talia

@marciaxthree It’s cross-stitch, not needlepoint

I get a lot of guff for staying masked up these last five years, but the only thing I’m catching is flights and feelings. I keep the one I love safe. I saw this needlepoint at Stay Gold Vintage and thought it was perfect for my cottage core decor. What y’all think? #cottagecore

@BelfastCyclist1 Very cool! What is that rotor doing?

Belfast Lough on the return journey, it was easier to go down the grass bank than that path.

@jonkay What is a body mezuzah?

I walked thru Washington Square Park last night during the “Shabbat for Gaza.” Mostly NYU students, a lot in (Covid) masks & other secular/progressive body mezuzahs. peaceful/friendly vibe (from what I saw), with no effort to harass/intimidate others. Many bored cops looking on…

@moeinminn Brother’s Deli

Their hand washing habits were finally acceptable. Their doctors were finally telling them to stay home, avoid other people. Complete vindication.

The contamination-fixated patients were glowing. They were Right All Along. One girl told me she thought her years of scrubbing and bleaching constituted a survival advantage. “I’m used to this.”

At the start of the pandemic, I was in an intensive program for neurotics with OCD, which is the funniest possible setting to learn of a deadly and novel virus.

The composition on this photograph is second to none. reddit.com/r/Minneapolis/…

@kohlrabimarshak Even harder to know things about things.

It's always been hard to know things.

if you’ve downvoted even a single tweet, ACAB includes you

I think reporters should try not to cry while reporting.

“but nobody bikes in the winter” The solution is to PLOW.

Not pictured: A parked police cruiser; furious cyclist

And yet not a single one of you is a genius…

cracked rim, broken spoke. I hate cars with such a midwit rage. Humiliating.

Nearly two years into the pandemic, your blood pressure may have returned to the normal range. We spoke to the experts about how you can bring it back up.

James Wright. “Something / The color / Of a puma has plunged through this net, and is gone.”

Portret Egon Schiele z 1915 roku w jego Atelier, na drugim planie obraz "Death and Girl" © Muzeum Leopoldów, Wiedeń

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lugged steel frames are lindy