gurcan keltek

"New Dawn Fades" world premiere at @filmfestlocarno 💚 I am forever grateful to my team, all artists and colleagues involved. locarnofestival.ch/festival/progr…

Guy in front of me in line at Cannes is typing his Fjord review directly into chatgpt with “revise:” at the beginning. Can’t make this shit up

Racist piece of shit who did a film about the Holocaust while advocating for a different holocaust talks about hypocrisy with the Guardian’s chief Zionist lol

In Turkey, this stray cat comes to the same cashier every single day just to get a hug.

Probably the most absurd thing i have seen since Emoji critics poll.

"“The Devils” is a righteously furious movie, a piece that works as a display of carnal depravity so intense that the censors chopped it up before releasing it, but also one that’s so subversively smart."

Aslı Tekgül ve Ragıp Taranç’ın yazdığı, ‘YENİ ŞAFAK SOLARKEN’ 'de karakter inşasını Psikocoğrafya ve Mark Fisher’in Hauntology teorisi üzerinden inceleyen bir makale. Ragıp ve Aslı Hoca’ya çok teşekkürler. dergipark.org.tr/tr/download/ar…

KEN RUSSELL’S THE DEVILS. The Director’s Cut. Restored and Remastered. In Theaters October 16.

Lucio Fulci on why people misunderstood 'The Beyond' (1981) & the movies he thinks even idiots can understand: "I like 'The Beyond' (1981) very much because I think it was an interesting attempt. People who blame 'The Beyond' for its lack of story have not understood that it's a film of images, which must be received without any reflection. They say it is very difficult to interpret such a film, but it is very easy to interpret a film with threads: any idiot can understand Molinaro's 'La Cage aux Folles' (1978), or even Carpenter's 'Escape from New York' (1981), while 'The Beyond' or Argento's 'Inferno' (1980) are absolute films." (Lucio Fulci's interview to Starbust Magazine, 1982) P.S: On this day, 45 years ago, "The Beyond" (1981) was released in Italy.

Yasujiro Ozu was a war criminal and people should talk about it

Yalçın Küçük sıradan bir aydın değildi. Her haliyle ömrünü mücadeleye vermiş, kendisini bu toplumun değişip dönüşmesine adamış bir isimdi. Bunun için bedeller ödedi ama vazgeçmedi. 90’larda MED tv’de Öcalan’la röportaj yapmış da bir isimdi.

Ken Russell and Vanessa Redgrave on the set of The Devils, 1971

✨ En İyi Film: Gündüz Apollon Gece Athena ✨ En İyi Yönetmen: Gürcan Keltek (Yeni Şafak Solarken) ✨ En İyi Senaryo: Emine Yıldırım (Gündüz Apollon a Gece Athena) ✨ Ahmet Uluçay Umut Ödülü: Toprak Işık (Yaşarım Bence (Müzisyen Olan Değil) filmiyle)

The cultural & intellectual titan Alexander Kluge, filmmaker, author & philosopher, has died at 94 in Munich. A polymathic, restlessly creative &, perhaps above all, endlessly curious artist & thinker, he leaves behind a corpus that could be described as a universe onto itself.

58. SİYAD Ödülleri’nde Gündüz Apollon Gece Athena dört; O da Bir Şey mi ve Yeni Şafak Solarken üçer ödül kazandı. @Siyad_ bantmag.com/58-siyad-odull…

58.SİYAD Ödülleri açıklandı. 1968’den bu yana verilen ödüllerde bu yıl 19 kategoride kazananlar belli oldu. Emine Yıldırım imzalı Gündüz Apollon Gece Athena dört ödülle öne çıktı. Yeni Şafak Solarken ve O da Bir Şey mi üçer ödül aldı. #SİYAD #sinema

🏆 En İyi Müzik ödülü, “Yeni Şafak Solarken” filmindeki müziğiyle Son of Philip’in oldu.

🏆 En İyi Görüntü Yönetmeni, “Yeni Şafak Solarken” filmindeki işçiliğiyle Peter Zeitlinger seçildi.

🏆 En İyi Yönetmen ödülü, “Yeni Şafak Solarken” filmiyle Gürcan Keltek’in oldu.

A collection of Jean-Marie Straub and Danièle Huillet’s filmography (1963-2020) 45.03 GB 50 films including 15 features and 27 shorts Subs: eng, spa, fre and pt-br whenever found

NOW STREAMING: IN ORDER NOT TO BE HERE BY DEBORAH STRATMAN A brand-new digitization of Stratman's incisive rendering of American suburbia as a panopticon, available for one week only. Streaming through March 27 at patreon.com/ultradogme Special thanks to @canyoncinema