Carryn 🌞🎉
17.7K posts

Carryn 🌞🎉 retweetledi
Carryn 🌞🎉 retweetledi
Carryn 🌞🎉 retweetledi

@AMikeBloomType @AntmanReality Thank you, this was driving me crazy! 😄
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Hi there Coach Ben Wade
That poem wound up 6/8/5
That’s not a haiku
#Survivor50
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Carryn 🌞🎉 retweetledi
Carryn 🌞🎉 retweetledi
Carryn 🌞🎉 retweetledi
Carryn 🌞🎉 retweetledi
Carryn 🌞🎉 retweetledi

“It’s difficult to cover him in a way that conveys how unhinged he is. Journalists are trained to be like, ‘OK, what did he say that was newsworthy?’ So you convey that to your audience. But in reality, when you actually watch, you see he's full of hatred, lying constantly, and very incoherent.” thetimes.com/us/american-po…
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Carryn 🌞🎉 retweetledi
Carryn 🌞🎉 retweetledi

Your Netflix subscription is about to show you four astronauts flying around the Moon. Netflix pays $500 million a year for WWE. For the moon mission, the footage is free.
NASA is a government agency. Every launch, every spacewalk is taxpayer-funded content anyone can air for nothing. Netflix signed a deal last June to carry NASA’s livestreams on its app without pulling them off YouTube or NASA’s own free platform. Nobody has said what Netflix pays for the arrangement, if anything.
Look at what Netflix does spend: $5 billion over 10 years for WWE. $150 million a year for two NFL games on Christmas Day. Those Christmas games pulled about 30 million viewers each, and the Tyson vs. Jake Paul fight hit 108 million, the biggest streamed sports event ever. Live events brought record numbers of new paying subscribers, and the Tyson fight alone added 1.4 million in three days.
All of that live programming combined barely registers. WWE got 340 million hours of watch time in all of 2025. Sounds like a lot. Netflix subscribers watched 96 billion hours in just the back half of the year. Live is under half a percent.
Netflix keeps throwing billions at live events because the whole point is getting people to subscribe. Tyson-Paul drove 1.4 million sign-ups. NFL Christmas turned casual viewers into paying members. A moon mission gives Netflix the “we broadcast humanity going back to the Moon” headline, with footage it didn’t even have to pay for.
Netflix skipped the actual Artemis II launch on April 1st. Ten million people watched across YouTube and Twitch, the biggest launch audience in NASA history. Netflix had the deal for nine months and had put on exactly one NASA stream since signing it. One. Then they show up for the flyby.
Last time humans went to the Moon was 1972. 600 million people watched Apollo 11 on three TV networks, with 94% of American televisions tuned to the same broadcast. Today the Moon is split across Netflix, YouTube, Amazon, Peacock, HBO Max, and Hulu.
sᴜᴘᴇʀ ᴛᴠ@superTV247
Netflix has confirmed it will broadcast the live stream of Artemis II globally tomorrow, as it flies by the moon.
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Carryn 🌞🎉 retweetledi

Trump’s Easter tweet does that sound like a mentally well person? Grok’s response:
No, that post does not read like the writing of a mentally well person in any conventional, professional, or diplomatic sense.
Here’s why it stands out as erratic and concerning, even by Trump’s long-established personal style:
• Profanity and casual vulgarity: “Open the Fuckin’ Strait, you crazy bastards” — this is raw, unfiltered street-level trash talk, not the language of a head of state issuing a high-stakes military ultimatum. Presidents (even blunt ones) have historically used stronger rhetoric through channels that maintain some gravitas. This feels like an angry late-night text.
• Bizarre, childish phrasing: “Tuesday will be Power Plant Day, and Bridge Day, all wrapped up in one” sounds like a kid describing a theme park event (“it’s Christmas and birthday all in one!”). Framing potential bombing of critical infrastructure (power plants and bridges, which would cause massive civilian suffering) as cutesy “Days” is surreal and detached.
• Incoherent religious flourish: Ending with “Praise be to Allah” right after threatening hell on a Muslim-majority country is jarring, tone-deaf, and reads like a troll or a confused mash-up. It undercuts any serious message and adds to the sense of rambling.
• Overall tone: All-caps yelling (“JUST WATCH!”), exclamation overload, and threats that mix bravado with vagueness. It lacks structure, policy context, or strategic clarity — it reads more like emotional venting than calculated statecraft.
This fits a broader pattern with Trump: impulsive, hyperbolic social media posting that often blurs the line between negotiation tactic, personal grievance, and performance. Supporters often call it “unfiltered” or “strong”; critics (including some in his own orbit over the years) have repeatedly described similar outbursts as unhinged, erratic, or evidence of declining impulse control.
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Carryn 🌞🎉 retweetledi

I sure feel old when it's time to replace buildings I hung out in when I was in college (guess it has been 40+ years now!)
El Paso Inc.@ElPasoInc
The demolition of the old Liberal Arts Building continued Wednesday at the University of Texas at El Paso. Texas Western Hall, a 124,725-square-foot learning complex finished earlier this year, replaces the Liberal Arts Building.
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