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Fellowship and @showsupnaked are proud to announce the donation of 7 artworks by @newrafael (Rafaël Rozendaal) to @museummodernart (MoMA).
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Fellowship
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Fellowship
@fellowshiptrust
Fellowship is a contemporary art gallery specializing in artists working with technology.
Worldwide Katılım Eylül 2021
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Fellowship retweetledi
🔗 To learn more about this piece, visit:
fellowship.xyz/artwork/live/0…
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Available → "Desde la Escuela de Pintores (Aurora Mira Mena)" from the "No me Olvides" collection by @ix_shells
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WESTERN FLAG (SPINDLETOP, TEXAS) 2017 by @john__gerrard
Western Flag (Spindletop, Texas) 2017 depicts the site of the 'Lucas Gusher' - the world's first major oil find - in Spindletop, Texas in 1901, now barren and exhausted. The site is recreated as a digital simulation and placed at its centre a flagpole bearing a flag of perpetually-renewing pressurised black smoke. The computer generated Spindletop runs in exact parallel with the real site in Texas throughout the year: the sun rising at the appropriate times and the days getting longer and shorter according to the seasons. The simulation is non-durational (having no beginning or end) and is run live by software that is calculating each frame of the animation in real time as it is needed.
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🔗 For more information about the talk, visit:
newmuseum.org/event/05-28-26/
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→ On AI, Labor, and Power: Hito Steyerl and @trevorpaglen in conversation
📅 Thursday May 28, 2026 6:30–8pm
📍 New Museum, NYC
Who performs the invisible labor behind artificial intelligence? How do technologies like machine learning, data extraction, and surveillance concentrate power, and in whose hands? How do artists both participate in these systems and expose them?
This evening brings together artist and filmmaker Hito Steyerl and artist and researcher Trevor Paglen to examine the politics of labor, visibility, and power in an age of AI. It is organized in conjunction with New Humans: Memories of the Future, which includes a work by Steyerl, and will be moderated by Gary Carrion-Murayari, Kraus Family Senior Curator.
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Fellowship retweetledi
Great to see Zero 10 returning, this time in Basel
It's important to place digital art alongside traditional art, for visibility and to benefit from the curatorial vocabulary and critique used around the fair and artists. Something we lack day-to-day here
Congrats to the artists, @eli_schein and @trevorpaglen
Art Basel@ArtBasel
Now in its third edition, Zero 10—Art Basel’s global initiative dedicated to art of the digital era—makes its debut at our flagship fair. ➡️ Discover more of the Swiss edition of the initiative: artbasel.com/press/zero10/b…
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Fellowship retweetledi
Nice. Love @trevorpaglen His Evolved Hallucinations series is such an overlooked release!
Eli Scheinman@eli_schein
Zero 10 is coming to Art Basel in Switzerland this June. Co-curated by Trevor Paglen, this edition is the most ambitious to date. It tracks the computer and digital art movement to its origins in the 1950s. Galleries include Hauser & Wirth, Spruth Magers, Marian Goodman, Almine Rech, Max Estrella, Andrew Kreps, eastcontemporary and Esther Schiller, joining @fellowshiptrust @nguyenwahed @artblocks_io @AspreyStudio @Interface_art @GazelliArtHouse @office_impart @bitforms @artmetaofficial. Plus a special presentation by HEK. Presenting artists: @_deafbeef @williamapan @andreasgysin @lennyjpg @JanRobertLeegte @john__gerrard Vera Molnar Harold Cohen Ryoji Ikeda Avery Singer Andreas Gursky Agnieszka Kurant Aziza Kadyri Hito Steryl Rafael Lozano-Hemmer
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Fellowship retweetledi
Seems like a good time for a lot of people to read this.
Fellowship@fellowshiptrust
🫴 Artists You Need to Know: Trevor Paglen After today’s announcement of @trevorpaglen’s 2026 LG @Guggenheim Award, we wanted to revisit some of the projects we’ve released with him and the general ark of his outstanding career. ↓
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Very proud of @SNOWCASH432, and of the curation he's passionately assembled for the Digital Masterpieces show — a potent reflection of the last 70+ years, tracing the rise of computation as medium through masterworks from the digital art canon.
ArtMeta@artmetaofficial
Digital Masterpieces: From Code to Canon Debuting this summer at @ArtBasel's Zero 10. Complimented by an extensive essay and online catalog, the hybrid exhibition will survey 70+ years of digital art from pioneers like Charles Csuri, Herbert W. Franke, Rebecca Allen, + more.
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🔗 For more information, visit:
fellowship.xyz/artwork//0x68c…
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Fellowship retweetledi
Paglen’s work is foundational to what I’ve been calling Forensic Poetics: treating the algorithm as evidence, the dataset as testimony. “Images After AI” can’t mean post-image without also meaning Post-Opacity.
Fellowship@fellowshiptrust
ARTIST TALK → @trevorpaglen 📍at the Tate Modern Museum! Artist Trevor Paglen brings artists’ voices into the urgent debate around image-making today and where artists might take AI next. This event marks the launch of his new book, How to See Like a Machine: Images After AI. In anticipation of our forthcoming exhibition of Julio Le Parc, the conversation will reflect on perception: how we see, how images shape us, and how vision itself is constructed. This traces a line from Le Parc’s investigations of light and participation to today’s algorithmic gaze. Moderated by Manisha Ganguly, the talk will be followed by a book signing. ✍️👀
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