matthew ( @imatthewi.bsky.social )
15.4K posts

matthew ( @imatthewi.bsky.social )
@iMatthew_
known to be enthusiastic about music & photography. fond of Brutalist architecture. opinions my own. (he/him) Jazz, HipHop, ProgressivePolitics, BostonCeltics
Boston Katılım Haziran 2008
548 Takip Edilen515 Takipçiler

Getting started on Bluesky, Greater Boston edition universalhub.com/2024/getting-s… via @universalhub
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After Trump victory, Massachusetts Democrat leaders take defensive stance bostonglobe.com/2024/11/07/met… via @BostonGlobe
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Newsom Moves Quickly to Counter Trump in California nytimes.com/2024/11/07/us/…
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“There is little doubt that the election was a win not only for Mr. Musk but also big-money politics: An ultrawealthy donor took advantage of America’s evolving campaign-finance system to put his thumb on the scale like never before.”
🎁gift article. nytimes.com/2024/11/06/us/…
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For decades, Quincy Jones was music. From producing Thriller, to composing the score for The Color Purple, to working with Frank Sinatra to Ray Charles, it seemed like every big record – and every big film – had Quincy’s name on it.
His music appealed to listeners of every race and every age. And by building a career that took him from the streets of Chicago to the heights of Hollywood, Quincy paved the way for generations of Black executives to leave their mark on the entertainment business.
Michelle and I send our thoughts to Quincy’s friends, family, and everyone who has lived their lives to his songs.

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We are deeply saddened to hear of the passing of producer, songwriter, composer and arranger Quincy Jones.
As a master inventor of musical hybrids, he has shuffled pop, soul, hip-hop, jazz, classical, African and Brazilian music into many dazzling fusions, traversing virtually every medium, including records, live performance, movies and television.
His career spans over six decades, with a record 80 Grammy Award nominations and 28 Grammy Awards. Jones’s contributions to the jazz world include his iconic recordings and arrangements for Frank Sinatra (including “Fly Me To The Moon”), the Count Basie Orchestra, Ray Charles, Sarah Vaughan, and Dizzy Gillespie, in addition to his 39 recordings as a leader.

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Annie are you OK? While I think Quincy Jones' production on Off the Wall (especially) and Thriller are his best for MJ, Q's production on Smooth Criminal is jaw-droppingly sublime. #ripQuincyJones #ripQ
youtu.be/q8w1d01Y2vY?si…

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r.i.p. Quincy Jones. His Lps Smackwater Jack, YGIBG, & Body Heat were played often in my house growing up.
What's Going On (feat. Valerie Simpson (v), Hubert Laws (fl) & Toot Thielmans (guitar/whistling/harmonica), Milt Jackson (vibes) #ripQuincyJones
youtu.be/O3EeTDTdMXk?si…

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r.i.p. Quincy Jones.
Walking in Space, feat. Toots Thielemans (harmonica), Kai Winding (trombone), Maretha Stewart (vocal), Rahsaan Roland Kirk (tenor sax), Hubert Laws (flute). Rest Easy, Q. #RIPQuincyJones #ripQ
youtu.be/TXQ4r4y3Wdc?si…

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. . . Nightmares on Wax actually sampled Quincy Jones' Summer int he City on three different tracks, including this mix/reimagining of the track :
NoW: Night's Interlude:
youtu.be/Ix5Pjob5jG8?si…

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r.i.p. Quincy Jones. His early '70s Lps were played often in my house growing up. Indeed, Q's cover of Summer in the City is one of my all time fave pieces of music (sampled by the Pharcyde, the Roots, Nightmares on Wax, etc). Rest easy, Q. #ripQuincyJones youtu.be/0tlPh61PVLo?si…

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