Andrea Lipps

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Andrea Lipps

Andrea Lipps

@andreaLipps

curator • writer • editor • head, digital collection • @cooperhewitt • mom • citizen

New York, NY Katılım Eylül 2009
398 Takip Edilen561 Takipçiler
Andrea Lipps
Andrea Lipps@andreaLipps·
@DOEChancellor while we await the gun legislation and laws to protect our children and civilians, what can you do to protect our children today in DOE schools? Making entry more difficult into school buildings is a start, and what we pray would be just a temporary solution
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Dagmar Monett
Dagmar Monett@dmonett·
"In developing a deeper understanding of intelligence, it would be a serious mistake to ignore the only design process which has lead to general intelligence: biological evolution." Agreed! I'm so very much looking forward to seeing #AI related fields other than #ML #NN flourish!
Santa Fe Institute@sfiscience

🌄Frontiers in Evolutionary Computation: A Workshop Report by SFI's Tyler Millhouse, @MelanieEMoses, @MelMitchell1 Computer scientists & biologists share insights into the nature of evolution, evolutionary computation, & frontiers for further research: arxiv.org/abs/2110.10320

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Mohamed
Mohamed@mohamedmusa2701·
After crossing the road she gives thanks ! A wonderful creatures ♥
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Open Culture
Open Culture@openculture·
Daisugi, the 600-Year-Old Japanese Technique of Growing Trees Out of Other Trees, Creating Perfectly Straight Lumber openculture.com/2020/10/daisug…
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Actually,
Actually,@eaton·
this is the best opening to a technical book the world has ever seen and i will fight anyone who says otherwise
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Archaeo - Histories
Archaeo - Histories@archeohistories·
Thousands of years ago, Inuit and Yupik people of Alaska and northern Canada carved narrow slits into ivory, antler and wood to create snow goggles. This diminished exposure to direct and reflected ultraviolet rays thereby reducing eye strain and preventing snow blindness.
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Scott Westerfeld
Scott Westerfeld@ScottWesterfeld·
Don't forget when celebrating this weekend: It's the 100th anniversary of this iconic party.
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Andrea Lipps
Andrea Lipps@andreaLipps·
The Substitute is a video work we acquired in 2019 into our nascent Digital Design collection. I’m excited to unpack tonite the issues and questions it provokes—de-extinction efforts, bioengineering ethics, strange natures—with Daisy and conservation scientist Dr. Kent Redford
Cooper Hewitt@cooperhewitt

July 1 is our turn to host Smithsonian's Viewfinder series, celebrating women-made films and videos held at Smithsonian. Explore the relationship between nature and technology with “The Substitute” by Alexandra Daisy Ginsberg. More info: s.si.edu/vwfndr #BecauseOfHerStory

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Jason Koebler
Jason Koebler@jason_koebler·
BREAKING: New York Senate becomes first legislative body in the United States to pass right to repair legislation. Incredible win for people who have been fighting for this for years vice.com/en/article/93y…
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Andrea Lipps
Andrea Lipps@andreaLipps·
Collections! Thinking beyond the exhibition! Everything is digital (and not hi-res)! Love this. It will take visionary leadership to change the emphasis and recalibrate staff time post-covid towards new ways of doing nytimes.com/2021/05/21/art…
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Andrea Lipps
Andrea Lipps@andreaLipps·
Watercolor Maptiles website by ⁦@stamen⁩ enters ⁦@cooperhewitt⁩ collection⁩. That’s cool, but what’s cooler is how we did it, by creating a live version of the site hosted on Smithsonian’s domain and servers and available under CC license cooperhewitt.org/2021/05/18/wat…
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Andrea Lipps
Andrea Lipps@andreaLipps·
@smathermather @stamen Yes! Exactly this! While we don’t have the bandwidth to collect and care for everything we’d like to, we’re slowly building models—and resources🤞—to help us get there, which can only happen with partners willing to experiment with us
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Stamen Design (@stamen@vis.social)
"By creating a duplicate version of the Watercolor Maptiles site and hosting it on Smithsonian Institution servers and domain, Cooper Hewitt has established a new acquisition model for the museum sector.”—@andreaLipps
Stamen Design (@[email protected])@stamen

"It is the Smithsonian’s first acquisition of a live website into its collections, consisting of over 56 million map tiles (separate png image files) and the underlying code."

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