monica
88.6K posts
@monicanen
blue peter badge winner / writer 4 hire (27)
1 in 8 brits are now on universal credit. This is crazy. It's not sustainable. Time for some tough love to get people self reliant again.
Hunter Biden breaks down the difference between crack & cocaine and why crack is so addictive
The cruise ship Celestyal Discovery appears to have just successfully run the Strait of Hormuz.
As a Brit I can confirm Mark is just being a bitch, it’s not a “British sense of humour” #LadiesofLondon
Retired p*rn star Asia Carrera passes the Texas bar to become an attorney. tmz.me/S1RC9ik
"Why don't you name your abuser??!"
it’s crazy that pets just get into little fights w each other out of nowhere. they have a whole other dimension to their relationship i know nothing about. that had probably been building up for weeks
📢 FIRST LOOK: PC Plum’s song (2026) #balamorytwt
Spanish director Pedro Almodóvar questions Jacob Elordi’s acting range: “I think Jacob Elordi is going to be a big star—no doubt about that. But lately I’ve been wondering whether he’s just a sex symbol or a respected actor. […] It’s just that “Wuthering Heights” is very bad. And it’s not Jacob Elordi’s or Margot Robbie’s fault—they do what they can. It’s not even kitsch. What’s happening with Frankenstein adaptations is that they’ve become these filthy creatures, made from pieces of other bodies—it’s always been a horror story. But now they’ve added a kind of sexualised imagery to it; they’ve made the monster attractive. He has to speak in that deep, low voice, and that’s much easier than using a more expressive range. So, in that sense, “Frankenstein” is very convenient for an actor.” (worldofreel.com/blog/2026/4/16…)
Spanish director Pedro Almodóvar questions Jacob Elordi’s acting range: “I think Jacob Elordi is going to be a big star—no doubt about that. But lately I’ve been wondering whether he’s just a sex symbol or a respected actor. […] It’s just that “Wuthering Heights” is very bad. And it’s not Jacob Elordi’s or Margot Robbie’s fault—they do what they can. It’s not even kitsch. What’s happening with Frankenstein adaptations is that they’ve become these filthy creatures, made from pieces of other bodies—it’s always been a horror story. But now they’ve added a kind of sexualised imagery to it; they’ve made the monster attractive. He has to speak in that deep, low voice, and that’s much easier than using a more expressive range. So, in that sense, “Frankenstein” is very convenient for an actor.” (worldofreel.com/blog/2026/4/16…)
