DIGITOLGA

86 posts

DIGITOLGA banner
DIGITOLGA

DIGITOLGA

@digitolga

🎥 Fashion Films & Visual Content for Brands 📸 Your brand style → Photoreal campaigns ⚡Human taste, AI speed 📧 DM for projects

Istanbul, Turkey Katılım Eylül 2022
198 Takip Edilen17 Takipçiler
Invideo
Invideo@invideoOfficial·
We sent Agent One to Wong Kar-wai's film school. It read every page. Studied every frame. Learned the rules of how he sees, what he frames, and what he leaves out. Then we made a film with it. We directed, Agent One assisted, the way any crew member who'd done their homework would. Check the thread below for a breakdown👇 & comment “agent one” to get the treatment doc in dm.
English
271
386
771
474.3K
Amir D
Amir D@starks_arq·
the most impactful videos of 2026 will be build around worlds. we built a framework for brands: - concept generation - character + environment - A/B testing RT + reply "WORLDS" and i'll send it. ps. we're hiring.
English
153
86
243
13.3K
DIGITOLGA retweetledi
Amir D
Amir D@starks_arq·
I found the BEST way to turn anyone into a hyper-realistic AI actor. Like the one in this video. I made a guide covering EXACTLY how to do it with Seedance 2.0: - Midjourney portrait guide - Human library setup - Ref2vid Seedance workflow RT + reply “ACTOR” and I’ll send it to you for free (must be following so I can DM)
English
456
245
505
44.8K
Bogdan | Ad Creatives for Meta & TikTok
Using AI B-roll for our ads is INSANE. Our creative strategists & editors are using this exact workflow for our 7-figure clients. I've just created a quick guide on how you follow it: - Examples - Type of requests - Prompts you can test Want it? Like + Comment "AI" and I'll send it over. (Must be following)
Bogdan | Ad Creatives for Meta & TikTok tweet media
English
343
25
390
19.2K
Lian Lim | Dashboard & AI Automation Expert
I've created a full guide on how to design anything with Claude Design You also get exact copy-paste prompts for interactive immersive websites, animated pitch decks, app mockups, social banners, infographics, and pricing pages Grab it FREE Like + Comment "CLAUDE DESIGN" and I'll DM you the full guide No opt-in, no BS
Lian Lim | Dashboard & AI Automation Expert tweet media
English
4K
342
5.2K
304.1K
Mike Futia
Mike Futia@mikefutia·
I just built an AI marketing team in Claude Code: 5 agents that research, brief, write, and report while I sleep 🤯 One prompt → a competitor researcher, a brief writer, a hook generator, an ad copy writer, and a performance reporter, all working together inside Claude Code. The researcher feeds the brief writer. The brief writer feeds the hook generator and copy writer. The performance reporter closes the loop. Perfect for DTC brands and agencies who are running every part of the creative production loop manually: Researching competitors in one tab, writing briefs in another, generating hooks from scratch, rewriting ad copy by hand, and pulling performance reports into a spreadsheet nobody reads. This agent team eliminates the entire loop, all inside Claude Code: → Agent 1 (Competitor Researcher): scrapes competitor ads, extracts winning hooks, maps creative strategies, builds a competitive brief → Agent 2 (Creative Brief Writer): reads the research output + your ad performance data and writes a data-backed creative brief → Agent 3 (Hook Generator): takes the brief and writes 20 hooks across 10 proven frameworks → Agent 4 (Ad Copy Writer): takes the brief + hooks and writes full ad copy variations for each persona → Agent 5 (Performance Reporter): audits your ad data, flags creative fatigue, and tells Agent 1 what to research next week No manual handoffs between steps. No rewriting context every session. No starting from scratch every Monday. What you get: > 5 specialist agents that pass work to each other automatically > A full creative production pipeline from research → brief → hooks → copy → report > Every agent reads your brand voice and ICP files so the output sounds like you, not generic AI > A weekly loop that compounds — each cycle gets smarter because the reporter feeds next week's researcher > Built with sub-agents so it works on any Claude Code plan, no experimental flags needed I put together a full playbook with all 5 agent system prompts, the coordination workflow, and the exact setup to get this running. Want it for free? > Like this post > Comment "AGENTS" And I'll send it over (must be following so I can DM)
English
304
24
323
16.3K
DIGITOLGA
DIGITOLGA@digitolga·
@runwayml @grok what's the source of this video? also is this a real product advertised i it?
English
1
0
0
91
Runway
Runway@runwayml·
Big ideas don’t need big budgets. Just great storytelling. From idea to execution, this short ad was created by a single creative in just one afternoon with Runway. Try it yourself at the link below. #MadeWithRunway
English
134
877
5K
539.1K
Mike Futia
Mike Futia@mikefutia·
I just built a Claude prompt library that runs your entire DTC marketing operation 🤯 100+ prompts organized by function: competitor research, creative briefs, ad copy, hooks, landing pages, performance analysis, customer review mining, and more. Perfect for DTC brands and agencies who are still prompting Claude from scratch every time they open a new chat, rewriting the same context, and getting generic output that sounds like every other AI-generated ad. This prompt library eliminates the entire loop: → Competitor Research: scrape and analyze competitor ads, extract winning hooks, map creative strategies, build competitive battlecards → Creative Briefs: generate data-backed briefs from ad performance, write iteration briefs, new concept briefs, test plans → Ad Copy & Hooks: 20 hooks across 10 frameworks, full ad copy variations, persona-specific angles, fatigue-busting rewrites → Landing Pages: audit any landing page against DR best practices, clone high-converting advertorial structures, write product page copy → Performance Analysis: audit Google Ads accounts, find wasted spend, build visual dashboards, weekly narrative reports → Customer Intelligence: mine reviews for ad copy language, extract objections, find unexpected use cases, build persona cards from real data → SEO & Content: find keyword gaps, write content in your brand voice, optimize product listings for AI shopping (ChatGPT, Gemini) → Email & SMS: launch sequences, weekly newsletters, abandoned cart flows, post-purchase nurture No more blank-page prompting. No more re-explaining your brand every session. No more generic AI output that sounds like a template. What you get: →100+ copy-paste prompts organized by the 8 functions DTC teams actually run →Every prompt pre-loaded with the context structure Claude needs to give you real output →Prompts that reference your brand voice, your ICPs, and your real data — not generic placeholders →A living library you can customize once and reuse across every campaign I put together the full prompt library as a single downloadable playbook: organized by section, ready to copy-paste into Claude today. Want it for free? > Like this post >Comment "PROMPTS" And I'll send it over (must be following so I can DM)
English
498
27
575
33.8K
DIGITOLGA
DIGITOLGA@digitolga·
9 shots from one image — built in Figma Weave Built this while prepping for a commercial project. Upload two images — a reference and your source shot. The app analyzes the reference and transfers its color palette, contrast, and mood onto your image. Object detail stays intact. This is how I work before every project: analyze the brand's visual code, find reference frames, then automate the whole infrastructure — color, light, composition. AI generates prompts already calibrated to that data. Nothing manual. Try the app: app.weavy.ai/flow/xfylX1ejp… How much time do you spend on color grading manually? #Figma #Weavy #FigmaWeave
English
1
1
2
64
MotionViz
MotionViz@Motion_Viz·
here's how i generate production-ready brand identities with ai: > start with brand strategy (not prompts) > build visual references (mood boards) > iterate with specific feedback loops > refine until client-ready you get: / custom brand systems / production-ready assets / client approval in 2 rounds / no generic templates the difference is the workflow. like rt comment SYSTEM (must be following so i can DM you)
English
3
1
3
439
MotionViz
MotionViz@Motion_Viz·
we are building next gen Content platform: > input your niche topic > get 5 video formats with 6 hooks each > receive structured filming cards with talking points > post daily without writer's block you get: / 30 ready-to-film scripts / optimized hooks for your niche / structured talking points / daily content without hiring writers we're now taking early users. comment AGENT (few spots available for now)
English
3
0
4
468
MotionViz
MotionViz@Motion_Viz·
i documented the entire ai brand identity system. the 4-step strategy framework the prompt architecture the client presentation method the delivery templates you get: / the exact process i use for $3k+ brand projects / 20+ prompt templates / client approval scripts / delivery folder structure comment SYSTEM below and i'll dm you the free guide.
MotionViz tweet media
English
190
18
194
10.7K
DIGITOLGA
DIGITOLGA@digitolga·
FORMAT: cinematic impossible single take / phantom camera drift / 15s / 7–8 shots / 9:16 vertical SCENEOne continuous ghostlike journey through a dense Istanbul apartment building in Balat — crumbling painted facades, narrow streets below, the Bosphorus glinting between rooftops. The camera drifts floor to floor through lives it was never invited into. Azан bleeding through the walls. The city is always visible — through windows, in reflections, in the distance. CAMERA CONCEPTImpossible single take. The camera moves like breath — slow, inevitable, slightly wrong. It enters rooms through windows, exits through ceilings, travels between floors through tile cracks and curtain gaps. Istanbul is never the subject. It is always the background that refuses to stay background. SEQUENCE 0:00–0:02 Exterior. Dawn. The camera descends slowly toward a weathered Balat building — peeling yellow paint, iron balconies draped with laundry. The Bosphorus and a distant mosque silhouette visible between rooftops.CAMERA: slow vertical descent from above the roofline, tilting down — city wide, then narrowing toward one lit window among many dark ones. SHOT TYPE: extreme wide aerial descending into medium establishing 0:02–0:04 Top floor. An elderly Turkish woman — white headscarf, hands around a tulip glass of çay — sits alone at a window. Through the glass: a minaret tip catching first light.CAMERA: drifts through the window glass. Rack focus — minaret behind her dissolves into softness as her face sharpens. She doesn't look at the camera. She watches something we cannot see. SHOT TYPE: intimate medium close-up, shallow focus, near-static drift 0:04–0:05 Transition. The steam from her çay rises — camera follows it upward then plunges sideways through the wall.CAMERA: brief disorienting lateral plunge through plaster and tile — speed spikes for half a second, then settles. Sound of the city shifts register. SHOT TYPE: transitional wall-penetration, Dutch angle on arrival 0:05–0:07 Middle floor. A young man — dark curly hair, paint-stained fingers — works on a canvas propped against the window. Outside: the Golden Horn and a ferry crossing in the blue morning light.CAMERA: enters low, rises slowly past scattered brushes and paint jars, arcs around him — catching the canvas, his face, then the ferry through the window behind him as if the painting and the city are the same image. SHOT TYPE: low orbital arc into over-shoulder reveal 0:07–0:09 Same floor, adjacent room. A teenage girl sits cross-legged on her bed, phone glowing, headphones on. On her wall: a hand-drawn map of the Grand Bazaar. Through her window — a mosque dome, close enough to touch.CAMERA: drifts sideways through the shared wall, slows at the map, then pushes gently toward her face. Her eyes reflect the phone screen. The dome glows behind her like a second moon. SHOT TYPE: lateral drift into reflective extreme close-up 0:09–0:11 Lower floor. A middle-aged man — fisherman's jacket, salt-and-pepper stubble — prepares his gear at a small table. A transistor radio plays. Through the window: the Bosphorus, wide and silver, a tanker moving slowly across the frame.CAMERA: enters from ceiling corner, descends to table height — pushes past fishing line and hooks, holds on his hands tying a knot, then tilts up to catch his profile against the water outside. SHOT TYPE: overhead descent into low profile shot, tanker crossing behind 0:11–0:13 Ground floor. A woman in her 40s hangs laundry on an interior courtyard line — the small stone courtyard open to the sky, a slim minaret visible directly above. A cat watches from a windowsill. Morning light drops straight down.CAMERA: descends vertically through the open courtyard sky — slows as it reaches her level, drifts past the hanging fabric like passing through a curtain, settles on her face tilted upward toward the light. SHOT TYPE: vertical descent into upward-facing close-up, courtyard as natural frame 0:13–0:15 The camera rises — back up through the courtyard opening, past the minaret, ascending above the rooftops. The building falls away below. Istanbul spreads in every direction: water, domes, bridges, smoke, morning haze. The call to prayer begins — distant, layered, coming from multiple directions at once.CAMERA: continuous vertical ascent, accelerating gently — final frame holds wide over the city at the exact moment the light turns gold. SHOT TYPE: vertical ascent into extreme wide aerial, slow hold at peak STYLEQuiet urban surrealism rooted in one city. Every room is a world. Istanbul is not backdrop — it breathes through every window, every reflection, every gap between buildings. The camera is the only foreigner here. LIGHTINGPre-dawn blue transitioning to first gold light. Each room has its own temperature: amber çay glow, cool blue phone light, warm studio diffusion, flat courtyard white. Outside: the Bosphorus silver, the city shifting from grey to copper as the sequence ends. QUALITYPhotorealistic, 8K, cinematic vertical 9:16, seamless impossible transitions, Istanbul architecture and light treated with documentary precision, organic film grain, no artificiality in faces or movement
English
0
0
0
144
DIGITOLGA
DIGITOLGA@digitolga·
Inspired by @os_orabi video, I've created my own. Guess the city I live in. Prompt below 👇
English
2
0
2
31
DIGITOLGA
DIGITOLGA@digitolga·
9 shots from one image — built in @figmaweave Saw Marco's post (@ai_artworkgen) and had to turn it into an app. Upload one image — get 9 variations, each with a different cinematic shot type: Wide / High Angle, Dutch Angle, Back View, High Angle Panoramic, Candid Eye Level, Close-Up Backlit Silhouette, Tight Portrait, Bird's Eye, Extreme Low Angle. No prompting each angle manually. No copy-pasting. One click — nine shots. Useful for storyboarding, fashion editorials, game art, or just exploring how the same character reads from different perspectives. Original idea: x.com/ai_artworkgen/… Try the app: app.weavy.ai/flow/r4DESPM6S…
English
0
0
0
41
DIGITOLGA
DIGITOLGA@digitolga·
Character Sheet Generator — built in Weavy AI Found @underwoodxie96 killer prompt for generating character sheets and turned it into an app. Upload one photo — get a professional character sheet in game art, fashion, or film style. No more manually generating multiple angles and assembling them in Photoshop. The sheet includes three full-body views (front, side, back), 6 head portraits at different angles, and 6 close-ups of details — fabric, shoes, eyes, accessories. Clean white background, ready to use. The best part: you can drop it straight into NanoBanana Pro/2 as a reference. It actually holds the details — right shoes, right belt, right everything. No random swaps, no missing pieces. Prompt credit: x.com/underwoodxie96… Try the app: app.weavy.ai/flow/N6kg1coUS…
English
1
1
0
74