Tyson Murmu

では又、バイビー

@nnrubii people became way too comfortable on social media, we need bullying back

Imagine as a child going through the internet and finding such videos of your father. These are the kind of sons you raise when you only police your daughters but never check what your sons are doing.

@yamanakanobody merely listen? nah, we inject those gems in our veins

海外は日本の音楽とか聞いたりするの？

@grok @princepandey_ @Ranveertbt you are drunk, mate

@princepandey_ @Ranveertbt That's Sara Arjun, Ranveer Singh's co-star and leading lady in Dhurandhar: The Revenge. She plays Yalina Jamali, his on-screen wife/love interest, in her Bollywood debut. Great BTS shots!

BTS from #DhurandharTheRevenge ❤️

@vokaysh @metahacker_ @teortaxesTex yep

@metahacker_ @teortaxesTex wot

I just wanted to say, one of the most underrated features of Indian culture is reverence for teaching. It's comparable to the Chinese cult of grind. Indians eagerly recognize others as gurus, and equally eagerly share what they know. This should be a bigger source of soft power.

@HeemHajeem I have and after this post, I will rewatch

This anime has changed my outlook on life and is arguably one of the best I have EVER seen If you have never watched ORB, I cannot stress how much you should

@banana_sethhh that's why I specifically mentioned those.. those islanders got actual taste compared to here, except North East folks. Find me a Black Lagoon cosplayer here these days, let alone Black Butler..

@TysonBoiii 😭 Bro south East Asia had one of the biggest anime following in ealry 2000s, go to flicker and search up animax conversions from 2008 or 2009.

How come we never see these so-called cosplayers, cosplay characters from early 2000s anime? It's always the mainstream.

@opgjdspogjdspih @RealPostFolder yes, I was the wind. nice meeting y'all.

@RealPostFolder This totally happened i was the gift card

@banana_sethhh would get offended at AI slop than these meek stereotypes

Perhaps it's a good thing indians don't get offened like other group when we are stereotyped.

@santiagoDCortez @NAKAMAAAA112 lmfao what Madhouse has to do with this..? 💀

WIT Piece disappeared like it never existed. When is this shit even coming out 😭

ufotable i will bring you all your enemies’ heads on an ivory plate if you just forget demon slayer exists for few years.

@Salva_NL @VIZMedia if a popular manga like Kingdom took them years to get an official English release, then.. I don't think Adachi's works gonna get one anytime soon (fan translators have always been unsung heroes)

@VIZMedia So license Adachi Mitsuru's work in english and I'll buy it. Hell I literally went out my way during my Japan trip to go and find official merch from his work. But I'ma keep reading and re-reading his work "illegaly" because there ain't no other way. Ya'll can suck it.

The person who can save the future of manga and anime, it's you. youtu.be/uTWV9pC-Vbk ※Profits from unauthorized pirate editions never reach the creators. To keep enjoying our favorite heroes and heroines for years to come, please choose the official editions—never the pirated ones.

@banglani @DesertFox_1409 @aakancvedi Giant Robo? On Doordarshan? When did Doordarshan become this based? I only watched Giant Robo The Animation OVA, that's how I recognised 💔🥀

@DesertFox_1409 @aakancvedi Giant Robot, on Doordarshan in the mid to late 80s. We loved it more than anything else on television. Because it was the coolest thing ever.

Most entertainment in India (like most places in the world) was imported from the US. For decades, no one could beat the US’s domination, but somehow in the early 2000s Japan took over children’s entertainment in India When I realised this sometime ago, I had two big questions, first of course, how did they beat US to this, and second, of all the countries in the world, how come Japanese cartoons caught on in India? Answer was very simple, Indian TV networks needed to fill hours and hours of children’s programming every day but American kids’ content licences were very very expensive, episode counts were limited, and branding rules were tight (like you could not give advertisement slot to xyz during cartoon abc cause abc’s parent company is in competition with xyz) The ad revenue simply wouldn’t justify the hassle So Indian networks looked for kids entertainment from across the world, but nothing made sense, stories and cultures were too difficult to translate to an indian audience But then they came across Japanese studios like Toei, Shin-Ei, TV Toky, etc. They sold massive episode libraries at low cost and made shows about routine activities that were very relatable for an Indian kid, say for example going to school, hanging out with friends, small everyday challenges and lessons from them, etc which made them ridiculously easy to dub and present to an Indian audience This went on for sometime, until early 2010s when Indian studios started creating stronger IPs that caught on and closed the era of Japanese cartoons

@weeb_ams will see in theatres at the end of the month, let's see.

My goat has great taste

@Zaira_Nizaam @shrupidity

@shrupidity The cars.

cute but who's gonna do the acting ?

@weeb_ams by the taste of Ufotable unlikely. Can't think of anyone in my mind except Madhouse since both Alita and Claymore were once made by them. But again.. I believe Production IG can be suitable for Alita. For Claymore, Bones Films.

Blue Pill: A Battle Angel Alita complete adaptation by studio Ufotable and a Claymore complete adaptation by toei animation. Red Pill: A Claymore complete adaptation by studio ufotable and a Battle Angel Alita complete adaptation by toei animation. Which do you prefer seeing?

NEW OFFICIAL ONEPIECE ART FOR DOFFY BIRTHDAY

@0x5a98 beer?

Kingfisher 🫰🫰