bitforms gallery

last week of StarPower at bitforms ! we are having a closing reception on saturday

Interference: The Interactive Art of Daniel Rozin opened at @museumartlight April 15, 2026 – September 27, 2026 For over three decades, @daniel_rozin has created interactive artworks that place the viewer at the center of image-making. Working with technology, custom software, physical materials, and kinetic motion, Rozin uses his practice to investigate how images are formed, perceived, and transformed through participation. Across his career, he has developed bodies of work exploring themes such as pixelation, time, Darwinian evolution, portraiture, Cartesian and polar grids, and optical illusion. In Interference, Rozin turns his focus explicitly to interference patterns—moiré effects—the shimmering, unstable visual phenomena that emerge when two patterned systems are overlaid and set into motion. These effects were extensively explored by Op Art artists in the 1960s, and most notably by Jesús Rafael Soto, who over several decades created hundreds of works investigating visual interference, vibration, and optical instability. This exhibition is conceived as a homage to Soto, whose pioneering explorations of moiré and perceptual motion have been a lasting source of inspiration for Rozin’s own investigations into vision, movement, and the active role of the observer. Feature video: Wheel Mirror, 2026

Opening May 14th: Code Chronicles V.2 Code Chronicles V.2 brings together artists Claudia Hart, Libby Heaney, Seo Hyojung, Ellie Pritts, Emily Xie, and Addie Wagenknecht in an exploration of how generative processes and artificial intelligence are reshaping artistic production. Extending @aljaparis inquiry initiated in the 2023 exhibition Code Chronicles—which considered the ways algorithmic structures sustain and reinterpret visual continuity—this iteration shifts attention toward more entangled dynamics. Here, computational systems are not simply tools but active participants. RSVP here: luma.com/htafvgk9 @YesClaudiaHart @LibbyHeaney @seohyowork @elliepritts @emilyxxie @wheresaddie

myself

Congratulations to @refikanadol on the opening of DATALAND, the world's first Museum of AI Arts, in Los Angeles. A landmark moment for the field. For details about available Refik works, please contact the gallery. latimes.com/entertainment-…

PERFORMING THIS ONE MORE TIME IN NYC ON MAY 6TH ⏰ roulette.org/event/maya-man…

working on something.

Installation views of @mayaonthenet solo exhibition, StarPower, at bitforms gallery. 🗓️ On view through May 2, 2026 📍 bitforms gallery 🕒 Gallery hours: Tue - Sat, 11 AM–6 PM Photos courtesy of Max C Lee LED screen courtesy of @UniluminUSA

Today we are launching the Public Research Preview for @contxt_ai in collaboration with @bitforms. Try it now: contxt.art/bitforms

WALK WITH US — Stop #14 at #ZERO10, @ArtBasel Hong Kong @danielcanogar and @quayola presented by @bitforms What does it mean to experience data as something you can feel? Daniel Canogar and Quayola translate live data, streamed content, and natural phenomena into evolving visual forms. Canogar transforms real-time inputs into dynamic sculptural environments. 
Quayola’s Storms series captures wave behavior through computational processes, creating images that feel both painterly and precise. Across the booth, sculpture, screen, and painting begin to blur. Data becomes material. See more: bitforms.art/exhibition/art… → Follow the full interview series as we move booth by booth through Zero10 this weekend

→ Join 100 collectors to access private tours, artist conversations, and a global community of collectors: 100collectors.art

@studiodanielcanogar on view @artbasel Zero 10 HK, Stand Z14 Both generative sculptures sold to a prominent museum in Bangkok and the new Iconoclast screen work sold to HK private collection.

I loved the Studio David Canogar "Iconoclast" Iconoclast hit differently when Takaichi（Prime Minister of Japan） appeared on screen, slowly fragmenting, becoming something else entirely. The piece selects 100 powerful figures and dissolves them in real time, referencing Francis Bacon's portraits and the cracked surfaces of overexposed darkroom prints. Generative art, but in reverse. De-generative. TIME100 names come and go. Influence shifts. The algorithm just makes that decay visible. What humans read as error and noise, the machine reads as pattern. Selling this through Zero10 as a living software work(getting a computer) is genuinely bold, power, legitimacy, and the image as a device, all collapsing together.

〰 Onsite at @ArtBasel Hong Kong, and online on objkt.one. ✦ Storms, by @quayola ✦ Curated by @bitforms In partnership with @artontezos_ and objkt one. ⇣ Image © bitforms gallery

Stop by @ArtBasel HK Zero 10 Booth Z14

Hear from the curator of Zero 10, @eli_schein, on the ground in Hong Kong! Zero 10 brings together practices at the forefront of digital creativity – spanning code-based work, algorithmic systems, immersive installations, robotics, light, and sound. Exhibitors include...

Great opportunity to acquire a piece of Quayola’s Storms series through Objkt - video and print on view @ArtBasel HK objkt.com/collections/ex…

Zero 10 is making its Asia debut at Art Basel Hong Kong 2026! Bringing together leading and next-generation artists, galleries, and digital innovators, Zero 10 is once again curated by @eli_schein and offers a first look at how technology is reshaping contemporary artistic practice.

Gm

Huge thanks to our community for showing up @bitforms for Maya Man's StarPower.🌟 So proud of the team and the artist for bringing this to life! Check out the works at tinyurl.com/starpowercatal… On view through May 2, 2026: 🗓️ Tue – Sat | 11 – 6 LED wall courtesy of @UniluminUSA