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✧ mila ﾟ✧
611 posts
✧ mila ﾟ✧
@_milaniya
22 // video editor / content creator
Hong Kong Katılım Nisan 2023
348 Takip Edilen325 Takipçiler
@AmirMushich that’s one of those cases where using AI just isn’t necessary
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Ok guys, there you go with the prompts:
Redraw the attached image in the most clumsy, scribbly, and utterly pathetic way possible. Use a white background, and make it look like it was drawn in MS Paint with a mouse. It should be vaguely similar but also not really, kind of matching but also off in a confusing, awkward way, with that low-quality pixel-by-pixel feel that really emphasizes how ridiculously bad it is. Actually, you know what, whatever, just draw it however you want.
AmirMušić@AmirMushich
You can finally create REAL campaigns with GPT image 2 - from visual ref to the whole campaign system With a good prompting sequence, you can quickly one-shot brainstorming & turn it into slides to present to your boss or a client - and it's 80-90% ready to be presented This spec campaign concept of "Gucci x Crocs" was created with - 1 ref image from pinterest - 1 prompt to re-build it into my cross-brand idea - a sequence of a few prompts I don't mean to state it's a "final product", but damn, it's a huge leap to a real commerical concept-prototyping There are still weird artifacts, but it's very easy to fix in minutes. The point is - you go from zero to a quick and detailed promo-deck in ~1 one hour. In 1 working day you can generate 5-10 strong directions to present. Want prompts & "how to direct" such a project? Drop any comment - so I'll know Happy to share the article with all the details
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video editors shouldn’t be afraid of being replaced by AI
they should be afraid of not learning the skills to prompt it properly to communicate their ideas, taste, and creative vision clearly.
because if you’re a specialist with a unique point of view, that’s what sets you apart from the 90% who are interchangeable
AI won’t replace your vision. but it will expose whether you have one :)
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@motion_conquest Elon Musk didn’t launch rockets right away either 😁congrats! bigger things ahead
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I can’t believe my eyes 🤩
Just made my first sale💰
It’s a slow start of something that will change my life.
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"Vietnam is a third world country you can't move there!"
okay bro 🇻🇳☕
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@SaraDiscovers even android devs use macbooks they just hide it well 🤫
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@jameygannon looks like nano banana is still holding the line the physics and aesthetic part there are still winning
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Nano Banana Pro vs. GPT Image2
techbimbo@jameygannon
Excited to announce I'll be doing a one day workshop on @MavenHQ, teaching AI Product Photography for E-Commerce Teams! 📸 In just 3 hours, I'll be sharing: > which AI tools are worth your time > how to produce studio-quality imagery from your living room > how to create UGC and ad creative with AI > exposure to my real working process, live > 60k free credits (~300 images) to @floraai Enroll below 👇
Español
second frame
[Locked mirror selfie shot inside an elevator. Same girl, same silhouette, same phone, same cardboard box, same framing, same warm dim lighting. Continuous smooth single-shot transition with no hard cut and no sudden frame replacement. At first, a large 3D Hello Kitty is slowly peeking from behind the girl’s left shoulder and upper back, as if hidden behind her. Hello Kitty gently lowers and retreats back behind the girl and disappears completely, staying fully intact at all times. At the same time, tall realistic spiky pink-and-green flowers gradually become visible on both sides of the girl, as if they were always standing there and are being softly revealed by light. The flowers do not morph from Hello Kitty. They stay fixed in place along the left and right sides of the elevator. The transition is soft, continuous, elegant, and frame-by-frame smooth, with visible in-between motion. No popping, no sudden appearance, no deformation. The girl, phone, box, and elevator remain completely still and unchanged. No elevator door movement. No camera movement.]
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first frame
[Locked mirror selfie shot inside an elevator. Same girl, same silhouette, same phone, same cardboard box, same framing, same warm dim lighting. Continuous smooth single-shot transition with no hard cut and no sudden frame replacement. At first the elevator is empty behind her. Then a large 3D Hello Kitty slowly and naturally peeks out from behind the girl’s left shoulder and upper back, as if she was hidden behind her the whole time. Hello Kitty gradually reveals more of her head and upper body, leans out from behind the girl, then gently raises one hand and gives a small cute wave. Motion is soft, slow, and continuous with clear in-between movement. Hello Kitty stays fully intact at all times, with no deformation, no melting, no morphing, no body distortion. Natural contact and believable depth, as if she is really standing behind the girl. The girl, phone, box, and elevator remain completely still and unchanged. No camera movement. No elevator door movement.]
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[ Floating glossy coins gently drifting in dark green space, smooth slow motion, subtle rotation on X and Y axis, soft cinematic lighting, glowing edges, depth of field, minimal movement, elegant and calm animation. Coins move independently with slight parallax effect, very slow speed, no sudden motion.Text and logo remain completely static, no movement, no distortion, no animation on typography. ]
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Introducing Claude Design by Anthropic Labs: make prototypes, slides, and one-pagers by talking to Claude.
Powered by Claude Opus 4.7, our most capable vision model. Available in research preview on the Pro, Max, Team, and Enterprise plans, rolling out throughout the day.
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