very excited to announce the release of issue 22 <3
available now for order: shop.the-editorialmagazine.com
thanks to our readers for supporting us thru 22 issues!
"A quiet thoughtfulness, somehow brooding yet innocent, a little nostalgic and always tender." @whitneymallett on Zoe Koke's new show Unchained Melody:
tinyurl.com/5brrh474
"To explain what Bhanu Kapil’s work means to me is like explaining why one should not attempt to cut out their own heart."
@arabellesicardi on Bhanu Kapil: tinyurl.com/uwd697h7
"Albertine Sarrazin met her future husband while they were both locked up in Amiens Prison; they were separated by the gendered wings of the institution, yet they managed to fall in love"
@rabbitwhite on her fav writer as part of our Love Letters series: tinyurl.com/4up767ws
"A clown cracked jokes and threw big red foam noses into the crowd. Sofie would sometimes run off stage immediately after a song, the bass player shrugging in confusion at the audience, as we wondered—why did she leave?"
@LiaraRoux on @sofie royer
tinyurl.com/3vesdezc
“You can tell Tony Cox thinks it's hilarious when he says he's become an art dealer. He flashes his teeth and giggles, a series of jolly hyperventilations…”
@whitneymallett ‘s profile on Tony Cox of Club Rhubarb for issue 22
"A London gallerist said that having a Will Sheldon tattoo was almost a rite of passage for a certain type of person in the NYC artworld." Read Allan Gardener's essay on Will Sheldon: the-editorialmagazine.com/will-sheldon/
“Suburbcel" : the word implies a hatred of coming from the suburbs, from the province, from housing estates – far from where everything seems to be happening.
French artist Camille Soulat's new exhibition: the-editorialmagazine.com/camille-soulat…
"THAT SUMMER GOD SPOKE to my little sister. He told her to win the Teen Miss Florida pageant."
Today we share an excerpt from Madeline Cash's new book out on @CLASHBooksthe-editorialmagazine.com/madeline-cash-…
With no formal arts education, Arisa Yoshioka began painting in 2021 and has since created a number of works of striking singularity. This exhibition at 15 Orient, NY, marks the Japanese-Mongolian painter’s first-ever solo-presentation: bit.ly/3FZAkyu
Banal expressions of something incredibly vast, psychic containers like stills from a time lapse of unconsciousness erupting. Read our review of Shannon Cartier Lucy's latest show: the-editorialmagazine.com
"Coursing through the exhibition is an ineffable spirituality. These four artists are united in their efforts to represent the intangible through the phenomenological languages of color, shape, and light."
the-editorialmagazine.com/loie-hollowell…
Love Letter on view at @PaceGalleryNYC
"People were a bit more careless and debaucherous and I think it’s because they had less of a lens on them. I’m trying to make people give less of a fuck through my show."
Manon Macasaet on her web series "Story of My Fucking Life"
bit.ly/3XQ1qyW
"Stylistically naive and folksy, the absence of perspectives and lack of relational scales translates the egalitarian belief system Emma Kohlmann’s practice is rooted in." bit.ly/3WvWWvK
Editor's pick this week is Emma's show at Silke Lindner NYC
"We wanted film people to lighten up, you know what I mean? It was an injection of relief into something that was extremely self-serious." Film podcasters The Ion Pack talk to @shermixtapehell for issue 21:
the-editorialmagazine.com/the-ion-pack/