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👁️⃤*∑≡v≡3 ∫@ñz

👁️⃤*∑≡v≡3 ∫@ñz

@eeveesanss

The Fool with a Blue 8petite my jpegs keep my warm at night 👁🔺🐇🌈 https://t.co/FyGedKAD43

Alice's Rabbit Hole,Red Matrix Katılım Aralık 2021
472 Takip Edilen118 Takipçiler
👁️⃤*∑≡v≡3 ∫@ñz retweetledi
Cozomo de’ Medici
Cozomo de’ Medici@CozomoMedici·
Few see it yet — but when you look closer, it’s undeniable: Right now is the greatest risk-adjusted moment in history to acquire crypto art. And possibly the last window to do so before the market changes forever. Better than 2021 — when all eyes were on it, but prices had soared. Better than 2018 — when no one was watching, and would they ever be? Better than 2023 — when most eyes had turned away. True believers remained, but new energy had vanished. Better than 2024 — when regulators tried to crush crypto entirely, and our art along with it. Now in 2025: - Nearly all top-tier museums on board - New patrons arriving with war chests - Crypto king-made at the highest levels of world government - Art being placed in the permanent collections of museums, creating 'end-of-line' and declining supply - Lending markets against grail 1/1s and editions formed and evolving - Foundations & DAOs formed to champion the movement and its artists - Consensus around top 1/1 artists gives "safer" collectors an entry - Digital galleries and artist-in-residence programs help those discover and invest in "the next wave" - Digital work on facemelting screens in the MoMA lobby (now twice) onboards new patrons - Entire museums built to house digital works, and keep bringing new eyeballs - Pioneering artists getting their moments at shows like Coded, Digital Witness (LACMA), and Speak to the Eye (Vera Molnár retrospective @ Pompidou) — adding deep institutional cred to the entire genre - Mesmerizing 1/1 art behind the hottest DJ on the planet And perhaps most monumental of all... Crypto king-made as an industry means a continuous creation of crypto whales from now until forever, who will likely prefer their native artifacts. ::: TDLR ::: For centuries, art has been used as a means to preserve wealth. For the last decade, crypto art has existed on the fringe, as a means of speculation. From now forward, crypto art shifts from speculation, to preservation. Get it while you still can.
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👁️⃤*∑≡v≡3 ∫@ñz retweetledi
ғᴀʟʟO ᴛʜᴇ ᴡIᴛ ʀᴀʙIT !.!*
ғᴀʟʟO ᴛʜᴇ ᴡIᴛ ʀᴀʙIT !.!*@fallOwItrabIT·
@MyHomies @cheechandchong @tommychong @CheechMarin @Atomic_Partners @EasyPartnersLLC @doublepops @opensea 🐰*Δ🌈.¸.•*¨*•.¸.•*'`*•.¸.•*¨*•.¸🐰*🕳 homie Cheechkin 🐔🤣🤣🤣 🛣️ 🛸👽✌️* EDITed-ALTERed by me, C*.1*.3*. aka fallOthewItrabIT !.!* 5.2.2022 #myhomies #NFT #420homies @MyHomies @cheechandchong @cheechmarin @tommychong @doublepops @Jermainerogers
ғᴀʟʟO ᴛʜᴇ ᴡIᴛ ʀᴀʙIT !.!* tweet media
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6529
6529@punk6529·
20/ Now we know what we are playing for.
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👁️⃤*∑≡v≡3 ∫@ñz retweetledi
AJT
AJT@ajt·
Big day for @truth! You can claim your DAO tokens. Going to be one of the first DAOs w a robust treasury from day 1 that a lot of ppl will be able to dictate how to use. Will be fun. If you own an Illuminati NFT you can claim your DAO tokens here IlluminatiNFT.com/claim
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👁️⃤*∑≡v≡3 ∫@ñz retweetledi
Daniel Tenner
Daniel Tenner@swombat·
To this I've said: most of those NFTs *are* securities. You can stick your fingers in your ears and yell and pretend they're not, but they're still securities. And they're better than shares, so embrace their nature and improve them, instead of dancing around the truth.
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Laura Shin
Laura Shin@laurashin·
This is what I’ve been thinking. And I think that the meta-trend for DeFi and NFTs is DAOs. Already, so many DeFi and NFT projects have become or are becoming DAOs. The question is whether regulation will allow all this decentralization 🤔🔮
Coop 💿@Cooopahtroopa

2020: DeFi 2021: NFTs 2022: DAOs

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6529
6529@punk6529·
gm finally got a proper night's sleep, went for a walk, drank a bunch of coffees. now, back to work!
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Keşfet

@truth @MyHomies @cheechandchong @tommychong @CheechMarin @Atomic_Partners @EasyPartnersLLC @opensea