Kenny Bender

557 posts

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Kenny Bender

Kenny Bender

@kennybender_

idk bro content ecom marketing Christ branding psychology ribeyes

grow your personal brand 🔗 Katılım Aralık 2015
119 Takip Edilen604 Takipçiler
Loic Kenmoe
Loic Kenmoe@kenmoeloic1·
This account is the proof that even when ecom nerds make money they can't unlame themselves lool. Every now and then a fake chick account pops and you guys lick toes for no benefits. And even if this account is real there is still no point in licking toes for no benefits That's why money isn't the end goal gents. Wealth without self-respect is still L behavior
Andreea Diac@andreeaecom

ONE WEEK of building an ecom brand with 0 experience ok guys, week 1 done. learned more in 7 days than I expected taking it more seriously now. some things move slower than planned but we're moving. won't sell anything I haven't tested on myself first! we're one week in.

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Kenny Bender
Kenny Bender@kennybender_·
"you don't use a case on your phone???" you sacrifice beauty to indulge in fears of scarcity I pray to never glimpse
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Kenny Bender
Kenny Bender@kennybender_·
@paolo_scales "it's 10x more valuable than the main channel" dude it's literally just clips from his main channels and podcasts
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paolo trivellato
paolo trivellato@paolo_scales·
alex hormozi's new channel is literally getting barely any views on his videos and it's 10x more valuable than the main channel if you want to check out this gem it's called Hormozi Highlights not sponsored
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Kenny Bender
Kenny Bender@kennybender_·
get in uber notice his map said 35 minutes mine says 25 I suggest going the route my map is showing instead "no no trust me this way is the best because-" now I'm sitting in traffic for an extra 10 minutes lesson about ego in there
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Kenny Bender
Kenny Bender@kennybender_·
@bowtiedblock felt but you'll be glad you did it, I've done 1500+ orders myself and counting lol we're in the "good 'ol days"
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Sport Drink
Sport Drink@sportdrink·
Another rare bad review: “Lemon Lime is too tart”
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James
James@jamessimulation·
Hey look I kinda figured out Ecom. Step 1 really was making a good product.
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dustin
dustin@dustinodaffer·
i can't get adderall is it possible to reach agartha by drinking coffee?
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Reece
Reece@Reecebrah·
Im never f*cking turning my phone off again last time i did my mom's sister was hospitalized and i missed it thought that was the worst case scenario but then i tried to unplug FOR ONCE to spend time with my family and i come back to see horrors beyond comprehension not only did clav get brutally mogged by an ASU frat boy but he also got his f*cking cortisol spiked by foids while he was minding his own business jestergooning.
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Kenny Bender
Kenny Bender@kennybender_·
"huh a fake anti-muslim icon, I wonder who could be posting thi-"
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Archaeo - Histories@archeohistories

Hanging quietly inside the National Museum of Serbia is a painting dated 1595 that does not ask for attention—it commands it.... It depicts Serbian Orthodox Bishop Teodor of Vršac at the moment of his execution (1594), being flayed alive by Ottoman authorities. His crime was not theft or rebellion for personal gain. It was leadership. Faith. A refusal to renounce his religion and submit to imperial rule. This was the late 16th Century, a time when the Ottoman Empire ruled much of the Balkans. Control was maintained not only through armies, but through fear. Public executions were meant to send messages, and flaying—though not routine—was a documented punishment reserved for figures seen as dangerous symbols of resistance. Clergy, community leaders, and rebels who refused conversion or defied authority were sometimes made examples of in the most brutal ways possible. Bishop Teodor had supported the Banat Uprising of 1594, a Serbian revolt that mixed faith, identity, and survival. When the uprising failed, the retaliation was merciless. His execution was staged to be remembered—and it was. That is why the painting exists. It is not propaganda. It is testimony. Painted decades later, it reflects how communities preserved memory when justice was impossible. When no court would record the crime, art did. When silence was enforced, images spoke. The bishop’s exposed flesh is not there for shock—it is there to tell future generations what power looked like when it went unchecked. This painting is not about hatred. It is about cost. It reminds us that faith, identity, and resistance have often been paid for with bodies—and that history’s worst violence doesn’t disappear just because time passes. Museums do not only display beauty. Sometimes, they guard warnings. And as long as this image remains on the wall, Bishop Teodor’s suffering was not erased—and neither was the lesson it carries. #archaeohistories

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Mark
Mark@markbuildsbrand·
my voice to text failed me and confused "Hyros" and "high roast" so I had to play it off with my team. (they totally bought it)
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