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doctarythmselecta
@doctarythm
Reggae Collector, Productor & Selecta 🎧 Call Di Docta Records🔥 Paradise Sessions en Youtube🌴 Radio & TV Host at Di Docta Show
Costa Rica Katılım Ocak 2012
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Stephen A. Smith explains why Michael Jordan is the GOAT over LeBron James
“I don’t call Lebron James the GOAT. Michael Jordan is the GOAT, there’s nothing to discuss. When people say otherwise, all you’re showing is your age and your ignorance”
“Michael Jordan has 10 scoring titles, nine time All-NBA Defensive Team member, won six titles, six NBA Finals MVPs, and never once allowed a championship series to get to a Game 7. Never once. That was in his 13 years in Chicago, and we’re not counting the two years with the Wizards”
“It was significantly more physical back then. You can’t even touch him today, but back then you could mug him. They created rules to stop him. Watch The Last Dance, when they were talking about Michael Jordan, and John Salley said one of the biggest components of the Jordan Rules was to attack him before he got airborne, because he wasn’t human”
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Limp Bizkit's "My Way" was chosen as the official theme song for WWE's WrestleMania X-Seven in 2001, one of the biggest events in wrestling history, hyping the epic match between The Rock and Stone Cold Steve Austin. The track samples "My Melody" by Eric B. & Rakim, and the title is an ironic reference to Frank Sinatra's classic.
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Danny Dread, #Jamaican sound system selector, operator, producer, pioneer of modern #reggae and #dancehall culture, born Eric Ffrench 72 years ago today on 3 May 1954.
Widely regarded as one of #Jamaica’s most iconic and influential selectors, Dread began his career in the 1970s and rose to prominence in the late 1970s and 1980s. He served as a key operator and selector for legendary sound systems including Volcano Hi-Power (under producer Junjo Lawes), Stereo Mars, and King Addies, where he continues to perform.
Dread is credited with popularising the innovative “One Drop” live mix-down technique, which emphasized tight rhythmic control and dramatic musical drops. This style became a hallmark of Jamaican sound system performance and was referenced by #BobMarley, who regarded him as a preferred selector.
Throughout his career, Dread has collaborated with and selected for major artists such as Barrington Levy, Tenor Saw, Burro Banton, Super Cat, Yami Bolo, and Echo Minott.
His deep knowledge of Jamaican music, from roots reggae and rocksteady to rub-a-dub and early dancehall, has made him a cornerstone of sound system clashes and sessions.
Known for his technical mastery, cultural preservation, and enduring stage presence, Danny Dread bridges the foundational era of Jamaican sound systems with contemporary reggae tradition.
#Caribbean

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✅ En el Oeste, ya tenemos definidas las Semifinales de Conferencia.
⌛ En el Este, todo se definirá en el Juego 7 🤩 #NBAPlayoffs

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Music is life for I&I 🔥
⭐️ LP : Exile by @ChronixxMusic
⭐️ LP: The Art Of Aceptance by @Protoje
Dear records… no matter where you at.. I’ll always find the way for you to get to Rasta Rica 🇨🇷
#KeepVinylAlive #CallDiDocta

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