Son of a son of a Jeff

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Son of a son of a Jeff

Son of a son of a Jeff

@mr4time

NASCAR (23 45 12 7 88 9). Hasn’t bitch slapped someone since Tucson. Free Palestine. DM me for my Venmo details if I hid your reply.

Nobody Really Knows Katılım Temmuz 2013
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Matt Weaver
Matt Weaver@MattWeaverRA·
South Alabama Speedway has banned Short Track Scene from covering the Rattler 250 because I refuse to apologize for calling out their use of AI in a fan-designed logo contest. This is ridiculous but I want fans to know why and that I support creatives. shorttrackscene.com/commentary/why…
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John Bourscheid 🇺🇸 🚀
Chuck Norris is dead? The same one who endorsed pedophiles Donald Trump & Roy Moore, propped up the Obama birther conspiracy, was outspoken in his hatred for gays & Muslims, and was obsessed with Netanyahu, guns & Mike Huckabee? I’ll save my thoughts & prayers, thanks.
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ALUTHEDON
ALUTHEDON@Mbakaza4L·
Her story needs to be taught just like Anne Franks was.
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NOH8 Campaign
NOH8 Campaign@NOH8Campaign·
Luke Combs affirmed his support for LGBTQ+ youth in a recent GQ interview, saying: “I am a firm believer that you don’t get to choose. You don’t get to choose who you want to be with, and I can’t imagine feeling the pressure a child would experience coming to terms with those things on their own.” #NOH8
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Koop Designs
Koop Designs@koop_designs05·
Oh no it just gets worse 😭
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Anish Moonka
Anish Moonka@AnishA_Moonka·
Sure, your eyes aren’t tricking you. That clip looks better than the new trailer, and the reason has nothing to do with talent. The VFX supervisor on Amazing Spider-Man 2 in 2014? Jerome Chen. The VFX supervisor on Brand New Day? Also Jerome Chen. Same person. Completely different system around him. In 2014, Chen had 50 effects artists at Sony Imageworks, the largest VFX crew the studio had ever put on a single project. They handled about 1,000 of the film’s 1,600 VFX shots on a $255 million budget. The crew shot on real film (not digital), on location in actual New York City, scanned Times Square with 36,000 photographs of over 100 billboards, and built physical lighting rigs on set so the CGI would match the real world. Now look at how Marvel makes Spider-Man movies. No Way Home had 2,500 VFX shots spread across 12 studios and about 3,000 artists. The budget was $200 million, $55 million less than TASM2 despite having 56% more VFX shots. Digital Domain, one of the VFX vendors, was delivering final shots days before the December 17, 2021, release. They kept reworking shots into mid-January, after the movie was already in theaters. Zoom out, and the math gets worse. Marvel released 6 films between 2008 and 2012. From 2023 to 2025, they pushed out 7 films and 7 TV shows. The Hollywood union representing VFX workers reported that Marvel pays artists about 20% below industry average and staffs one person where other studios hire three. Artists described 64-hour weeks and breakdowns on the job. Then, in February 2025, Technicolor, the parent company of MPC (three-time Oscar winner for Life of Pi, The Jungle Book, and 1917), collapsed almost overnight. 4,500 jobs gone globally. The studio had been actively working on Disney and Paramount films when the lights went out. Brand New Day has four months before release, and trailers routinely show unfinished shots. But the gap between a 2014 Spider-Man and a 2026 Spider-Man has nothing to do with technology going backwards. The industry has been asked to do three times the work for less money per shot while its biggest studios are going under.
Best Movie Moments 🍿@BestMovieMom

Someone explain how this looks better than the new Spiderman trailer. This movie is 12 years old.

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Dean Blundell🇨🇦
Dean Blundell🇨🇦@ItsDeanBlundell·
Sore winners make sorer losers. Just a country full of entitled assholes who pout when they find out Manifest Destiny isn't a thing. Every. Fucking. Time.
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