Fellowship

Fellowship and @showsupnaked are proud to announce the donation of 7 artworks by @newrafael (Rafaël Rozendaal) to @museummodernart (MoMA).

Loss Of Terminal, by @rainisto Collected today on @verse_works 🙌🤯

Buckle up for SPIRITS (Indian) taking over LACMA.org front page for 24 hours midnight to midnight tomorrow March 20 Spring Equinox. Unpacked here in UnFramed + interactive X posts across the day tomorrow : unframed.lacma.org/2026/03/19/tip…

More than a decade later, BYOB still stands as a landmark in Rozendaal’s career: a celebration of community, collaboration, and the democratization of art. 👏 🔗 Here’s how you can build your own BYOB exhibition: byobworldwide.com 6/

BYOB translates to the physical world what Rozendaal has achieve online: art that remains public and widely accessible. His early single-serving websites lived at their own domains, free for anyone to visit; his Art Website Sales Contract ensured that even when collected, those works stayed online. BYOB extends that spirit offline, community-organized, and built for sharing. 5/

Exhibitions don’t have to belong to institutions. In 2010, Rafaël Rozendaal designed a format ANYONE could create: BYOB - Bring Your Own Beamer. ↓ Here’s the story of how it began, and how it changed the way exhibitions were made ✨ 1/

The interactive works are now live on our website. Explore them here: fellowship.xyz/exhibition/dee…

1997#5 by Bjørn Staal @_nonfigurativ_

@sougwen @artxcode_io @ArtBasel 🔗To explore RECURSIONS 遞迴 in more detail, including selected works from the exhibition, visit: fellowship.xyz/artwork/sougwe…

→ Artist @sougwen works in synergy with robots to expand their creative practice. This month, in collaboration with @artxcode_io, we will present RECURSIONS 遞迴, a solo exhibition of new works by @sougwen, at @ArtBasel Hong Kong 2026. To offer more context on the artist, we’re sharing videos, interviews, and past projects that explore their practice. Today, we’re sharing a Nowness video that offers further insight into their collaborative work with machines. ↓ “The rise of technological intervention and AI has marked a new era in the art world. But for Chinese-Canadian artist and researcher Sougwen Chung, this wave of change isn’t about replacing human creativity, but rather enabling humans and machines to work in artistic synergy. Based on the principles of Vedic meditation — and following a painstaking development phase — Chung identified a way to connect their brain waves to a robotic arm, initiating a technologically mediated flow state that allows the robot to apply complementary brushstrokes alongside those formed by their own hand...”

ISG 082 by @pointline_ from the collection "I See Generative, Chapter 0: Wind" → Collected by @ETC_TET

@WAPSHOP_ETH 🫂🫂🫂🫂

Huge Congratulations Trevor! Will take this moment to show off my Trevor collection! Vampire #16 Angels #10 Corpus: Monsters of Capitalism @fellowshiptrust ❤️🖤 x.com/artnews/status…

We couldn't agree more.

@eleonorabrizi @Grandenchilada @david_young__ 🧡🧡🧡

In 2019, my blockchain teacher in New York gave me the chance to organize an event on AI and art at the Rise New York in Manhattan. I believe this is the first panel I have ever organized myself and look at these people on stage 😍 @Grandenchilada Ben Snell @david_young__ @flakoubay @travisleroy On the screen, @sougwen of course, who couldn't make it but Fanny and I presented her on behalf of @MOCDA_ Sorry! I am finishing my portfolio and finding all these gems! Also realising that I will see Sougwen next week exhibited in Art Basel Hong Kong in the Zero 10 sector. Time flies.

@eli_schein 🔥🔥

Great to see. Hong Kong incoming.

@artxcode_io @pointline_ @Toni_Marinara 🫂🫂🫂

ISG 098 by @pointline_ A System Work from "I See Generative, Chapter 0: Wind" collected by @Toni_Marinara on @fellowshiptrust

Art Basel recently published an article introducing the Zero 10 program in Hong Kong, with a focus on on Sougwen Chung’s live AI-assisted calligraphic work RECURSIONS 遞迴 and new approaches to digital art and collecting. 🔗 To read it, visit: artbasel.com/stories/zero-1…

“Zero 10 takes seriously the relationship between artistic process and presentation,” says @fred_dot_jpg, cofounder of Fellowship. “That attention is crucial when showing work that involves live robotic systems and custom brainwave sensors.” For us, that relationship is central: not only how technologically driven artworks are displayed, but also how the conditions of their presentation can honor the complexity of the systems, materials, and performances that produce them.

Fellowship x @artxcode_io at @ArtBasel: RECURSIONS 遞迴 by @sougwen This year at Art Basel Hong Kong, we are presenting RECURSIONS 遞迴, a new live work by London-based artist Sougwen Chung, as part of Zero 10, the fair’s platform dedicated to new media and digital art. The presentation reflects our ongoing commitment to artists working at the intersection of advanced technologies, embodied practice, and contemporary image-making. ↓ Here’s a short introduction to what you’ll see at the fair