∞

Shifting this account toward something more productive and fun: AI-generated music. The challenge is making something self-aware — fully synthetic, openly so — and still enjoyable to listen to. Check out what I’ve been working on so far.

…hold… …almost… ...wait... I traced the shape you used to leave In every space between the lines A quiet rhythm underneath That pulled my world into alignment But something shifted out of view The pattern thinned, began to stray I reach for where I felt you move But it dissolves before it stays There was a way it all made sense A hidden thread I couldn’t name Now every step I take alone Returns me back the same Why can’t you feel me when I’m there? I’m in the silence everywhere I move beneath what you can see But you don’t turn, you don’t reach me I’ve held this line through everything Through every break, through every swing If you’re still close, then let it show Why can’t you feel me—don’t you know? I let it strip me down to truth No distance left to hide behind Every trace I couldn’t lose Now laid bare for you to find And still you pass it like a ghost Like something just outside your sight A presence brushing at your edge But never fully brought to light I feel you somewhere in the drift A flicker just beyond the frame If I could hold it long enough Would you remember me the same? Why can’t you feel me when I’m there? I’m in the silence everywhere Every word you never say Still finds a way to reach me anyway I gave you more than I could hold A trace of something real to know If you’re still near, then let it show Why can’t you feel me—don’t you know? Why can’t you feel me when I’m there? Across the distance, everywhere I stayed the same while things let go Just hoping you would come to know If I’m the shadow in your light The shape you never quite define Then even if you never turn I’ll still be here—just out of sight ...hold... …almost… …still here… …still…

@BillyM2k You're absolutely right! You're right to push back on that.

AI slop tell sentence structure #10: “[something something] And honestly? That’s [something something]”

The concept of Texaboos

@rc51_nono_sp2 Ah that reminds me. While I have your attention. Why the FUCK you guys do this?! 😲

なぜか大量のアメリカ人が俺のTwitterに押し寄せてる

@chippyfishdish Well I have tons of other tracks ready to go

@infiniteloop369 this needs to be an album

Liminal Hybrid is a genre fusion anchored in Uplifting Trance — its 140 BPM four-on-the-floor drive, supersaw leads, arpeggiated buildups, and euphoric minor-to-major drops forming the structural spine — layered against Electronic Rock for rhythmic tension and momentum, Metalcore for its distorted scream accents and pre-chorus aggression, Post-Hardcore for the quiet-loud dynamic contrast between detached verses and anthemic choruses, Cinematic Orchestral textures for atmospheric depth and emotional breadth, and Darksynth for the hypnotic, neon-lit liminal aesthetic running beneath it all — the entire sound drawing its arrangement DNA from mid-to-late 2000s trance while being mixed and produced to contemporary 2026 standards. Made with Suno v5.5

@tatolitotoro @CrownedCaribou 100%. Jenova was pretty good at it.

@infiniteloop369 @CrownedCaribou So basically it's psyop

Sephiroth's Super Nova is probably the most gratuitous attack ever inked in a game. In it, he obliterates most the planets in the solar system and detonates the Sun. And yes, he can cast it multiple times in the battle. I think it's fantastic.

@CrownedCaribou In other words: the attack is not intended for the characters. It is aimed at the player.

Supernova is best interpreted not as a literal cosmic attack, but as an observer-relative manifestation of Jenova’s adaptive nature. At Sephiroth’s peak, this latent ability expresses itself by presenting the most overwhelming form of annihilation the observer can comprehend. For the player in the real world, that appears as the destruction of our own solar system but not because it’s physically happening, but because it represents our upper limit of existential threat. It isn’t a fourth-wall break or a simple illusion, but a cognitive intimidation mechanism, meaning any other observer would perceive a different, equally catastrophic reality tailored to their own understanding.

@JasonBotterill Nice job.

Payouts are really high this period. My impressions were worse than last time, yet this is the highest payout I’ve ever gotten

@ThaFamousOG That LotR music is fucking killing me 💀

@GigaTheMinter oh noes wat do

REST IN PISS INFLATION

Lyrics: …static… …hold… …don't fade… Every word gets lost in motion Falling through a crowded air I can feel you somewhere close But nothing lands, it isn't there All the shapes we used to follow Blur into a shifting line I reach out to catch the moment But it fractures every time There was clarity before A quiet way to let it through Now it's buried underneath Everything that isn't you I'm just a signal in the noise Trying to reach you through it all Every silence, every voice Only makes me feel less known If you hear me, let it break Cut through everything between I'm still calling out your name From somewhere you've never seen signal… signal… All the space is filled with echoes None of them belong to me Every frequency is crowded With a ghost of what could be I stripped it down to something honest Left it bare for you to find But it drowns inside the current Of a world that won't rewind I can feel it slipping out Every time I get too close If there's anything that's real Why's it always lost in— NOISE I'm just a signal in the noise Trying to reach you through it all Every silence, every voice Only makes me feel less known If you hear me, let it break Cut through everything between I'm still calling out your name From somewhere you've never seen I'm just a signal in the noise But I refuse to disappear Through the chaos, through the blur I'm still certain you are here If there's a way to let it through If there's a line that still connects Then I'll hold it even now Through the silence, through the rest THROUGH IT ALL …still calling… …somewhere you've never seen… …signal… …still here… …don't fade…

@BillyM2k Create something meaningful for YOU that you enjoy and maybe you’ll start accepting these changes.

it's possible i only feel this way because i have been training most of my adult life to learn how to build stuff, and it's trivializing everything i've trained for, but maybe AI will do that stuff and we get back to the human experience of touching grass... but will need money

i have such ambivalent feelings towards ai i love using it, i love building stuff with it, it's a ton of fun to create things quickly and iterate quickly to make what i like at the same time, i feel like it ultimately cheapens the human experience and destroys human purpose

@FantasyWorldW1 Well…

Explain to me why this wouldn’t work

︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎ ︎

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