山田民族 retweetledi
山田民族
10K posts

山田民族
@flysalvia
金沢フォーク村出身 趣味は洗い物。黙々と皿洗いに全神経を集中させている時は声をかけなでください。
Katılım Temmuz 2010
696 Takip Edilen997 Takipçiler
山田民族 retweetledi

【来月!】
2026.05.03(Sun)
"日々の余剰 Vol.16"
@ atonarium(調布市柴崎1-27-19 京王線柴崎駅徒歩3分)
¥2,000 + order
open16:30/start17:00
(Dining bar time 19:00~)
【出演】
duMo(ニイマリコ&羽賀和貴)
鶯色(山田民族&鈴木美紀子)
@suzukimikikosun
ご予約→ DM or info@isaoseki.info

日本語
山田民族 retweetledi

Aphex Twin’s Logo Wasn’t Drawn — It Was Engineered: The Paul Nicholson Story.
Paul Nicholson is a British graphic designer whose career spans music branding, typography, and visual identity work, most famously for his long-standing collaboration with Aphex Twin. Beginning in the early 1990s, Nicholson developed a reputation for clean, conceptual mark-making that merges technical drafting discipline with experimental visual language. His Aphex Twin logo became a defining example of this approach: a carefully constructed geometric form composed of controlled curves, and calculated negative space. Rather than sketching a loose symbol, Nicholson engineered the mark using measured proportions so that every stroke thickness and angle relates harmoniously to the whole. Beyond this iconic design, he has produced record sleeves, typography systems, and visual identities for electronic music labels and artists, consistently emphasizing structural clarity and symbolic strength. His work demonstrates how minimal shapes, when precisely constructed, can carry strong cultural meaning and remain visually durable across decades of reproduction and reinterpretation.
#logodecks

English
山田民族 retweetledi
山田民族 retweetledi

━━━*\ 予約受付中❗️/*━━━
映像制作の専門誌
VIDEO SALON 2026年5月号
4月20日(月)発売
◇━━━━━━━━━━━━━━◇
特集
加速する生成AI
MVや映画などさまざまな映像分野で生成AIを取り入れながら制作に取り組むクリエイターのみなさんに日々進化する生成AIを用いた制作の実態を教えてもらいました!
🔻詳しくはこちら
amazon.co.jp/dp/B0GS5K4C8H

日本語
山田民族 retweetledi
山田民族 retweetledi
山田民族 retweetledi
山田民族 retweetledi










