My rabbit is forever sassing me

I am absolutely in love with this piece. Even if it wasn't Bleach related I'm spellbound 🖤🧡🤍

Косплей Відьми Пустирища готовий. 🖤 Готуюсь вирушати на Міядзакі Фест… ✨ #cosplay #howlscastle #witchofthewaste #fantasycostume #cosplayartist

@MergeAlert This is so very sweet 🩷

Channeling joy in between studying for the hardest exam of my life ✨✨✨

@JacksonKyleAdam What's crazy to me is that I like, see the galaxies, all the textures and layers and shades makes it feel like you're looking beyond the moon by looking at it. If that sounds emotional it kind of is lol. Space is a wonder 🌕🩷

With Artemis II, my video has been making the rounds all across the world. Here is the original. Taken by me, Adam Jackson, from my backyard in Houston, Texas.

South Park creators gave the greatest lesson on storytelling ever

Me: (someone who has written 5 grimmichi stories, but not excluding other creators that are strictly grimmichi writers and have written wayyy more than in the fandom) Yes 🙂‍↕️

Ichiruki is big af, one of the few animes with a popular het ship but I find very funny they don’t know grimmichi is very popular too 👀

Alguien editó esta escena de Harry Potter como si fuera una telenovela de la India JAJAJAJAJA

공주님과 쉽새키로

@FS3K_Art I think keep your left highlights, but not the cleavage. And it shouldn't look as odd as the right does with them almost flattened out (or whatever)

@bun800 Ahh I think I know what you mean! Which highlight is it? The left or right circle highlight?

Drawing Will from W.I.T.C.H. and I have a genuine question when rendering the chest. I started with the one on the left but swaying more towards the style on the right. What’re your thoughts? I feel like both work but the right looks better? #fanart

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Japanese animation studio Ponoc (Ghibli alums) is working on "Mfinda", an African-American-Japanese feature film produced by N LITE.

the theatre suicide #BLEACH #bleachfanart

Here's my take on the color grading as someone w film experience - If they'd KEPT the blue tone for non-magic/Muggle scenes I think it would have worked. Bc no magic, no allure. Once Harry transitions into platform 9 3/4 THIS is where it should shift entirely. Magic = possibility

I think what's fascinating about the difference in these scores is how much more Memorable Williams' feels at the initial jump. A literal 'Swish, and flick!' in power that's lasted more than 2 decades now. I will not recognize the HBO score after this post, nor post-Christmas

That John Williams wrote such an overly elaborate, densely orchestrated score, with dozens of themes & motifs, layered on top of each other in complex harmonies, for ostensibly a "children's" film is astounding. He RESPECTED the audience. You'd likely get cutesy doodling today.

idk what i just watched but he slayed, he was giving, and he cooked

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

Kinda rough video, I’ll make a better one soon, but I couldn’t wait to show you these Vincent and human Alastor prints with the 3D effect! 😻🌀 Preorders are open! alexaelartworks .com #murdermedia #radiostatic