Art Basel

Only one city does it all. Only one Basel. Join us this June, where the entire city – from the Messeplatz to the Rhine, from museum walls to late-night conversations – becomes the place for the art world to gather, collide, and inspire. Tickets available now: bit.ly/49eQxhQ

It's the unnoffical start of summer! ☀️☀️☀️ — Shown here: Yang Fudong, ‘The Light That I Feel 3’ (2014–2014) detail via @ShanghArtGallery, presented at Art Basel Miami Beach 2015. ⠀⠀⠀⠀⠀⠀⠀⠀⠀

'What is the future of art?' is the question we posed to #ArtBaselAwards medalist Sumayya Vally🌟 Honored this year in the Cross-Disciplinary category, artist, architect, and founder of Counterspace, Sumayya Vally redefines urban design through African and Islamic cultural frameworks. Learn more about this year’s Art Basel Awards and the upcoming festivities planned during our Basel show: bit.ly/4a4eVD3

Strolling into the long weekend like... Shown here: Rafael Lozano-Hemmer, 'Agglomerate, Venice', 2024. Courtesy of the artist and Antimodular Studio. Find this and other works presented by Max Estrella & bitforms gallery at the upcoming edition of #Zero10 in Basel.

“I don’t use software to make art; I make art about software.” @JanRobertLeegte One of the true pioneers of net art. A practice spanning nearly three decades. Coming to @artbasel this June as part of Zero 10. ‚Scrollbar Composition‘, 2000 🧵

We ❤️ our hometown Basel.

Caravaggio killed over a tennis match. The point stands. Artists use whatever serves the work.

Something to think about.

We agree!

It’s impossible to describe artist Susan Cianciolo’s work with just one word: For more than 30 years she has straddled the worlds of art and fashion: bit.ly/49LVcrG

Discover the city of Basel through the eyes of one of its most stylish locals: The director of the iconic @kunstmuseumbs Basel. Link: bit.ly/4tUMGhb

Digital artists were right all along, says @trevorpaglen, the artist and co-curator of Art Basel’s 'Zero 10: The Condition'. Read his full curatorial statement: artbasel.com/stories/digita…

'What is an image when a machine can generate it? What is ownership when a file can be copied infinitely? What does it mean to make something in a world already drowning in pictures?' asks Trevor Paglen, the artist and co-curator of Art Basel’s 'Zero 10: The Condition'. In his curatorial statement for the initiative, he argues that digital art has long been uniquely placed to interrogate the present. 👉 Read his full piece: bit.ly/49dBEwc

This is the last week to see 'The Adventure of Domenico Gnoli'! 🛏️ The exhibition closes May 23. 🖼️ Levy Gorvy Dayan 📍19 E 64th St

Digital Masterpieces: From Code to Canon, debuting at @ArtBasel's Zero 10, Basel (June 16 – 21, 2026). Analívia Cordeiro: "‍Improvisation and random choice both deal with the unpredictable. The difference is that improvisation is deeply organic and flows harmonically. Random choice is mainly chaotic and never organically constructed. They complement each other." Below is 0=45 version I by Analívia Cordeiro, 1974. Quote from Analívia Cordeiro: Dancing With Computers, in conversation with @AlexEstorick for @RtClick_Save, July 29, 2025.

We are pleased to announce Iraqi curator Wassan Al-Khudhairi has been appointed Artistic Director for the 2027 edition of Art Basel Qatar, which unfolds under the curatorial theme between / بين — exploring the “between” as a space for encounter, exchange, and possibility. Art Basel Qatar returns to Msheireb Downtown Doha from January 28–30, 2027, with Preview Days on January 26–27, presented in partnership with Qatar Sports Investments (QSI) and QC+, and with Qatar Airways as Premium Partner. Learn more: bit.ly/4fwHSuZ

Digital Masterpieces: From Code to Canon, debuting at @ArtBasel's Zero 10, Basel (June 16 – 21, 2026). A comprehensive survey of the canonical history of digital art spanning 70+ years, tracing the rise of computation as medium through masterworks from the digital art canon. Jesusswimming .com by @Miltos Manetas, 2001

@artbasel in Basel is less than one month away 🌟 Presenting a solo booth by @_deafbeef at Zero 10, Asprey Studio highlights 'Hashmarks', a series of forged iron sculptures paired with digital artworks and prints. In computing, a hash functions as a fixed-length alphanumeric fingerprint generated from data. Here, that principle is translated into physical form: each sculpture is uniquely forged and engraved on the reverse with a cryptographic code that can be revealed to redeem its corresponding digital token. The collection consists of 100 unique hand-forged works, each cryptographically linked to a corresponding digital token and connected to a site-specific intervention in Patagonia responding to the movement and geological transformation of glaciers. Each work exists as a 1/1 piece, establishing a direct relationship between material gesture, encoded information, and digital ownership. The series explores how information is recorded and transmitted through time, where geological traces, handcrafted marks, and cryptographic systems all operate as forms of irreversible inscription. Read more via our website - link in bio - and visit us at Booth Z3, Zero 10, Messe Basel, Messeplatz 10, 4058 Switzerland 16–21 June 2026 Image: Hashmarks, 2023, Forged iron sculpture paired with digital artwork and print with iron forge scale residue as pigment

Learn more and watch the full episode of 'Inner Worlds': bit.ly/3PdlM6h

From her work at Studio Sangath in India to the Vitra Campus near Basel, where she recently completed the Doshi Retreat, Khushnu Panthaki Hoof carries forward lessons from her grandfather, Pritzker Prize-winner B.V. Doshi.