🩸📼📺 shrieking violet 📺📼🩸
38.3K posts
@VioletShrieks
freaky (intersectional) feminist with a found footage heart. indie/international film. horror sponge. ranchu goldfish mama. she/her
Violet Burns pens a personal essay about how the portrayal of teen grief in 'Talk To Me' helped her process her own childhood trauma. Check it out: dreadcentral.com/editorials/466…
#NW Vital (2004) dir. Shinya Tsukamoto
With his deeply unsettling short film Chime playing in theaters alongside a new 4K restoration of his 1998 revenge thriller Serpent’s Path, visionary filmmaker Kiyoshi Kurosawa tells Isaac Feldberg about experimenting within genre constraints and believing in ambiguity. boxd.it/35m
Jeanne Dielman premiered at Cannes in 1975 but wasn’t released in the US until 1983. It’s a famous example but think about how many films never make it to the US. It’s more important to look back and discover what you missed rather than just log what’s easily available to you.
The biggest bullshit move by DHS in its history. So everyone on a O1 or H1B visa would have to stop working legally in the US, go back to their country and wait for years of backlog? This includes top scientists in our universities, founders of billion dollar companies (at least 3 just in our portfolio would be affected by the way). And if we look at individual countries it becomes even more bs. Indians would have to wait decades. Russians don’t have anywhere to go (there is no US embassy in Russia, hello?). This is the worst imaginable way to disrupt important work for the country and pretend you’re fighting some loophole.
