Louis 🐉✨

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Louis 🐉✨

Louis 🐉✨

@cliffeur

Membre de la communauté Dragon Ball 🐉 et collectionneur. Fan de Star Wars 🪐 et de comics 📖 Chasseur de trophées sur PS5 🎮 Rétro gaming 👾

paris Katılım Eylül 2010
932 Takip Edilen3.3K Takipçiler
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Louis 🐉✨
Louis 🐉✨@cliffeur·
Rien ne vaut la perfect edition de Dragon Ball ❤️ #DragonBall
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山猫23
山猫23@panda_pyama·
棚上もいい感じになってきた! #ドラゴンボール #データカードダス
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Louis 🐉✨
Louis 🐉✨@cliffeur·
@DxArtz Same I'm starting to get pessimistic about his return in 2026.
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Louis 🐉✨
Louis 🐉✨@cliffeur·
Dragon Ball Super sera encore en pause le mois prochain… Moi qui avait parié sur une reprise en avril… RIP 🥲
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TR312b
TR312b@Tony312b·
@cliffeur Magnifique ! Ou est ce que vous avez trouvé ce type de produit ?
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Louis 🐉✨
Louis 🐉✨@cliffeur·
Réception du jour : Un nouveau Gashapon Vending Machine Carddass DB 🤩
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Kaiohben
Kaiohben@kaiohben·
Le dernier VJump est à la maison. Merci à @konotoree pour la qualité de son envoi, et la justesse de ses prix, bien loin des abus de Vinted 👍
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_Edogawa_
_Edogawa_@_Edogawa_·
Pas mal non, c'est français 🇫🇷
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Louis 🐉✨
Louis 🐉✨@cliffeur·
Xenoverse 3 is coming 🤩🔥
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Naz Chris
Naz Chris@NazChris_dj·
Last year, we shared the treasures I mentioned above with you all in Paris, France. This year, we will be going to Naples, Italy. It would be the greatest joy if we could take a journey to share the stories of their talent and creativity—traveling the world together—while Mr. Torishima and Mr. Horii are still vibrant and healthy. I hope for such opportunities, both domestically and internationally.
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Naz Chris
Naz Chris@NazChris_dj·
Two years have passed since the news of Toriyama sensei's passing. It's already been two years. It's already been two years. It's been two years already. Whether it was meant to be, or just a coincidence, we had established the kosokoso broadcasting station about a year before his death, which allowed us to maintain contact with him while he was still alive. Even Mr. Torishima hadn't worked directly with Mr. Toriyama for some time, and 2023 was the first opportunity in a while. It was during the publication of "Dr. Mashirito's Ultimate Manga Techniques" that he contacted Mr. Toriyama directly to request an interview and the illustration of Goku and Mashirito for the cover. That interview is still available to read and listen to. Afterward, Mr. Torishima and I were able to arrange a radio appearance with Mr. Toriyama. It was the moment Mr. Torishima called him and requested his appearance. Mr. Toriyama thought about it for about five seconds (!) (honestly, I still think that was amazing). He kindly offered, but of course, he's someone who doesn't appear in the media, so his appearance wasn't possible at that time. At the time, I might have been thinking (somewhat simplistically) that maybe next year I'd have another chance to ask... no, I'll try asking! Again and again! I didn't persistently press Mr. Torishima either. By missing that opportunity, we lost it forever. To be completely honest, it weighed heavily on me as a great regret, a tremendous loss of opportunity. I was frustrated and sad. And it was all my fault. Since then, as a long-time reader and fan of the author, I've reflected on the 30-year journey since my first encounter with him, drawing parallels between it and my own life. I'll just write whatever comes to mind here, but there's a one-shot story (which was animated) not included in the comics, called "Dr. Mashirito ABARE-chan," featuring a villainous Abare-chan, who looks exactly like Arale, developed by Mashirito Jr. Sometimes I wonder if Mr. Toriyama had some kind of supernatural power to see the future. Because of Mr. Toriyama, I was able to meet Kazuhiko Torishima, arguably the greatest manga editor of all time. And because of Mr. Torishima, I was able to meet Mr. Toriyama. And now, after more than 30 years, I've embarked on a journey with Mr. Torishima to explore talent and the art of creation—a journey of "asking Shenron for help." To put it dramatically, my mission is, as I wrote, "to explore talent and the art of creation," and also, "to connect to the future, unearth, and record the truth behind the creation and passion of that era, built over 50 years by creators like Mr. Torishima, Mr. Horii, editors, and manga artists, through Mr. Toriyama's works." Currently, everyone and their dog is into games, anime, and manga; Japanese entertainment IP businesses are sweeping the world and attracting intense attention. However, I often feel that superficial discussions about mega-hit theories, business theories, and monetization theories are rampant, while the crucial aspect of creation—the dedication and trust of people who work with talent—is neglected or ignored as the project progresses. While the latest technologies and methods such as AI, CG, and DX are very important, they are merely tools. To borrow Mr. Horii's words, a hit is a result, not the most important perspective. However, I feel that fewer and fewer people truly understand this point these days. As for the approach, it's not about old or new, but rather what our predecessors, those before us and even further back, have passed down is passion, enthusiasm, discovery, trust, and a careful approach to talent.
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Julien-Gokuda
Julien-Gokuda@JChonette·
💥Celluloïds Dragon Ball: C'est quoi ces prix ABERRANTS ⁉️ 😱🤑 youtu.be/BUbSddYAyK0?si… via @YouTube Une petite vidéo qui pourrait plaire aux fans et collectionneurs de documents d’animation
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Louis 🐉✨
Louis 🐉✨@cliffeur·
Très sympa la cover du prochain VJump 🤩 On espère des nouvelles infos sur DBS Beerus, l’arc Moro ou le manga … 🙏
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