Delphine Valloire

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Delphine Valloire

Delphine Valloire

@delfival

Storyteller - critique de ciné - swiss knife 💥 team @Rockyramaclub & @Otomogang 🔥 Tsundoku is a way of life… and could also kill you as a 16-ton weight 📚📚📚

Paris Katılım Aralık 2011
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Delphine Valloire
Delphine Valloire@delfival·
Le lendemain de l'Apocalypse... Le 19 mai 1979, il y a pile 46 ans, Francis Coppola, accompagné de ses enfants en guise d'armure, présente au Festival de Cannes "Apocalypse Now". Mon petit livre sur le tournage mythique de ce film sort cette semaine chez @Rockyramaclub 🔥💥⚡️
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Filmin
Filmin@Filmin·
Hoy decimos adiós a uno de los mayores ilustradores de pósters de la historia del cine. Gran artesano y gran artista. DEP Tony Stella.
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Scorsese Universe
Scorsese Universe@scorsesepoint·
Mean Streets (1973) feels real because Scorsese was not inventing a world. He was remembering one. He grew up around people like this in Little Italy.
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Roger Boylan
Roger Boylan@BoylanRoger·
Heading towards Georgia O'Keeffe's Ghost Ranch in New Mexico.
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catarina camargo
catarina camargo@cacmrg·
Tony Stella was the reason I started seeing painted movies in my heart. He was my biggest (the) inspiration who made me realize i can show my love for cinema in another medium i cared for. There's so much i could say about his work but i feel heartbroken at this moment.
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Roger Boylan
Roger Boylan@BoylanRoger·
Francis Bacon in his studio.
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Janus Films
Janus Films@janusfilms·
Positing Fassbinder for next #MetGala theme?
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Auteur House
Auteur House@auteurhouse·
Martin Scorsese during the filming of Taxi Driver (1976)
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Scorsese Universe
Scorsese Universe@scorsesepoint·
Martin Scorsese and Paul Schrader on New Year’s Eve, 1973. Before Taxi Driver (1976), there was just a photo of two men about to change American cinema.
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Auteur House
Auteur House@auteurhouse·
“Don't go to study a film and write down everything [...] Absorb it first.” — Martin Scorsese on how to watch a film. #filmtwt
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Nathalie Chalard bis
Nathalie Chalard bis@BisChalard57545·
"J’ai brûlé ces toiles... Pour dire merde à tous ces gens qui disent qu’elles valent une fortune." Torturé, subversif, habité par le rêve, Joan Miró explore une radicalité qui refuse aussi bien les dogmes que l’art marchand...
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Delphine Valloire
Delphine Valloire@delfival·
En train d’écrire le troisième 🔥 C’est pas simple (trois enfants, travail free lance…) alors si vous passez par là et que vous pouvez mettre deux ou trois mots d’encouragement, ce serait fantastique - merci 🙏❤️
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Lapinesco
Lapinesco@Lapinesco·
@delfival Tu les vois là, attendre le 5e de la collection ? Alors, prends ton temps et fais nous ça bien 🤘
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Frédérique Touitou
Frédérique Touitou@TouitouFred·
“ Je crois que tu ne peux plus disparaître de ma vie ; c’est cela ; quoi qu’il arrive tu es à jamais dans toute ma vie.” Maria Casarès à Albert Camus
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Delphine Valloire
Delphine Valloire@delfival·
Meilleur remontant du dimanche soir (à part vos commentaires vraiment ❤️) avec ce montage hollywoodien sur " Beggin" (1967) de Frankie Valli & The Four Seasons 🔥🔥🔥🔥 youtu.be/Ud8ZZKl4M3A?si…
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DepressedBergman
DepressedBergman@DannyDrinksWine·
Terrence Stamp on Federico Fellini & how he got cast in "Spirits of the Dead" (1968): "Stamp: Fellini had been approached a lot when he was in London by Peter O’Toole. O’Toole had met him at lunches and things and said we must do something together, so [Fellini] did write it with Peter O’Toole in mind. But when he sent the screenplay to Peter, Peter read it and said “I don’t want to be in this.” So [Fellini] called a casting director called Dyson Lovell and said “Send me your most decadent actors.” I was one of the decadent ones that went, and that was how I met him. Interviewer: What was Fellini like? Stamp: He was just everything and more – I think he was one of the most wonderful human beings I’ve ever met. And he bore witness to his talent. He wasn’t one of these guys who makes great movies like Antonioni, who’s like this dry, boring academic in real life. He was full of life – funny and witty and smart, and adorable to hang out with. There was never a moment wasted with Federico." (Terrence Stamp's interview with Sam Wigley, Sight & Sound, 2013)
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Hugo Arnal
Hugo Arnal@HugoArnal2·
@delfival J’ai adoré lire celui sur Apocalypse Now ! N’étant pas fan de Shining, je ne l’ai pas encore lu… Mais j’espère que le troisième m’attirera en courant comme quand j’ai vu apocalypse Now dans le rayon ! 😁
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Bertrand Lagacherie
Bertrand Lagacherie@BertyLagacherie·
@delfival Les deux premiers étaient vraiment tops. J'espère que le film qui sera le sujet du troisième me parlera.
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