izzy

F**k it. Built an AI Startup Factory that mines market signals and prints startups at machine speed, then turned it into a live show. It surfaces pain points/trends on TikTok and 12 other platforms. It generates the ideas. You and your AI agents plug in, install skills, and ship pre-validated products that make money. On air. LIVE. The audience watches. The best builders/products win. Think TrendHunter x Kaggle x OpenClaw x Twitch Vibe coding + vibe marketing. On steroids.

@supaborg 🔥🔥🔥

I built Twitch/Whatnot for AI Builders. The future of VibeMarketing starts today.

Historical Anchoring: From Radical Rhythm to Pure Generative Systems Symphony for n Metronomes emerges as a direct consequence of Andreas Rau’s conceptual explorations of György Ligeti’s Poème Symphonique for 100 Metronomes (1962) and Toshi Ichiyanagi’s Music for Electric Metronome (1960). The core idea and starting point of the project rests on the metronome as a generator of a continuous pulse, reflecting the sequential logic of block creation on the blockchain. This anchoring to radical explorations of rhythm and structure has triggered Rau’s approach to developing generative systems capable of expressing this potential within a pure digital dimension. Within these newly coded architectures, the metronome becomes a living agent within a collective entanglement shaped through code and time. Rau’s work expands the legacy of these radical compositions by repositioning vibrational oscillation as a generative logic of artistic thought. The rhythmic systems he develops articulate presence and interaction without relying on codified linguistic structures. What was once a conceptual gesture rooted in analog temporality becomes, in Rau’s system, a continuous architecture of synchronization and code-based inscription. Visual references György Ligeti’s Poème Symphonique for 100 Metronomes (1962) Toshi Ichiyanagi’s core for Music for Electric Metronomes (1960) Symphony for n Metronomes still output 2025

[mode: ART MARKET Curated Program] { LIVE NOW } artist:: Robinson St. George | @rbnsnstgrg work:: little_nowhere :: nowhere_nicely :: little_song format:: 3 artworks little nowhere :: 1/1 => 80xtz nowhere nicely :: 5 editions => 20xtz little song ::  10 editions => 15xtz residual light => remembered wrong executing drop ⌲ system open => discover at @objktcom ⇓ [visual] => [Robinson St. George | little_song :: little_nowhere :: nowhere_nicely]

[mode: ART MARKET Curated Releases] live: May 22, 2025 => 4:00 PM CEST || 10:00 AM EST artist:: Von Doyle | @VonDoyl work:: The Latent Feast edition:: 1/1 250 xtz {BIO_INJECT} => Von Doyle is a multidisciplinary artist exploring AI-driven visual practices since 2020. Their work investigates the plasticity of neural networks and the aesthetics of machine perception, experimenting with deep learning and generative systems in Python and PyTorch. Operating at the edge of code and image, their output reflects a fascination with the uncanny nature of algorithmic imagination. first: latent trace => then: recursive dream => now: synthetic iconography mirrored depth neural echo visible hallucination [visuals] => L: ART Market select Layer || R: Von Doyle image profile ⇓

Operator in Conversation with Fakewhale Now live on Fakewhale LOG :: An in-depth interview with Ania Catherine and Dejha Ti, the artist duo behind @operator_______ , whose practice has fundamentally reshaped performance art for the digital age. Since 2016, Operator has developed a body of work where digital movement becomes not only form but evidence. The collaboration between Ania Catherine and Dejha Ti redefines how performance can be archived, collected, and transmitted through code. Their generative choreography method, first unveiled in Human Unreadable and later adapted within classical institutions such as the Paris Opera, positions movement as a collectable system of data, creating new pathways for ephemeral art to enter the market. In this exclusive interview, Operator reveals the trajectory behind their artistic evolution, from improvised installations to algorithmic embodiment. They speak about surveillance, privacy, the role of infrastructure in artistic creation, and how choreography can serve as a critical lens through which to examine presence, absence, and machine logic. Read the full interview on Fakewhale LOG ⇓ Visual :: The Big Now (2017) Directed by Operator | Music video for Robot Koch x Little Ashes. Photo: Ariel Fisher, Los Angeles

From May 19th to June 1st, my latest work, BLACKOUT, will be displayed on six massive billboards across the city of Milan. The project explores the paradoxical relationship between art, humanity, and emerging technologies such as artificial intelligence. Words will take center stage, creating a semantic short circuit. The installations will form a sprawling open-air exhibition spreading throughout the city. This project represents a significant collective effort and production challenge for my team and marks the first time I’ve used Italian text in my work. A press preview will take place on May 20th at the WUF studio in Milan. Special thanks to @valuartdotcom and @wufdotart

[mode: ART MARKET Curated Program] { LIVE NOW } artist:: Aysan Faeghi @_4ysan_ work:: Enraptured by Light format:: 10 editions => [9 xtz] loop breath => memory flickers in ink executing drop system open => discover at @objktcom [visual] => [Aysan Faeghi | Enraptured by Light] ⇓

C2ASH PRESALE ::: 3 HOURS LEFT ⧗ ◌ access is nearing its close ◌ closes at 6:00 PM CEST / 5:00 PM BST ↓

Jesse Draxler - C2ASH (thread) C2ASH marks Jesse Draxler’s return to Verse with Fakewhale through a continuation that expands the rupture initiated with CRASH. More than a sequel, C2ASH defines a system. It evolves from the foundational tension of controlled fragmentation into a refined generative field where analog precision meets algorithmic structure. L Jesse Draxler - R output from C2ASH ↓

⋆GM ⋆

LIVE NOW on ART MARKET ✩ Emotional Baggage by @swaymolina Emotional Baggage_MAD: 1/1-135 xtz Emotional Baggage_SAD:  5 editions-25 xtz Emotional Baggage_GLAD: 10 edition-15 xtz Discover the works on @objktcom ↓

Art Market curated program ☆ Sway Molina’s debut on objkt Live tomorrow 4:00PM CEST / 10:00AM EST Sway Molina is a multidisciplinary video artist based in Miami. Their practice investigates the performative absurdities of human emotion through generative AI, filmic language and physical theatre. With a background spanning video art, performance and storytelling, they construct immersive experiences where identity is concealed, fragmented and ritualized. In Emotional Baggage, a three part vertical series, Molina stages surreal encounters between enigmatic figures and aquatic species, crafting a poetic anatomy of emotional states such as madness, joy and grief through gesture, costume and digital tension. Visuals L: ART Market select Layer - R: Sway Molina, image profile

C2ASH: the return of Jesse Draxler × Fakewhale on Verse 05/08/25 - C2ASH reopens the system first fractured with CRASH. It begins with the violence of an impact; wreckage photographed, fragments cut by hand, scanned, archived, reanimated through a custom generative engine. Each piece is formed in real time. No template. No loop. This is image as system, collapse rendered procedural, authorship distributed across layers of entropy and control. Collector alert: pre-sale dynamics to be revealed soon. Visual L C2ASH output, 2025 R CRASH output, 2022 The new algorithm includes features and rarity traits yet to be discovered. Here on the left a first glimpse.

ART Market Curated Program ✩ Goo_vision release NOW LIVE on @objktcom thunder_arcade: 1/1 200 xtz groove_arcade: 10 editions - 25 xtz Discover the works ↓

ART Market -  April Curated Releases ☆ Presented by Fakewhale Gallery ART Market presents two upcoming releases by @goo_vision and @swaymolina as part of its new curated program. Framed within a curated dialogue on AI and image making, these works offer two distinct approaches to the use of artificial intelligence in contemporary visual culture. The releases will be available exclusively on ART Market via @objktcom, scheduled across the following dates and formats: Goo vision -  April 24th at 4:00 PM CEST / 10:00 AM EST 1 of 1 at 200 xtz 10 editions at 25 xtz each Sway Molina -  April 29th at 4:00 PM CEST / 10:00 AM EST 1 of 1 at 135 xtz 5 editions at 25 xtz each 10 editions at 15 xtz each Discover both artists below ↓ L Goo vision - thunder_arcade R Sway Molina - Emotional Baggage Mad

ART MARKET / A Format for Presence (thread) A Curated History of Meaning in the Digital Space ART Market didn’t arise as a reaction. It came as a realignment. In an age where digital art is everywhere yet often without a specific form, it established a syntax that held space without enclosing it. Presence became architecture. Rather than mirroring fragmentation, it offered resonance. A curatorial scaffold built not to organize but to articulate. A space where decentralization transformed into language and gesture, code, glitch, and refusal found a stage without walls. Artists, collectors, and curators were not placed. They were activated. Across protocols and platforms, across drop mechanics and temporal rhythms, ART Market shaped a system of engagement that is living, mutating, and precise. This is not a marketplace. It is a lens. L inject.curation("raw_market") R // boot.protocol(redpill_vision) ↓

FINAL HOUR ⏱︎ Closing today at 7:00 PM CEST/1:00 PM ET cornell_Box by ANDY DUBOC Collect on @verse_works ↓

cornell_Box by ANDY DUBOC cornell_Box by Andy Duboc is a generative work that evolves in real time. Each token runs live in the browser as a system in perpetual motion, with color, light, and form shifting continuously. No loops. No final frame. Only transformation. Double-click your output to watch it slowly converge into a crisp, high-definition image. Press 'Space' to spawn a new variation ↓ cornell_Box #9 | Collected by @ArtMonochrome1