@RaquelGaudard @ragnar_meta Thank you Raquel and the Objkt team for featuring this work multiple times over the last year. ✨
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João Pescada
2.6K posts
João Pescada
@jpscd
Designs algorithms. Plays with code. Works with robots.
London 🇬🇧 / Lisbon 🇵🇹 Katılım Nisan 2008
668 Takip Edilen1K Takipçiler
@jpscd @ragnar_meta Congratulations to both of you, João! 💜
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"Out of Red" found a new owner. 🎉
The physical piece will soon join the extensive and impressive digital art collection of @ragnar_meta. 🤯
objkt@objktcom
João Pescada @jpscd, originally from the south of Portugal and now based in London, is a digital product expert who creates websites, mobile apps, and interactive experiences. He launched an online magazine in 2002 that supported Portuguese and Brazilian designers, and his work was featured in MusaBook, a book of contemporary illustrators. He earned several awards, including gold and silver from the Creatives Club of Portugal and a Site of the Day award from The FWA. Out of Red This original artwork, part of the "Displaced" series, combines digital and analog expressions of generative art. The drawing was first made with code using an algorithm to generate unexpected outcomes. Over 30.000 short lines drawn, applying over 100m of paint on paper. The paper is purposely moved between the first and second layers to create a misalignment of the drawings. Made with code (Javascript & SVG). Original / Unique edition. Signed and stamped. Shipped unframed inside a tube.
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This is a very special piece to me and it was the first time I sold an artwork that I feel deeply connected to. It's a strange feeling maybe even akin to losing a friend. Is this the blues? Weird.
It's one of the most attractive pieces in the SoS collection, but the market is the market and sometimes we just have to let it go.
Thanks @williamapan for continuously bringing us glimpses of joy and I believe it's now in good hands with @stevezee_.
Thank you, both. 🫂
stevezee@stevezee_
Ever since Strands of Solitude was released by @williamapan over a year ago, I’ve been searching for a piece that felt right to own - checking newly listed pieces multiple times a day, every day. A few days ago, I was fortunate enough to see #138 listed by @jpscd who has been its steward since mint. This is a special piece, featuring an echo chamber and glimpse of joy with a stunning Blues palette. It is reminiscent of Mapan’s Dragons due to the glimpse of joy and @mattdesl’s Meridians due to the undulating waves in the echo chamber. Thank you to João for giving me the honour of carrying on the stewardship of this special piece. It is in good hands.
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WOW! Room #18 looks particularly lovely to me.
The muted green colour palette and the induced left-to-right motion confirm it. Indeed, it’s 4:20.
Love it! 😍
Congrats to whoever got this one. ✨
And thank you, @0xdgb, for including my work in this collection. 🤟
dgb@0xdgb
ROOMS REVEALED 🚪👀 All 55 Doors have now opened and Rooms have been revealed. Thanks to @TransientLabs for their help with this project, and thanks to all the collectors for your patience! Show me what you got, or just share your favourites! 🖤🫡
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@0xdgb Just around the corner! 😃
0xfE1bbdD8A21d7493A444C5324FD814924C583612
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Antes, Agora, and Depois are a unique generative set of three connected artworks that close my Curves collection on @foundation.
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Ok, @refikanadol, I get it now.
It’s truly mesmerising. 🤩
Echoes of the Earth: Living Archive is currently on exhibition at @SerpentineUK until 7 April. It’s free.
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At the very last hour, which only happens once every four years, I minted my first artwork of 2024. It’s a tryptic. More tomorrow.
On the last day of the week.
Time is a loop.
Hello again! I’m still here.
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I’ve been distracted in a parallel universe and just noticed it’s already been a year since I released Disdain on @fx_hash_. 🎉
Looks like it’s that time of the year again. 👀
⚡️
🫴
fxhash.xyz/generative/slu…
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João Pescada retweetledi
Making prints for @williamapan had us spun around. Multiple tries before we were able to match his level of craftsmanship with a physical work that has a minimal amount of data loss from its digital counterpart.
Centrifuge is a new series of 35 unique generative artworks that we turned into textured prints. Launching on 24 January each of the outputs are a display of kinetic movements based on William's experimentation with ink flows on paper.
No detail is sacrificed in the translation from digital to physical, with each print comprised of 18 layers of tangible printed detail. A year in the making, William knew he wanted to create something unseen before, pushing the boundaries of our printmaking.
Check out all 35 works and enter the draw here: avantarte.co/centrifuge
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João Pescada retweetledi
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@evbuilds @lucclop @OTHERfaces_Ai @YuferevaI It's an interesting selection. Thanks for sharing these works. 🤝
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4 pieces that caught my eye this week
all available on joyn rn
FACADE - edition of 5 from @lucclop
Threads of Chaos - 1/1 from @OTHERfaces_Ai
Forgotten Day - 1/1 from @YuferevaI
Azulejo Partido - 1/1 from @jpscd
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@williamapan I feel you 🫂
Add another one to the game to go exponential. 😄
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having a toddler by winter is about playing a game to find out how many times in a row you can get sick.
Im losing.
gm 😤
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@0x3y3 @TezosFoundation Went in looking for The Pole but landed in that same room.🤦
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gm
I tried to check out the new @tezosfoundation PAC exhibit but got stuck in a tiny exitless room with only a window looking out at a Fidenza.
Accurate.
Tezos@tezos
The @TezosFoundation has released the third gallery of work featured in the Permanent Art Collection curated by renowned photographer and activist @misanharriman
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