Glen Morton

@beth_lindop And what's the 'right way'? Like the ticket pricing issue,sometimes you've got to make a louder noise to be heard. It's a game of footy 😀 and its free speech. It's not like the media don't whip things up anyway.

Mo Salah is the best player I’ve seen play for Liverpool. He is and always will be a legend of the club and much of what he has said - in terms of this season not being good enough - is absolutely right. That doesn’t necessarily mean he has gone about things in the right way.

I have witnessed this club go from doubters to believers, and from believers to champions. It took hard work and I always did everything I could to help the club get there. Nothing makes me prouder than that. Us crumbling to yet another defeat this season was very painful and not what our fans deserve. I want to see Liverpool go back to being the heavy metal attacking team that opponents fear and back to being a team that wins trophies. That is the football I know how to play and that is the identity that needs to be recovered and kept for good. It cannot be negotiable and everyone that joins this club should adapt to it. Winning some games here and there is not what Liverpool should be about. All teams win games. Liverpool will always be a club that means a great deal to me and to my family. I want to see it succeed for long after I have moved on. As I’ve always said, qualifying to next season’s Champions League is the bare minimum and I will do everything I can to make that happen.

Slept on it. Has a manager ever won back a fanbase that has so completely lost confidence in him? I’m genuinely asking. Otherwise, why the exceptionalism. Why is there one rule for Liverpool/Arne Slot and another for every other professional football club?

@Drumdums Inde's performance was really impressive, rivals Naomi Scott's in Smile 2. I thought all the charachters were really good in this, well written for a horror film which can fall into cliche so often. Some well crafted, chilling scenes aswell. Hand Barker the keys to Elm St.

About 95% of my comments on Obsession are positive, but with even 5%, it shocks me that anyone would not like this movie, unless you just don't like heavy horror, which is not the case for my audience. Not only is Obsession incredible, it might be a paradigm shift in modern horror. It's THAT good. And Inde Navarette's performance will destroyed any and every one of her peers this year, and she won't even get nominated. Calling it now.

Zach Cregger absolutely nailed it when he said the term “elevated horror” only exists because some people still treat horror like a lesser genre. HEREDITARY and GET OUT aren’t “better than horror”; they are horror, just like EVIL DEAD II is. Different styles, same art form. The genre’s always been great. Fun bit from an interview in 2022 is going viral: [discussingfilm.net/2022/10/31/zac…]

Ray Harryhausen’s Medusa in CLASH OF THE TITANS (1981) was a 24-inch long, complex stop-motion model comprising over 300 parts and 150 armatured joints. Animating her, including the 12 individual snakes on her head, took over three months to complete.

@C2theHzee @ExtremeFootbal4 Then tried to sell a product that got rid of 'em.

@ExtremeFootbal4 The 90’s was a great period, but Evan’s and baker were a shit stain on that decade.

Iconic 1998 TFI Friday clip, aired weeks before the World Cup. Chris Evans jokingly locks Paul Gascoigne in a "safe-keeping" box to keep him trouble-free until the tournament. Imagine Glenn Hoddle's reaction!

The genius of Withnail and I is that it’s the greatest comedy ever made, yet there’s not only no real jokes, a lot of it isn’t even funny by nature. I’ve been thinking about this piece of dialogue for about an hour and laughing my head off: “Indeed I often wonder where Norman is now. Probably wintering with his mother in Guildford. A cat, rain, Vim under the sink, and both bars on. But old now, old, there is no true beauty without decay.” To read that on the page, it’s not even funny. But within the film, it becomes hysterical. That’s down to the brilliance of Bruce Robinson’s script. It’s razor sharp, not a word wasted. His direction is fantastic too. Between Marwood’s voiceover and the way we enter the scene just as these words roll out of Monty’s never-ending diatribe, it feels like we too have been roaming the fields with him for hours. Then there’s the acting, the way these actors bring flesh and blood to the characters until they feel completely lived in. We never get the backstory, but you instantly know there were all kinds of salacious antics behind Monty and Norman’s estrangement. That’s the magic of the film. It creates an entire world that feels like it existed long before we arrived and carries on after we leave. Much like Monty ponders where Norman is, fans can’t help wonder the same about the characters of this movie, so real they seem.

Wade Garrett in Road House (1989) is the kind of role that reminds you why people loved Sam Elliott so much. The second he walks into the movie, it feels like everybody else is trying to keep up with his level of effortless cool.

Alan Hansen was better on the ball than most midfielders. Here he sets up David Fairclough to score for Liverpool at Norwich in 1980

TALES OF THE UNEXPECTED: THE FLYPAPER (1980) Alfred Burke is absolutely terrifying in the series' greatest episode, adapted from Elizabeth Taylor's short story. Not going to spoil a thing about this one, but the ending is a real gut punch...

@TheStingisBack Lance is Always on fire.

That viral story about Lance Henriksen accidentally catching fire on Hard Target and just staying in character? Complete bullshit. Here’s the real story, the actual footage, and why the internet loves a good myth way too much. A Sting Original debunk.

On This Day in 2019, Liverpool 4-0 Barcelona ✨ From “impossible” to unforgettable in 90 minutes at Anfield 🔴 7 whole years ago, still feels like yesterday, one of the best nights of my life 🥲

Klopp's interview after a special night at Anfield on this day in 2019 😂❤️

Klopp's interview after Liverpool 4-0 Barcelona... "These boys are fucking mentality giants, it's unbelievable. Fine me if you want, I have no other words for this" ✊

John Arne Riise and the girl Colin Firth falls in love with in Love Actually.

@TheStingisBack When he rides his motorcycle up the stairs was class. This and Red Heat are underrated Belushi flicks.

If “Tough Teacher” movies are a spectrum, The Principal (1987) lands dead centre. Jim Belushi & Louis Gossett Jr. crush it in a film that’s everything all at once, violent, funny and weirdly heartfelt. I really like it. And Michael Wright might be cinema’s most evil student.

@GCHMlife @NickOresme @bushontheradio Barry Nelson was first, Bob second

@NickOresme @bushontheradio Bob Holness was however the first ever person to play James Bond! True story

When you were at school was there an urban myth about a celebrity having a rib removed so they could give themselves a blowie?

@RetroMoviesDB Blue Jean Cop, can only remember the trailer with Jimmy's Purple Haze tune 🎶💥

Shakedown (1988) Just remembered this gem. When the system is corrupt, you take justice to the streets. Peter Weller & Sam Elliott vs. NYC’s dirtiest. Pure 80s grit. Any fans?

On this day, 58 years ago, "Witchfinder General" (1968) premiered in Manchester, UK.