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@CryptoPidgey

Rare Pepe / 300Club #Bitcoin

Katılım Şubat 2019
1.6K Takip Edilen10.6K Takipçiler
Pidgey
Pidgey@CryptoPidgey·
“Hoodie punks are more historical than Nakamoto cards and are the true grail”
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Pidgey
Pidgey@CryptoPidgey·
@quentinbdb I know, just couple days late. I’ll be back though :)
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Pidgey
Pidgey@CryptoPidgey·
Been in Japan and have not seen not one crypto related thing Either the world is healing, we’re undervalued, or no one gives a shit
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Pidgey
Pidgey@CryptoPidgey·
@quentinbdb Just going through on my way to airport on way back :(
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batzdu
batzdu@batzdu·
thats a cool pokemon collection you have there got any of these?
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Pidgey
Pidgey@CryptoPidgey·
The Daruma in the bottom right pic is used to make a wish..better believe my wish is for Nakamoto Cards to be over $1million
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Pidgey
Pidgey@CryptoPidgey·
Japan swag Left Tokyo before learning about the Bitcoin base in Shinjuku 😭
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Memeticx
Memeticx@Memeticx·
4/ KV: Do you optimise for upside, cultural importance, or historical positioning? B: All three, but the work dictates which category it falls into. For example, I think something like Rare Pepes or Lost Robbies actually touch on all three of these categories. My preferences here have evolved over time, and I think a lot of the works I would categorise as "historic" are now difficult to obtain - though I guess on a long enough timeframe this will all end up being considered some flavour of historic. Cultural importance and upside never go out of style, so I think most collectors, myself included, are weighing those two factors more heavily these days. Image: RAREPEPE @pepe__wtf 😁🐸🧬
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Kate Vass Studio@KateVassGalerie

INTERVIEW with BatSoupYum “Every piece I bought says something about who I am: I bought it because I loved the art.” - BatSoupYum He calls himself "just a dude who enjoys collecting cryptoart." But behind the self-deprecating handle, @batsoupyum is one of the most quietly influential figures in the on-chain art ecosystem. Over five years of buying, holding, and now actively championing emerging artists through UPRISING.ART, @batsoupyum has built something that resists easy categorisation: not a portfolio, not a museum, but a living argument for what this medium can be. Kate Vass in conversation with him for the latest edition of her ongoing collector interview series, exploring digital culture on-chain. 🎙💈👇 The interview below is a shortened extract. Featuring: @niceaunties @toadswiback @videodrome @XCOPYART @beeple @ix_shells @MattKaneArtist @missalsimpson @VanArman @sashastiles @ClaireSilver @jackbutcher @punk6529 @amadon On the cover: @amadon , BSY, 2022.

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Pidgey
Pidgey@CryptoPidgey·
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Pidgey
Pidgey@CryptoPidgey·
@TimechainPepe Best political dank rare imo These will catch eye watering valuations in the future 👀
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Pidgey
Pidgey@CryptoPidgey·
Trump speaks on Naka’s 👀
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NARDO
NARDO@PepenardoStudio·
If you know what this is, I want to follow you.
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Pidgey
Pidgey@CryptoPidgey·
@nypost Fun Fact: Banksy has been lurking in Rare Pepe chats for years IYKYK
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New York Post
New York Post@nypost·
Guerrilla artist Banksy finally unmasked - along with the remarkable way he hid in plain sight trib.al/HyJ2fEc
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Keşfet

@quentinbdb @batzdu @pepe__wtf @metakovan @elonmusk @BarackObama @taylorswift13 @cristiano