V_chats🍄🔻

Today Israel has murdered children and journalists. They do it every single day. Armed to the teeth by the US/EU/UK. Free Palestine 🇵🇸

😅

This is why people are gatekeeping you guys don't even see games as art😭

Also, everyone know that it is not "scary" to pirate bcs the know how to do it correctly, also they know that you don't need a super high-spec pc to be able to do it also

This really just show how subscription environment like netflix and such just killed the pirating culture of the younger generation nowadays. Back in my days, pirating is a shared knowledge between friends, I didn't have to actively trying to find ways to do it al by myself.

It is possible that Mr. E, the eponymous mysterious book from Yoshi and the Mysterious Book, is inspired at least partially by the Voynich Manuscript, a famous medieval book that seems to describe unindentifiable wondrous flora in a completely incomprehensible language.

Mixtape is actually a really good example of how interactivity is one defining element of a game bcs just watching a playthrough of mixtape would be very boring😭

Israel/US be like:

Putting minecraft above duskblood is insane

AI detected. Will not buy

I think people forgot that this is supposed to be the FIRST TIME we're hearing about the game if there had been no leaks. It's very normal to just drop a teaser and reveal that the game exists. Now, The Duskbloods on the other hand...

Cela fait-il la une des journaux ? Israel a enseveli un adolescent sous le béton et sans ses organes à Gaza. #Israel_Enemy_of_Humanity

Nintendo you can bring patapon, so You can bring him too

PRAY FOR MINDANAO 🙏 We join everyone in prayer for the safety of those affected and for the swift rescue and relief operations following the magnitude 7.8 earthquake in Mindanao.

6月9日（火）23時より「Nintendo Direct 2026.6.9」を配信します。 2026年後半に発売するタイトルを中心に、Nintendo Switch 2 / Nintendo Switchソフトの情報をお届けします。配信時間は約50分です。 #NintendoDirectJP #NintendoSwitch2 #NintendoSwitch nintendo.com/jp/nintendo-di…

I'm going to be as sensitive about this as possible, because Satrapi likely either ended her life from depression after losing her husband or "died of a broken heart" (this kind of thing does happen, albeit with older people). Satrapi was one of many authors whose unique experience in Iran was woven into the GWOT-industrial complex's consent manufacturing regime. Though not as egregious as Ayaan Hirsi Ali or others of the Sam Harris Islamophobia wavelength, Satrapi's depiction of Iran fed into the same liberal capitalist justification for aggression and neoliberal regime change that vanquished 4.5-4.7 million human lives since 2001. This is NOT saying she is responsible for that- decisionmakers in Tel Aviv, Wall Street, and Washington are. But authors like her, filmmakers who make films like Rosewater and The Stoning of Soraya M, all have something of a part to play in the grand machine of imperialism. It's a tough call to "see the human" in a situation like this and I can see both people who don't want to address her political effect and just want to focus on her sad passing, as well as those who want us to contend with what her story did, and how it was weaponized for genocide. There's somewhere in between and both sides have valid points. It's worth keeping in perspective that the culmination of what started with the Iraq invasion in 2003 occurred in Gaza, and would have continued to its ghastly end if Iran was balkanized easily. With that in mind, it behooves us to pan out and take a longitudinal look at how Satrapi's work functioned in this horror. Believe it or not it is indeed possible to say her passing was sad, and yet to acknowledge how her work was propagandized and weaponized. Often, authors just want to share their stories- and Satrapi is no different, and she ultimately was a liberal who was more amenable to the type of society found in America or Europe than the one she lived in in Iran. That's a personal proclivity, certain people find certain systems confining. Ergo, her experiences in Iran and her desire to voice them were picked up by publishers and the media complex and turned into a propaganda angle. She likely felt what she was doing was right; there was certainly a mutuality to it. And just like Iranians who may indeed love Iran but whose experiences with Iran's government had led them to the insane conclusion that war on Iran would bring change, she too, knew the smell of ghormeh sabzi, the gossip of old Iranian grandmas, and the tunes of Shajarian, and had an attachment to these things. It's important to not forget that. These people who ultimately play a part in the machine that destroys Iran genuinely are attached to Iran in their own ways and just want, what they believe, is their "right" vision for Iran. I hope that raises a few points to consider going forward; hopefully we third world monkeys are capable of rational, nuanced discourse about things like this.

RIP Marjane Satrapi, the great cartoonist and film director, best known for PERSEPOLIS. She was only 56. A great talent. She will be missed.

Everyday I pray for a miracle

@Nintendeal LocoRoco

Share your most unrealistic expectations for the next Nintendo Direct

Deep inner suffering inevitably arises when the human person is reduced to performance, consumption, or a statistical datum. Many young people today live under the yoke of expectations to perform, immersed in an exasperated competitiveness that generates anxiety, fear of not measuring up, and disorientation.