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"AQUI ESTAMOS" (2024) Out now: youtu.be/gybqE7g6Nqo

Cartoons in real life is unironically one of my favorite sub-genres

youtuber to horror director pipeline

cuando te encontrás un aleph AAAAAAAAH LA CONCHA DE LA GORRA pero cuando lo contas si Bioy no sabés ayer vi un aleph una infinita veneración una infinita lástima

In 2009, actress Kirsten Dunst teamed up with Japanese artist Takashi Murakami and director McG for a short film titled Akihabara Majokko Princess

Omg, the Ayahuasca worked

David Bowie’s painting of Trent Reznor - Sometime in the 90’s

«Cuando opinas en una red social sobre algo no estás viviendo nada, no experimentas nada, todo lo que haces es mentira (…) Todo el mundo dice lo que cree que los demás quieren oír. Eso no es arte. Eso es marketing»

that everyone in moving images today talks like a project manager is a terrific insight

suena mediocre agradecer por la vida cuando Lispector ya escribió «hoy estoy como Dios quiere que esté. perfectamente consciente de que tengo dos piernas sanas y dos ojos para ver el Sol que Él, el Grande, creó. todo, lo demás, no importa»

The trailer ACME doesn’t want you to see. Coyote vs. ACME. In theaters August 28.

Give Spielberg’s A.I. Artificial Intelligence the Speed Racer treatment and re-release it on IMAX

A big reason why I love David Lynch is that his approach to surrealism and abstraction is very legible. He always goes for the emotion any given scene demands. There's no pretension. Even when something doesn't make logical sense, it feels grounded in his world's rules.

SPEED RACER is one of the very few movies i'd say is genuinely one of a kind. it's not just ahead of its time- there may never be a time that we get another movie like it. it's a true cinematic unicorn and we're lucky to have it.

gonna make a movie about how Roman Polanski survived the Holocaust, became a filmmaker, broke into Hollywood, directed Rosemary’s Baby, suffered the loss of his pregnant wife, willed himself to continue making films, culminating in the success of Chinatown, the end.

this film basically used all of Hollywood's colour reserves in a way we're barely beginning to see it recover from

To be a filmmaker you got to make movies. Unfortunately, it is really hard to make it to this first step

not a one size fits all thing but what makes Amadeus/Oppenheimer/The Social Network sing is that they focus opposing perspectives (whether positive or negative) close to the subject to provide strong contrast and dramatic stakes beyond the basic events of the subject’s life

Lo unico que hizo la ia es darle a la gente sin gustó las herramientas para mostrarle eso al mundo