@HappyOli O pior é que isso é uma baita estratégia de popularidade. Não a toa, manteve o Fortnite muito popular. Sempre teve esse ranço do nicho x popular, mas o pessoal quer é ficar jogando jogo morto em campeonato de churrasco do primo.
Português
Fabio Sakuda
17.9K posts
Fabio Sakuda
@XILFX
Se quiser me conhecer, leia minha obra. https://t.co/so8MSCAA5l
Aichi-ken, Japan Katılım Eylül 2009
396 Takip Edilen1.6K Takipçiler
@LoogieModder @HappyOli Sim, que depois protagonizou a adaptação de Inuyashiki. Tem o programa onde mostra isso. youtu.be/HMfKVAR0_kc?si…
YouTube
Português
@HappyOli Tecnicamente "convidado em X Men Vs Street Fighter não tem, o certo seria o Marvel Super Heroes Vs Street Fighter, onde lá temos o Norimaro (exclusivo do Japão? Sim, mas ainda conta pq foi baseado em um comediante que não tinha nada haver com o jogo)
Português
Fabio Sakuda retweetledi
Bizarro! Monsters Odyssey subiu de ontem pra hoje 3 posições. E tenho 2 obras, uma atrás da outra no Ranking do MangaPlus da Shueisha. O problema é que AMBAS estão fora do Top10 que realmente conta para o concurso e só falta 8 dias no mês.
Português
@CanalBudokai Muito foi encontrado em leilões online do Japão, mas as coisas mais valiosas ainda não apareceram. Se quem tinha posse mandou para o Heritage... É uma linha de pensamento boa. Lembrando que a Heritage participa de eventos de quadrinhos no Japão.
Português
@CanalBudokai eu estava pensando... E se esse material estava em posse do Katsura? Katsura sempre foi amigo muito próximo do Toriyama. E recentemente, ele descobriu que perdeu ou foi roubado, levando diversos originais e peças raras do acervo dele. O próprio não faz ideia de tudo que perdeu.
Português
Torishima reforçou que são grandes as probabilidades daqueles rascunhos raríssimos do começo de Dragon Ball serem apenas cópias, ressaltando que sempre enviavam cópias na época, nunca o manuscrito original.
Isso é algo que o próprio Toriyama já retratou em Dr. Slump.
【公式】💥 #ボツ by 鳥嶋和彦@botsu250522
コピーの可能性大 原稿以外はコピーで送る そうでないと名古屋の鳥山さんと打ち合わせできない
Português
@kamisamaexp Se não me engano, a primeira história que ele mandou pra Jump era uma paródia de Star Wars. Pode ser estudo dessa história.
Português
Esboço inédito e original de Akira Toriyama para Star Wars: O Retorno de Jedi
Català
Fabio Sakuda retweetledi
Acho justíssimo o pedido, mas primeiro precisa combinar com as agências e gravadoras japonesas esse acesso dos fãs internacionais. Hoje é muito mais fácil consumir conteúdo de j-music do que há 10 anos, mas ainda assim muita coisa é preciso um esforço hercúleo pra acompanhar.
NANO-ナノ-OFFICIAL@nanonano_me
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏 If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets. There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally. Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any. It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside. More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist. I’m not trying to ask for pity, nor demand anything, unless this resonates with you. But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple. Please go follow artist’s socials. Please go subscribe to their Youtube channels. Please find them on Spotify. Please interact with them by commenting and letting them know you’re there to support them. Please share your passion with the people around you. AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage. I am not exaggerating when I say it IS a miracle and it might never happen again. I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation. Thanks for listening, if you made it this far🫶 Let’s keep Rocking On. NANO
Português
A abreviação de One Piece Cardgame é OnePiCa. E como fica minha quinta série?
エクストレカ@引くたび絶頂、引くほど爆アド。大手ネットオリパ@extoreca
【ワンピカ 抽選販売のお知らせ】 「English 2nd ANNIVERSARY SET - 日本語版」 1BOX ¥ 11,000円（税込） 購入制限： おひとりさま1BOXまで 申込みは画像タップから👇 ※応募は無料です その他詳細は画像をご参照ください。
Português
@J_Caezar93 Se escreve da mesma forma. Significa estrela brilhante. O macarrão vem da marca Myojo Shokuhin, do grupo Nissin. No Brasil, pegou como o nome do macarrão instantâneo, mas é como chamar fotocópia de Xerox.
Português
Errei meu palpite, pegaram o próprio Seiya... É, o nome desse comediante é Seiya mesmo, da dupla Shimofuri Myojo.
マクドナルド@McDonaldsJapan
ご当地マックにせいや！！ 5/20(水)から この投稿に【#まもなくご当地マックにせいや】をつけて本日5/14(木)中にリプライすると、抽選で100名様に1,000円分のマックカードをプレゼント！ 詳細は画像をタップ！
Português
Minha aposta pra esse Seiya do Mc, não tô nem brincando.
マクドナルド@McDonaldsJapan
この輝きは… ペガサス〇〇〇!?
Português
Fabio Sakuda retweetledi
Yesterday, a malicious post was found from a Japanese-owned account calling itself "Information Bureau," featuring images of Yuji Itadori from "Jujutsu Kaisen," Tanjiro Kamado from "“Demon Slayer: Kimetsu no Yaiba”," Denji from "Chainsaw Man," and Yoichi Isagi from "Blue Lock," along with the abusive caption, "Torishima asserts that modern manga are generally garbage." Even Japanese people, who are immersed in manga and anime culture, are making such false posts and engaging in insulting behavior. These posts are being passed from influencers to influencers, and are coming from throwaway accounts with around 200 followers that have never even read manga and have no respect for the works. It makes me want to cry to think that there are so many people trying to make a quick buck off this, and I feel like the world is coming to an end. Since this is a good opportunity, I should mention that (despite rarely praising manga works in public) Mr. Torishima highly regards "Demon Slayer." He praised the dialogue, the way the protagonist is portrayed (the emphasis and the clear fact that the protagonist's goal is to save his sister), and the first page of the first volume of the manga (comics), saying it has the potential to surpass the first page of the first volume of "Dragon Ball." Personally, he doesn't like the melodrama seen in the flashback scenes before the demon dies, but Torishima, who rarely praises manga artists, highly praised the author, Koyoharu Gotouge. He generally praises "Jujutsu Kaisen," saying that it's a work that wouldn't have come about without Yoshihiro Togashi. However, he has also mentioned the skill of the artwork, the intensity of the battle scenes, and the superb cuts and panels that capture the sense of distance on several occasions on his show, and has made it clear that "I don't feature or talk about works that I don't rate highly." Despite the existence of such information, malicious posts that fail to trace the source accurately, neglect to investigate, and show no remorse whatsoever for damaging the creator's reputation, while trying to gain impressions based on rubbish information that has been circulating, are an insult not only to the work itself, but also to the readers and fans, as well as to the people involved. When we pointed this out, there was no reply, no explanation, no disclosure of the source, (of course) no apology, and the post in question was deleted. If you're going to delete it and run away, then don't spread that crap in the first place.
English
Sempre que lembro da criatividade culinária, lembro de FMA falando sobre como é genial tacar leite em uma sopa de legumes e fazer uma receita deliciosa. Brasileiros nasceram com aptidão para a alquimia. Mesmo quando geramos umas quimeras sem querer.
Senso Crítico ⚡@SensoCrtico1
Flow Podcast: Entrevista Paul Cabanners, o francês
Português
@CanalBudokai Não sei se viu, mas a parceira de programa dele comentou falando que havia muito erro de interpretação e tradução do que foi dito. Ela literalmente meteu o pau no cara e em toda mídia que não fez a revisão antes de repostar. Dá uma procurada, ele mesmo resultou.
Português
Toriyama odiava desenhar mangás? Só japoneses conseguem fazer mangás? DAIMA é um lixo?
São muitos os comentários polêmicos, então fiz esse vídeo pra me aprofundar um pouco mais nestas novas declarações do Torishima
youtube.com/watch?v=yw55hj…
YouTube
Canal Budokai@CanalBudokai
NOVOS COMENTÁRIOS DE KAZUHIKO TORISHIMA A conta @XMathemagicianX postou uma thread muito legal com vários comentários do lendário primeiro editor de Akira Toriyama e Dragon Ball, e vou fazer aqui um resumo dos mais importantes. Segue o fio 👇
Português
Eu assisti o Mario Galaxy com a familia, finalmente. E eu digo que o roteiro caótico do filme tem quatro letras. KiShoTenKetsu.
Português
@well_goncalves8 Acho que não tanto quanto Angra, mas um certo amigo meu era bem fã do Shaman também.
Português
O pessoal não tem noção do quanto o Angra é forte no Japão. Muitos amigos curtem, tinha um amigo que quando eu falei que o Rafael tinha podcast, ele começou a ouvir tudo do jeito que dava.
Seishi | SCHRODINGERSCALL@seishi_acr
At #gamescomlatam, many journalists and developers asked me the same question: "Why did you come all the way to Brazil?" In response, I told them a story about a certain Brazilian band. The CD was actually the first one I ever bought when I was fourteen years old—not a Japanese band, but one from Brazil. Every time I showed the CD to a journalist or developer, they were visibly thrilled. As it turns out, that band is a legendary fixture of the Brazilian rock scene. Word of my story eventually spread through the gamescom latam press room, even reaching American journalists who reached out to ask, "Do you like this band? What about that one?" One of them even introduced me to another colleague. My point is this: networking isn't just about "games" and "business." Networking expands and deepens truly when there is a genuine respect for one another's culture.
Português
@seishi_acr Yeah, i was using your tweet to explain how huge Angra was and still a big name. I am brazillian, but living in Japan for almost 20 years, and working as translator for japanese-portuguese. Have friends who knows about Brazil because of Angra.
English
Since this is a Japanese article, I'm not entirely sure the translation from Portuguese / English will be perfect, but it features an episode about ANGRA's debut in Japan. Victor Entertainment, a major Japanese record label, was very active in introducing European Heavy Metal to Japan — led by bands like Helloween, Blind Guardian, Stratovarius... — and ANGRA ended up becoming part of that movement. This text is a memory told by the people at Victor who lived through that moment.
jvcmusic.co.jp/angra/rock/int…
English