
Langston Blues
124.8K posts

Langston Blues
@dradambanks
Committed teacher. Midnight believer. Slow Jam in a HipHop world. Defender of ButterPecan, DS9 and Futurama. Duly elected president of #UncleTwitter. Solo soul.
Cleveland + Bay Area Katılım Aralık 2011
2.7K Takip Edilen4K Takipçiler
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Zohran Mamdani just did what most Democrats are too gutless to do.
He looked straight into the camera and said the quiet part out loud:
Republicans called Obama a socialist every single day for 8 years. It didn’t stop him.
Now they’re trying the same tired red-baiting on anyone who wants a New Deal instead of the raw deal working people have been force-fed for decades.
People are hungry for something real. Not more corporate welfare dressed up as “moderation.” Not more “public-private partnerships” that somehow always privatize the profits and socialize the losses.
Mamdani is right. The socialist smear is a dead tactic.
The only question left is whether the Democratic Party has the spine to actually deliver for the people who keep electing them… or if they’ll keep protecting the same donors who’ve been extracting wealth from this country for 40 years.
Keep going, Mayor.
The old guard is terrified for a reason.
Washington, DC 🇺🇸 English
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This isn’t even debatable
arielle da 4’9”@ariellenyc
earth wind & fire is better than the beatles
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Gas high as hell
People dying in a war
Can’t afford rent/ groceries/ education
And none of these people not a single one
not Sophie
Not Frank
Believe this is a real issue
Playing in your face is the American way
Frank Luntz@FrankLuntz
75% of Americans agree with Sophie Cunningham, including 64% of Gen Z. 👉🏻 nbcnews.com/politics/polit…
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Langston Blues retweetledi
Langston Blues retweetledi

Not invested. Just pointing out the obvious—laying someone off mid-show, clipping his take from said show, then going a step further by posting it on your official account is either diabolical or incompetent.
This was never about Ryan Clark or his take. Ironically, it was pointed out to me tonight that I’m still listed as the host of ESPN’s First Draft pod… which has me leaning toward incompetence.
ball don’t lie@waksmaina
@McShay13 Why are you invested in @Realrclark25 getting fired?
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@dradambanks has always led the way
“I choose to honor people who labored under the constant threats of surveillance, suppression, poverty, ostracism, and death instead of those post-everything navel-gazers
1/2
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Langston Blues retweetledi

Black Gen X what’s your mom’s favorite ice cream and why is it butter pecan?!
𝗠𝘂𝗵𝗲𝗲 ♛@muheediva01
Who in the hell is keeping butter pecan ice cream in business ..!
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not better to me but still essential
I’m named after El Debarge@hydrothemc
“All I Do” is my favorite Stevie Wonder song on many days. He wrote it when he was 16 for Tammi Terrell. She recorded it but Motown didn’t release it. He put it on Hotter Than July with updated instrumentation. Motown released the original in 2002 and… it’s the better version.
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Album of the day. 1971 ought to go down as the high point for American Black electric music. Looking at the flurry of landmark releases from that year, there's Miles Davis' Live-Evil, Shuggie Otis' Freedom Flight, Sly & the Family Stone's There's a Riot Goin' On, Curtis Mayfield's Roots, and Funkadelic's Maggot Brain, which was released 55 years ago today. Everybody knows the famous backstory behind the album's towering title track, where George Clinton and Eddie Hazel were tripping on LSD when Clinton instructed him to imagine that his mother had just died. What emerged was Hazel delivering a ten-minute display of transcendent Stratocaster mastery, with little wisps of the other instruments drifting at the edges of the Echoplex-soaked mix. It's deeper than just a guitar solo—it's a sonic lament, where Hazel constructs an emotionally devastating narrative without uttering a single word, moving through an entire spectrum of feeling, from grief and despair to acceptance and spiritual release.
This classic also contains some of their hardest-hitting rock workouts, including the swaggering "Hit It and Quit It"—which also doubles as one of their nastiest funk grooves—and the blistering junkie tale "Super Stupid," a proto-Black rock blueprint that echoed through the work of later innovators like Living Colour, Fishbone, and Lenny Kravitz. Elsewhere, the band tips its hat to its gospel-fueled, doo-wop roots on the radiant "Can You Get to That," while the satirical "You and Your Folks, Me and My Folks" and the closing freakout "Wars of Armageddon" reveal that they were equally capable of blending social commentary, communal funk, and sprawling psychedelic experimentation. More than five decades later, Maggot Brain still feels like a transmission from another dimension. It fused rock, funk, gospel, blues, and psychedelia into something that remains impossible to categorize, and in the process cemented Funkadelic as one of the most fearless and visionary bands in American music.

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Album of the day. Admittedly, it's been a while since I last gave this one a spin, but you can never go wrong with a Patrice Rushen album. Recorded just a month before her 21st birthday, Rushen's second album as a leader, 1975's Before the Dawn, is an early-career triumph that captures her operating at an astonishing level, showcasing the pianistic brilliance, compositional maturity, and fluid jazz instincts that established her as a prodigy long before her celebrated pivot into glossy R&B and disco during the late '70s and early '80s. There are several masterful grooves here, including the one-two punch funk of "Kickin' Back" and "What's the Story," the Latin jazz-inflected "Jubilation," and my personal favorite, the title track—a serene beauty where Rushen layers exquisite Fender Rhodes and synthesizer textures over a mellow, hypnotic groove. Then there's the exploratory jazz-rock fusion stunner "Razzia," which features some of the most dazzling musical interplay committed to wax. The supporting cast of players here is every bit as formidable as the music itself, with Leon "Ndugu" Chancler and Harvey Mason splitting drum duties, Lee Ritenour delivering fiery guitar work, Hubert Laws lending his signature flute, and a brass section anchored by Oscar Brashear on trumpet and George Bohanon on trombone. Like the rest of Patrice Rushen's stellar Prestige recordings, Before the Dawn deserves a second look.

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Jaylen Brown says 60% of NBA players lose most of their wealth because the agency model broken
“I hope I ruffle all the motherfucking feathers. The agency model isn't working. It's a bunch of players going broke when they retire. It's like 60% of players within the first 10 years are losing majority of their wealth after making millions of dollars. Living check to check. You can blame the athlete, maybe they living expenses, but they was 18 or 19 when they came into wealth and the people that represented them didn't help them handle that in no capacity or care to. After they get you and they get in your pocket, they just go get the next one and get in his pocket”
“This is what I'mma stand on. And this could be controversial, but I don't care. If you can't help me at 18 or 19 to maintain my wealth, build a legacy, and keep what I'm earning and be able to influence me on my decision making, you shouldn't be representing me in the first place. Shouldn't even be allowed to walk into my house. But we allow this agency model. They keep coming in and they keep stripping everything and we giving it right back to the same people that was giving it to us in the first place. Giving it right back”
“Something got to change. There's been people taking advantage of these 18, 19 young kids, and nobody says nothing. I think that's a part of the problem where we don't say that and we just allow that to be normalized. No, that shit ain't normal. You get millions of dollars and now you broke. And the people that's representing you can't even pick up the phone now. These people have continued to do that and they're gonna continue to do it because they see it as business and economic opportunity”
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