Kevin Nathan

The Ultimate Mixtape Dilemma ​There was a specific kind of magic in the 80s and 90s that today’s "Add to Playlist" button just can’t replicate. It was the high-stakes art of the mixtape. ​It wasn’t just about the music; it was about the effort. You had to sit by the radio for hours, finger hovering over the Record/Pause buttons, praying the DJ wouldn't talk over the intro or that the tape wouldn't run out of room three seconds before the final chorus. It was a labor of love, a handwritten letter in audio form, and the ultimate way to tell someone exactly how you felt without saying a word. ​Even if you didn’t grow up in the era of physical cassettes, everyone has that one song. The one that feels like a core memory. The one that, the second it hits your ears, you aren’t just listening—you’re back in your first car, or at a high school dance, or walking through the mall with your best friends on a Friday night. ​Looking at these four heavy hitters, we have a serious problem. Billie Jean: The bassline that changed pop music forever. ​Don’t Stop Believin’: The undisputed king of the "everybody sing along" moment. ​Pour Some Sugar on Me: Pure, unadulterated arena-rock energy. ​Hungry Like the Wolf: The quintessential synth-pop vibe. ​If you’re staring at a blank 90-minute Maxell tape and you only have room for one more track to finish the side, which one is making the cut? ​Or, better yet, if you’re looking at this list and thinking, "None of the above—my mixtape needs something else," what is that one "must-have" song for you? Whether it’s a hair metal anthem, a grunge classic, or a modern track that gives you those same nostalgic chills, tell me what song defines your "mixtape" and why. ​Let’s see which track takes the crown.

Satanic. The Devil isn’t hiding.

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Magic Johnson endorses Karen Bass for re-election as LA Mayor; claims she has decreased homelessness and crime. “She’s doing a tremendous job.”