@TheoGrez·
@NVIDIAGeForceFR J'ai commandé une RTX 4080 SUPER FE sur votre site mercredi dernier et mon colis a été volé ... Il ne vous en reste pas dans un tiroir par hasard ??
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Oliver C Wright
Oliver C Wright@OW_Photography·
Currently in Abisko!!!! The most crazy aurora I have ever seen and this is just a phone shot! #aurora #geomagnetic storm
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Nahel Belgherze
Nahel Belgherze@WxNB_·
The Thessalian plain in central Greece has literally turned into one enormous lake. ~70,000 hectares of land are under water. Devastating.
Nahel Belgherze tweet mediaNahel Belgherze tweet mediaNahel Belgherze tweet mediaNahel Belgherze tweet media
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Dustin Farrell
Dustin Farrell@Dustin_Farrell·
Wait for it . . .
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Jim Tang
Jim Tang@wxmann·
The shot of a lifetime, and the forecast success I will never forget. Upward lightning bolts from Shiprock yesterday... I could not believe what I was watching in front of my eyes! The gamble of the 11hr drive paid off and then some! #nmwx @NewMexico
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dylan
dylan@dylan_ebert_·
This is not a video. It's a NeRF (Neural Radiance Field), which uses AI to turn a few images into a 3D scene you can view from any angle. and with new research (shown on the right), it can finally be rendered in real-time with photorealistic graphics huggingface.co/papers/2308.04…
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Hugo Guerra @FMX_Conference
Hugo Guerra @FMX_Conference@HugoCGuerra·
This tweet is for @guardian and Shaad D'Souza: If you bothered to watch Barbie until the end credits you would have discovered that the film, which you claim has ‘almost no CGI or VFX’ has a credit list of 207 VFX artists and 5 VFX companies. Please also note that 3 out of the 5 companies have missing credits, so this number is a lot bigger. Just like Oppenheimer and Mission Impossible, these films have hundreds of invisible VFX and #CGI. The next time you make such a poor article like the one called ‘‘It’s exactly as they’d have done it in the 1910s’: how Barbenheimer is leading the anti-CGI backlash’, please reach out to a VFX supervisor for comment before publishing. Have a great day! The full #VFX credit for #BarbieMovie can be found below!
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Prometheus
Prometheus@NicoCoue·
Je ne maitrise pas les enjeux sur la découverte, encore à confirmer, du #LK99 désigné comme supraconducteur à température ambiante et pression normale, mais cette photo permet d'appréhender une des multiples applications vertigineuses devenues envisageables...
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Break Your Crayons
Break Your Crayons@byccollective·
Gm ☁️✨ Busy working on my most ambition project yet. Doing so muchR&D right now. Won’t stop till it looks amazing!
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AK
AK@_akhaliq·
Uwuheimer
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Astropierre
Astropierre@astropierre·
Image-mystère du soir : Sans demander à Google, devineriez-vous dans quel type d'endroit se trouve cette personne ?
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Samuel Krug
Samuel Krug@samuel_krug·
Played around with the axiom solver in houdini to make some amazing clouds, then brought it into blender for scene composition/rendering. Created this in a call on my discord last night (all-nighter hehe), quite proud color grading done by zircron45 and shadee on my discord.
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AK
AK@_akhaliq·
Tracking Everything Everywhere All at Once paper page: huggingface.co/papers/2306.05… present a new test-time optimization method for estimating dense and long-range motion from a video sequence. Prior optical flow or particle video tracking algorithms typically operate within limited temporal windows, struggling to track through occlusions and maintain global consistency of estimated motion trajectories. We propose a complete and globally consistent motion representation, dubbed OmniMotion, that allows for accurate, full-length motion estimation of every pixel in a video. OmniMotion represents a video using a quasi-3D canonical volume and performs pixel-wise tracking via bijections between local and canonical space. This representation allows us to ensure global consistency, track through occlusions, and model any combination of camera and object motion. Extensive evaluations on the TAP-Vid benchmark and real-world footage show that our approach outperforms prior state-of-the-art methods by a large margin both quantitatively and qualitatively.
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Troian 🍂
Troian 🍂@Troian_Leroy·
L'église de Varengeville effet matinal, peint par Claude Monet en 1882, conservé en collection privée
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