august kamp

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august kamp

august kamp

@guskamp

musician/artist/tech activist • trans - she/her • new album out usually - follow link

Katılım Kasım 2011
290 Takip Edilen9.8K Takipçiler
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august kamp
august kamp@guskamp·
here's a clip of video set to my new song "sugarize" - every frame created from clips i made using Sora, by @OpenAI
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august kamp
august kamp@guskamp·
@gdb absolutely wild seeing this on my feed, dang - thanks greg !
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Adverb
Adverb@advadnoun·
I am thrilled to see my area lose or change character if it means rent prices go down.
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august kamp
august kamp@guskamp·
@DingBatDaniel @nanulled i feel like people really are forgetting the narrative coherence average of a music vid ... like including most of my fav ones
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Daniel
Daniel@DingBatDaniel·
@nanulled I don’t really know what’s going on but I’m interested. So, basically it’s like any other music video I’ve seen.
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nano
nano@nanulled·
OpenAI released a Music Video with Sora it's puzzling i dont think ive ever seen anything quite like this before
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august kamp
august kamp@guskamp·
@asystemarchitec @nanulled not gonna lie this is actually very cool and i learned something here. i would totally relish doing a dissolve if i got to do how it was done the old way. i'm pro-evolving toolsets but i always love to see the lengths that humans go to because we "wanna see it that way"
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A System Architect
A System Architect@asystemarchitec·
Really. I cut film back in the late 1970s, on a Steenbeck Flatbed editor. To do a dissolve, you had to A/B roll the work print, which meant multi-pass printing once the final negative cutting was done. It was cut so that the dissolves would appear after first printing the A-roll then the B-roll on top of the same raw stock, compositing it. Today you can do a lap-dissolve in 10 seconds in your favorite software. Back then I had to wait a few days to actually see how it came out after being printed. After you got your A/B rolls negative cut, the A and B negatives were multi-passed on the Bell and Howell Model C. Most of film printing in the 60s,70s,80s were done on this contraption, in almost total darkness. The man is negative cutting the original footage to match the work print. This is like rendering in FCP. The negative cut is then sent to the lab for color correction by a guy called a timer, who will program the color for each scene, and punched into a tape that will change the colors for each scene as it's printed. You can see the tape reader down on the lower right of the Model C. The light valves on the printer made a clunking sound as the filters would change, around 3-4 ft/sec.
A System Architect tweet mediaA System Architect tweet mediaA System Architect tweet media
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august kamp
august kamp@guskamp·
@Scobleizer flattered it slipped by :) always cool when the art does the work all by itself
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A System Architect
A System Architect@asystemarchitec·
@nanulled Meaningless. Because no meaning just random straight cuts. No dissolves. Visual noise. Maybe it's an AI hallucination.
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august kamp
august kamp@guskamp·
@benz145 no way back too - it's just a memory forever :)
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Ben Lang
Ben Lang@benz145·
I wish Spotify queues weren't so ephemeral. Really annoying that accidentally hitting play instead of 'add to queue' can just completely wipe your queue.
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august kamp
august kamp@guskamp·
@goodside "shot on scoot" lmaooooo lots of fragments and borked prompt language in there if ur curious :)
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Riley Goodside
Riley Goodside@goodside·
Stills from a Sora-generated music video featuring brief displays of text, including a two-paragraph span with legible letters and word fragments:
Riley Goodside tweet media
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august kamp
august kamp@guskamp·
@acrtronics @OpenAI thank you so much ! i've been collaborating here and there with openai since i first connected with the team way back at the launch of dalle2. the trust to use these WIP systems is something that i think built slowly over the years since. seeing this resonate with ppl is magic
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august kamp
august kamp@guskamp·
here's a clip of video set to my new song "sugarize" - every frame created from clips i made using Sora, by @OpenAI
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august kamp
august kamp@guskamp·
@JamianMedia really flattered by this , thank you ♥️ it's always been so hard to even attempt to convey what music looks like to me - this tool feels like such a clear-cut win for self-study and self-expression
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Jamian Gerard
Jamian Gerard@JamianGerard·
Sora: Charting the Future of AI-Powered Music Videos Seeing August Kamp's work with Sora lights up the path for what's to come in music video production. As a music producer and a filmmaker myself, I'm beyond excited about how AI will democratize creativity, letting our wildest visions take flight without boundaries. The future is here, and it sings in pixels. 🎶🚀 #Sora #SoraAI #MusicVideos #OpenAI
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proper
proper@ProperPrompter·
Ok, wow... OpenAI just shared short films made with Sora. They're awesome. 7 wild examples: 1)
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